On a cold November night in 1993, Wanda Lopez was stabbed to death while she worked at a Corpus Cristi Texas gas station. 21 year old Carlos DeLuna was arrested, and over the next six years, through his trial and subsequent imprisonment he protested his innocence, declaring that it was another Carlos who committed the crime. The prosecution insisted that this other Carlos was a “phantom’ and didn’t exist. 　　Through illuminating interviews with witnesses, Carlos’ family members, and legal experts the film asks, for the first time since 1993, if the judicial system executed an innocent man, examining key evidence that calls into question whether or not Carlos DeLuna was right about the other Carlos. Was he a phantom after all, or was he a brutal killer, and did a poor Hispanic young man have any chance within a justice system and a society that by it's actions seemed to regard him as disposable? —Deborah Rudolph

离休干部老贾，老伴儿去世8年，来婚介所3年，一心想要再找一个年轻漂亮的女人，84岁却谎称自己54岁。 　　“干妈”77岁，离休前是小学教师，老伴去世2年，在婚介所里人缘最好，追求她的人也最多。在这里，他们的暮年生活又有了新的希望。然后现实终究不是梦想……

在瑞典一个下雪的圣诞节期间，心理学家兼侧写师英格·约翰·维克（Inger Johanne Vik）发现自己，而且她的自闭症女儿也卷入了对一些令人不安的死亡事件的调查，通过这些调查，她遇到了斯德哥尔摩警察局的侦探英格瓦·尼曼（Ingvar Nymann）。尼曼被派往乌普萨拉调查令人震惊的平安夜谋杀主教伊丽莎白·林格伦。在斯德哥尔摩，尸体不断出现 - 尽管死因各不相同。但不久之后，英格·约翰开始注意到一种模式。MODUS是一个惊心动魄的故事，提出了关于宗教，人权和爱本身本质的问题。它超越了传统的犯罪，并在故事中加入了炙手可热的政治问题和批评不容忍。

These senior citizens may each be almost a century young, but for Kara, (94) Maynie (95) and Terri (93) the journey to Las Vegas and the World Hip Hop Dance Championships is just the beginning of a life's journey. And along with twenty-seven other nonagenarians they defy the odds and hip-hop their way into the hearts and minds of thousands of young fans from around the world. Led by their exuberant and 'I must have been mad,' manager Billie Jordan they learn to throw away their wheelchairs and walking sticks and push their bodies and artificial joints to the absolute limits of old age. ' You're all going ...even if its in an urn" she tells them. But there's 'only sixty dollars in the bank,' and its not easy when you 'don't really like the music' and all can do is 'worry about how to get your socks on.' But with the help of Billie ' I've never danced in my life ' and young hip hoppers from Street Dance New Zealand they begin to believe. Along the way we hear how these extraordinary ...

Kiarostami presents two cases for talking heads to evaluate in terms of morality, rights and responsibilities. Case One: Your son is in class, sitting in the back row. His teacher is writing on the board. A restless student in the back row makes a lot of noise. Not knowing who the culprit is, the teacher makes all the children sitting in the last two rows stay outside of the class until the weekend, unless they tell him who made the noise. After a few days spent outside of the classroom, your son relents and tattles on the boy who made the noise, so he can go back in and continue learning. Was he in the right? Case Two: The other students from the back row wait out the rest of the week outside of the class, before returning. Were they in the right?

两德统一后，居住在耶拿-温策拉（原东德地区）的女孩贝阿特•策佩认识了乌维•穆德罗斯并与其相恋。后者对右翼势力极其迷恋，两人光顾右翼摇滚音乐会，对外国人和“寄生虫”采取行动。乌维服兵役期间，刚刚出狱的伯恩哈特•穆德罗斯和贝阿特渐渐熟识，在乌维得知两人的亲密关系后，尽管愤怒难忍，却将注意力主要集中在“起义日”，因而强调三人的彼此支撑。此时，一系列的暴力行动逐渐成为日常，爆炸袭击也正在酝酿。（豆瓣电影字幕翻译2.0小组）

这个工作是粉刷匠，结果把人家的房子搞得一团糟~~

简介： 　　影片讲述一个非洲男人的生活，同时也是在讲述任何一个在公司里工作并想守住真诚的人的生活。一年轻经理给一男子提供了工作，因为他的家人都在前者家里服务。当他开始工作，留意其他人的福利时，开始看出公司是如何虐待工人。经理在自身的道德和其它人挑战的双重压力下，艰难保护他自己的利益。当男人决定要离开时，他发现命运可怕的暴力。

每个月都有成百上千名失业护士乘坐通宵巴士，从意大利南部前往北部寻找工作，每次巴士旅途的组织者正是其中的两人。这是一次漫长的希望之旅，但往往一无所获。作为一部公路纪录片，这两位电影制作人描绘了现代意大利在健康危机之前、期间和之后的无情写照。

A disturbing and gruesome shockumentary film on the real life horrors committed by psychotic killers.