A man wanders through an almost dystopian landscape, trying to find an old farmhouse he has inherited. The people he meets are a bit strange – some ask him to kill someone for them, or try to seduce him, or get him to drink alcohol or just act plain damn weird. But there again, he's pretty weird himself. 　　This experiment in non-linear storytelling maybe has elements I couldn't figure. Every time I thought I might have a handle on it, the meaning eluded me. It's told in four chapters - The Sky, The Dust, The Wind, The Road. In the packed UK premiere at the Edinburgh International Film Festival, two people fell asleep within yards of me well before the third chapter. This is admittedly two hours of experimental film making that might be viewed as fairly soporific. The actors utter occasional lines with long silences between, as if each phrase had some deep significance. The gestures and movements follow the same pattern. The denouement partly explains, at least in the sense of a who-dunnit – but fails to fit the pieces together in a logical pattern as far as I could see. The setting is a rural, run-down area of Hungary. The film looks as if it was shot on a nominal budget. As a psychological essay it is perhaps more satisfying – as with early Lynch, the experience is not about having a simple straightforward plot with all the pieces explained and ends tied up with a ribbon. Where the film fails is that it is less interesting that early Lynch. The long pauses verge on being pretentious: but for those who like an enigma (solvable or not), After the Day Before has all the ingredients to allow you to stay up asking each other, so what do you think *that* was about??

偶像男團SPARK迎來出道十週年，粉絲小熹也終於實現多年的夢想，成為經紀團隊的一員。

偶像男團SPARK迎來出道十週年，粉絲小熹也終於實現多年的夢想，成為經紀團隊的一員。

松本杏子（前田希美 饰）刚刚搬到离大学很近的某个安静的住宅街。最近附近的街上，到处贴着下落不明的少女三岛加奈的传单。有一天晚上，杏子有紧急的联系，但是因为手机坏掉了，没办法只好找公用电话。正要拿起好不容易找到的电话箱里的听筒的瞬间，眼前的电话突然鸣响。杏子战战兢兢地接起电话，电话里传来沙尘暴般的杂音和微弱的女人的声音......

松本杏子（前田希美 饰）刚刚搬到离大学很近的某个安静的住宅街。最近附近的街上，到处贴着下落不明的少女三岛加奈的传单。有一天晚上，杏子有紧急的联系，但是因为手机坏掉了，没办法只好找公用电话。正要拿起好不容易找到的电话箱里的听筒的瞬间，眼前的电话突然鸣响。杏子战战兢兢地接起电话，电话里传来沙尘暴般的杂音和微弱的女人的声音......

一次偶然中，室内设计师拉萨（黛薇卡・霍内 Davika Hoorne 饰）遇见了富家花花公子帕卡彭（林柏光 Dome Pakorn Lam 饰），帕卡彭轻浮的行为举止令拉萨十分不齿，之后，拉萨又在工作中同帕卡彭重逢，随着时间的推移，两人虽然表面上吵吵闹闹，但心的距离却越来越近。 　　然而，就在拉萨觉得自己和帕卡彭打得火热之时，帕卡彭竟然提出了分手，没过多久，便传出了帕卡彭热烈追求总理之女的消息。得知此事的拉萨大受打击，然而她人微言轻，对此无可奈何只能接受。在帕卡彭的内心里依然深爱着拉萨，只是，他有一个不得不完成的任务，有一个不能不报的仇，知道真相的拉萨想要阻止冲动的帕卡彭，然而一切早已经来不及了。

一次偶然中，室内设计师拉萨（黛薇卡・霍内 Davika Hoorne 饰）遇见了富家花花公子帕卡彭（林柏光 Dome Pakorn Lam 饰），帕卡彭轻浮的行为举止令拉萨十分不齿，之后，拉萨又在工作中同帕卡彭重逢，随着时间的推移，两人虽然表面上吵吵闹闹，但心的距离却越来越近。 　　然而，就在拉萨觉得自己和帕卡彭打得火热之时，帕卡彭竟然提出了分手，没过多久，便传出了帕卡彭热烈追求总理之女的消息。得知此事的拉萨大受打击，然而她人微言轻，对此无可奈何只能接受。在帕卡彭的内心里依然深爱着拉萨，只是，他有一个不得不完成的任务，有一个不能不报的仇，知道真相的拉萨想要阻止冲动的帕卡彭，然而一切早已经来不及了。

此短片为戏剧家，脚本家兼导演天野天街1994年为[少年王者舘]创造的作品。此片表现了一种思乡之情节，剧情是讲一个拒绝承认自己已经死亡的小男孩所发生的各种异乎寻常的经历，完全运用超现实主义的表现手法。 　　此片几乎没有什么对白，完全用镜头语言来表达，更像是结合了寺山修司和大林宣彦风格

《曙光》讲述了“粤德居”食店老板与太太的走过一个又一个难关的创业及爱情故事。