This film is an extremely entertaining psychological thriller with Carrol Baker excellent as a rich American widow getting away from it all at a secluded Italian villa. Enter smart aleck down on his luck playboy, Lou Castel, who has some golddigging motives behind his slick hipster seduction techniques and has no qualms about how he gets what he wants. He encourages Baker's character's incipient alcoholism and dubious self-esteem, brings in his supposed 'sister' to help drag Baker even further into a maze of sick mind games, drug addiction and group sex, all culminating in a descent into near-madness and self-destructive depravity. 　　I won't give away anymore, suffice to say that the film delivers on its swinging sixties, Euro sleaze ambience and psychological suspense thriller credentials in spades. Director Umberto Lenzi's work has been, at best, uneven and he's churned out his share of crap. However, he made some quite good giallos and crime pictures in the sixties and seventies and this is one of them (other good films by Lenzi -- SPASMO, SEVEN BLOODSTAINED ORCHIDS, ASSAULT WITH A DEADLY WEAPON, to name only a few). 　　Unfortunately this film is ofen confused with another okay but not-quite-as-good Lenzi film that was also released briefly here in America under the same PARANOIA title (but is more commonly known, especially on video, as A QUIET PLACE TO KILL).

This film is an extremely entertaining psychological thriller with Carrol Baker excellent as a rich American widow getting away from it all at a secluded Italian villa. Enter smart aleck down on his luck playboy, Lou Castel, who has some golddigging motives behind his slick hipster seduction techniques and has no qualms about how he gets what he wants. He encourages Baker's character's incipient alcoholism and dubious self-esteem, brings in his supposed 'sister' to help drag Baker even further into a maze of sick mind games, drug addiction and group sex, all culminating in a descent into near-madness and self-destructive depravity. 　　I won't give away anymore, suffice to say that the film delivers on its swinging sixties, Euro sleaze ambience and psychological suspense thriller credentials in spades. Director Umberto Lenzi's work has been, at best, uneven and he's churned out his share of crap. However, he made some quite good giallos and crime pictures in the sixties and seventies and this is one of them (other good films by Lenzi -- SPASMO, SEVEN BLOODSTAINED ORCHIDS, ASSAULT WITH A DEADLY WEAPON, to name only a few). 　　Unfortunately this film is ofen confused with another okay but not-quite-as-good Lenzi film that was also released briefly here in America under the same PARANOIA title (but is more commonly known, especially on video, as A QUIET PLACE TO KILL).

一位女赛车手海伦突然被前夫邀请去一所豪宅，事实上事情并没有那么简单

一位女赛车手海伦突然被前夫邀请去一所豪宅，事实上事情并没有那么简单

在疫期独白剧Beat the Devil之后，英国著名演员拉尔夫·费因斯（Ralph Fiennes）与编剧大卫·黑尔（David Hare），塔桥剧院艺术总监、导演尼古拉斯·希特纳（Nicholas Hytner）再度携手，献上新剧《直线偏执狂》（Straight Line Crazy）。 　　该剧围绕上世纪纽约赫赫有名的城市规划者罗伯特·摩西（Robert Moses）的故事展开。在上世纪，他曾是最能左右纽约面貌的人，他的遗产永远改变了这个城市。在长达40年的时间里，摩西决意改善纽约工人的生活环境，创建了公园、桥梁和627英里的高速公路，将人们与伟大的户外活动联系起来。同时通过富有个人魅力的演说，将自己坚定的信念源源不断地传递出去。但当这一切遭遇群情激奋的抵制时，摩西是否会意识到，他们对应该建造什么样的城市有着非常不同的设想。

在疫期独白剧Beat the Devil之后，英国著名演员拉尔夫·费因斯（Ralph Fiennes）与编剧大卫·黑尔（David Hare），塔桥剧院艺术总监、导演尼古拉斯·希特纳（Nicholas Hytner）再度携手，献上新剧《直线偏执狂》（Straight Line Crazy）。 　　该剧围绕上世纪纽约赫赫有名的城市规划者罗伯特·摩西（Robert Moses）的故事展开。在上世纪，他曾是最能左右纽约面貌的人，他的遗产永远改变了这个城市。在长达40年的时间里，摩西决意改善纽约工人的生活环境，创建了公园、桥梁和627英里的高速公路，将人们与伟大的户外活动联系起来。同时通过富有个人魅力的演说，将自己坚定的信念源源不断地传递出去。但当这一切遭遇群情激奋的抵制时，摩西是否会意识到，他们对应该建造什么样的城市有着非常不同的设想。

天生心脉不全的许念念在山上长大，曾救一只被天劫打伤的九尾狐。十几年后，九尾狐苏司宴化身京城首富寻她。许念念为躲催婚到苏氏面试，苏司宴套路追妻，单纯的她很快入局，开启甜宠娇妻生活。

天生心脉不全的许念念在山上长大，曾救一只被天劫打伤的九尾狐。十几年后，九尾狐苏司宴化身京城首富寻她。许念念为躲催婚到苏氏面试，苏司宴套路追妻，单纯的她很快入局，开启甜宠娇妻生活。

时宁离婚前夜被下药，与协议老公秦赫野发生关系。欲离婚时现弹幕，知自己是书中恶毒女配，离婚后凄惨， 秦赫野是黑化反派。她遂顺其心意，相处中渐懂秦赫野真爱自己，也对他动心。该短剧改编自:番茄小说《暗恋我十年不说？幸好有弹幕剧透》，作者:【云九九】。

时宁离婚前夜被下药，与协议老公秦赫野发生关系。欲离婚时现弹幕，知自己是书中恶毒女配，离婚后凄惨， 秦赫野是黑化反派。她遂顺其心意，相处中渐懂秦赫野真爱自己，也对他动心。该短剧改编自:番茄小说《暗恋我十年不说？幸好有弹幕剧透》，作者:【云九九】。