Ngor is a young man living in a Senegalese village who wishes to marry Columba. Ongoing drought in the village has affected its crop of groundnuts and as a result, Ngor cannot afford the bride price for Columba.

Ngor is a young man living in a Senegalese village who wishes to marry Columba. Ongoing drought in the village has affected its crop of groundnuts and as a result, Ngor cannot afford the bride price for Columba.

穿過婆家村 　　作品簡介 　　《穿過婆家村》是一部片長八十七分鐘的十六釐米記錄影片，由中央研究院民族研究所研究員胡台麗擔任策劃編導，歷經三年，於一九九七年攝製完成口本月是台灣第一步描繪農村變遷的紀錄片，以影像為台灣城鄉歷史的鉅變做見證。 　　《穿過婆家村》攝製的地點是本片作者胡台麗以外省媳婦的身分進入婆家村落:台中市南屯區劉厝村。她於一九七六年到七八年在該村十八個月的人類學田野工作，完成博士論文:《婆家村落:台灣農村工業化與變遷》。 　　但是一九九四年，東西向快速道路即將穿村而過的消息傳來，本片作者決定以婆家村落部份田地房舍的徵收拆遷事件為貫穿主軸，不僅為這個村落，也為許許多多受現代化、都市化、工業化波及的台灣農村留下變遷的容顏。 　　作者簡介 　　胡台麗 　　◆台大歷史系畢業 　　紐約市立大學人類學博士 　　◆現為中央研究院民族研究所研究員 　　◆著有:《媳婦入門》、《婆家村落--台灣農村工業化與變遷》、《性與死》、《燃燒憂鬱》等專書。編導製作民族誌紀錄片:《神祖之靈歸來》(1984) 、《矮人祭之歌》(1989) 、《蘭嶼觀點》(1993)、《穿過婆家村》(1997) 　　評審評語 　　這是一部從社會變遷的文化角度切入的作品，完整而清楚的記錄了台灣人從生活上的徹底改變，農村社會的消失等。為同類作品中之最佳。(小野) 　　透過劉厝村居民面對開闢快速道路、徵收土地的種種，作者紀錄了台灣城鄉的發展，社會價值的轉變，以及人與土地互動關係的共同記憶。本片無疑已是台灣紀錄片的新典範之一。(李泳泉) 　　穿過婆家村。十六釐米紀錄片，彩色，有聲，87分鐘。胡台麗導演、製作；余是庸、張毓軒攝影；胡台麗、陳樂人剪輯。中央研究院民族學研究所出品。 *胡台麗發表之影片說明文章：「穿過婆家村：《媳婦入門》新版自序」，刊於時報出版社於1997年10月新版之《媳婦入門》，頁10-26。*入選1998年德國哥丁根國際民族誌影展；入選愛沙尼亞國際紀錄片與人類學影片展；入選1998年紐約瑪格麗特•米德紀錄影片展；入選1999荷蘭國際民族誌影展。

When the old die, the young emigrate and the towns empty, only songs remain to remember them.

系列动画片《耿村民间故事》 是以国家级非物质文化遗产——“耿村民间故事”为蓝本改编而成。每集独立成章，均以惩恶扬善、歌颂正义为主题，以宣扬我国古代人民勤劳勇敢、大公无私的崇高精神为主旨。本片情节曲折离奇、画面引人入胜、语言浅显直白、内容通俗易懂。主人公们善良、勤劳、朴实，同时不畏强暴、坚贞不屈，向人们展现了一个纯真、朴实、美好又充满幻想的世界。

系列动画片《耿村民间故事》 是以国家级非物质文化遗产——“耿村民间故事”为蓝本改编而成。每集独立成章，均以惩恶扬善、歌颂正义为主题，以宣扬我国古代人民勤劳勇敢、大公无私的崇高精神为主旨。本片情节曲折离奇、画面引人入胜、语言浅显直白、内容通俗易懂。主人公们善良、勤劳、朴实，同时不畏强暴、坚贞不屈，向人们展现了一个纯真、朴实、美好又充满幻想的世界。

a surreal love story from 2 strangers who met at the countryside.

无言。。。只能向这位默默无闻的东欧电影大师致敬了。 　　为满足父母的愿望和需求，14岁的吉诺（Gjino）和20岁的玛丽戈（Marigo）之间安排了婚姻。吉诺不情愿地服从了，但爱另一个人的玛丽戈却想尽了各种狡猾的方法来摆脱这个双歧途的婚姻协议…… 　　To meet the desires and needs of the parents, a marriage is arranged between 14-year-old Gjino and 20-year-ol d Marigo. Gjino reluctantly obeys, but Marigo, who loves another, tries various devious methods to free herself from this bizaare marriage agreement. 　　'A Tale from the Past' is an excellent movie. There is some history in a comedy regarding ethnology. The time when the film was made, Albania was under communist regime and the equipment was of a low quality, so the visuals might not coincide with solid European or American standards. However, actors are perfect, and so does the story. Andon Zako – Cajupi is one the best humorists of Albanian Renaissance and he knew what to write about in his comedy. 　　Today's Albanian family has changed a lot, but at that time (18/19th century) mentality caused many disorders in the society. The priest was not the appropriate man for the church as he always kept his eyes on village's women, whereas men had to deal with long and senseless conversations, without working. I think that the movie acquaint very well the position of the woman in 18/19th century society. She had to work in the fields, wash the house, care about the children and what's the most important – she kept the family alive. But decisions were always done by the men, whose favourite job was drinking coffee or grape brandy. The marriage of a girl against her will to an unknown gets the most wanted punch in the movie.