2008年，首次来到日本的法国导演Philippe Grandrieux拜访了曾在20世纪60年代与著名导演若松孝二齐名的足立正生，二人初次见面，相谈甚欢。镜头对准这个在电影以及学运方面都留下重要足迹的男人，探寻着他对美学、伦理、政治乃至电影和友情的见解。他提出“美越发增强了我们的决断力吧！（美が私たちの決断をいっそう強めたのだろう）”，或许正与陀思妥耶夫斯基那句名言相符——“美将拯救世界”。

2008年，首次来到日本的法国导演Philippe Grandrieux拜访了曾在20世纪60年代与著名导演若松孝二齐名的足立正生，二人初次见面，相谈甚欢。镜头对准这个在电影以及学运方面都留下重要足迹的男人，探寻着他对美学、伦理、政治乃至电影和友情的见解。他提出“美越发增强了我们的决断力吧！（美が私たちの決断をいっそう強めたのだろう）”，或许正与陀思妥耶夫斯基那句名言相符——“美将拯救世界”。

Eric Baudelaire, artist and photographer, films on Super-8 the political and personal reflections of May, the daughter of the founder of the Japanese Red Army Shigenobu, and of Adachi Masao, the legendary experimental filmmaker who gave up film to fight for the Palestinian cause. 　　Like his compatriot Philippe Grandrieux, the French artist Eric Baudelaire has made a personal film about the history of the Japanese Red Army (JRA), an extreme left-wing group that took up arms in the early 1970s in order to realise the proletarian revolution. The JRA hijacked aeroplanes and in 1972 organised a raid on the airport of Lod, in which 26 people died. They also fought in Lebanon, with the People’s Front for the Liberation of Palestine (PFLP). 　　On the soundtrack, we hear the story of the Japanese filmmaker Adachi Masao, who lived in Beirut for years and at the time was spokesman for the JRA. Shigenobu May, the daughter of Shigenobu Fusako, the woman who founded the JRA, talks about her childhood in Lebanon and her many secret identities. 　　Baudelaire illustrates their stories with 8mm films that he made in Beirut and Tokyo, at the places where both were active. We also see clips from films by Adachi and newsreel footage of the attack at Lod and the arrest of Shigenobu Fusako in 2000.

Eric Baudelaire, artist and photographer, films on Super-8 the political and personal reflections of May, the daughter of the founder of the Japanese Red Army Shigenobu, and of Adachi Masao, the legendary experimental filmmaker who gave up film to fight for the Palestinian cause. 　　Like his compatriot Philippe Grandrieux, the French artist Eric Baudelaire has made a personal film about the history of the Japanese Red Army (JRA), an extreme left-wing group that took up arms in the early 1970s in order to realise the proletarian revolution. The JRA hijacked aeroplanes and in 1972 organised a raid on the airport of Lod, in which 26 people died. They also fought in Lebanon, with the People’s Front for the Liberation of Palestine (PFLP). 　　On the soundtrack, we hear the story of the Japanese filmmaker Adachi Masao, who lived in Beirut for years and at the time was spokesman for the JRA. Shigenobu May, the daughter of Shigenobu Fusako, the woman who founded the JRA, talks about her childhood in Lebanon and her many secret identities. 　　Baudelaire illustrates their stories with 8mm films that he made in Beirut and Tokyo, at the places where both were active. We also see clips from films by Adachi and newsreel footage of the attack at Lod and the arrest of Shigenobu Fusako in 2000.

该剧主要通过讲述一个生活在社会底层的中年男人——下岗职工陈立正的苦难和坚强，加以亲情，感情和生活的元素，通过描写围绕这个人物身边的人和事，希望唤醒人们心中渐渐麻木的诚信、责任、廉耻和悲悯意识。

该剧主要通过讲述一个生活在社会底层的中年男人——下岗职工陈立正的苦难和坚强，加以亲情，感情和生活的元素，通过描写围绕这个人物身边的人和事，希望唤醒人们心中渐渐麻木的诚信、责任、廉耻和悲悯意识。

26岁的夏冰本来还想再过几年单身生活，却因怀孕和男友步入婚姻殿堂。35岁的李木子是夏冰的老板，年轻时为工作奋斗错过了最佳的生育期，得知下属夏冰怀孕，原本不对劲的上下级关系变得越发紧张。李木子通过科学手段求子成功，整个人都变得温和了许多，她和夏冰也因共同的准妈妈身份成为朋友。夏冰不想因为怀孕破坏自己时尚靓丽的外形，天天因为穿衣吃饭等琐事跟丈夫婆婆闹矛盾。李木子则因太想要孩子积极配合家人和医生，及时进补后没过多久就变得体态臃肿。两位准妈妈在外形、心态等各方面形成强烈反差。两人共同经历了怀孕、生产、坐月子等一系列过程，在抚养孩子照顾家人的过程中承担起为人妻为人母的责任，随着孩子的长大，两人也逐渐成熟起来 。

夏冰和元宝这对小恋人，一个夜店咖，一个未长大。直到夏冰前男友欲重修旧好，万箭穿心的元宝才急得跳脚。他借钱买钻戒，死皮赖脸求结婚。结婚？纯粹是给恣肆狂欢的生活挖坟。不仅夏冰不买账，老妈更是不松口。谁知夏冰一夜肚大，孕夫元宝悉心照料。穿着抢来的婚纱，坐着鸣笛的警车，这对活宝奔向鸡飞狗跳的新生活。

皮克斯打造《玩具总动员》系列衍生动画电影《光年正传》，美队Chris Evans配音。讲述巴斯光年人类原型宇航员的起源故事，他从一个年轻的试飞员，变为大家…

皮克斯打造《玩具总动员》系列衍生动画电影《光年正传》，美队Chris Evans配音。讲述巴斯光年人类原型宇航员的起源故事，他从一个年轻的试飞员，变为大家熟知的太空游侠。