Filled with expectations, Etienne moves to Paris from Lyon to study film directing at the Sorbonne. He leaves behind his girlfriend Lucie, promising to call her regularly via Skype. On his course he meets Jean-Noël and Mathias, they too have come to the metropolis from smaller cities and share his passion for cinema. Together they discuss the cinematic canon, read texts by Flaubert and Pasolini, and listen to Bach and Mahler. Jean-Noël proves to be an agreeable friend who tries to strengthen Etienne’s fragile self-confidence; Mathias, on the other hand, often comes across as stern, aloof and mysterious. Fond of arguing, he has a habit of disappearing for weeks on end without the others knowing where he is. Nobody gets to see his student film, either. Etienne is particularly crestfallen when he discovers by chance that Mathias shares a secret with Annabelle, an idealistic young woman who lives in Etienne’s shared flat and with whom he is secretly in love. Jean Paul Civeyrac’s tenderly melancholic black-and-white study of these young people’s encounter with art and life is at the same time a declaration of love for classic cinema and the city of Paris.

Filled with expectations, Etienne moves to Paris from Lyon to study film directing at the Sorbonne. He leaves behind his girlfriend Lucie, promising to call her regularly via Skype. On his course he meets Jean-Noël and Mathias, they too have come to the metropolis from smaller cities and share his passion for cinema. Together they discuss the cinematic canon, read texts by Flaubert and Pasolini, and listen to Bach and Mahler. Jean-Noël proves to be an agreeable friend who tries to strengthen Etienne’s fragile self-confidence; Mathias, on the other hand, often comes across as stern, aloof and mysterious. Fond of arguing, he has a habit of disappearing for weeks on end without the others knowing where he is. Nobody gets to see his student film, either. Etienne is particularly crestfallen when he discovers by chance that Mathias shares a secret with Annabelle, an idealistic young woman who lives in Etienne’s shared flat and with whom he is secretly in love. Jean Paul Civeyrac’s tenderly melancholic black-and-white study of these young people’s encounter with art and life is at the same time a declaration of love for classic cinema and the city of Paris.

艾薇和豆豆报了芭蕾舞课，却发现她们要在数百人面前演出。要赶快逃跑才行！

林溪入职第一天，本以为找到命运相同的新人可以交流，自来熟的开始自我介绍，表达对公司大项目的看法，结果这人竟是她的上司。林溪的能力出众，多次向老板交流提出自己的想法，慢慢的在与上司的交流中暗生情愫…….

这是一个20岁男孩在便利店工作的第一天。他的经理似乎有点神经质，而另一个女同事也时不时地来烦他。这又是一个不怎么样的工作，于是他从一个顾客的购物车里偷了一个钱包。为什么不呢？至少他已经这样做了。 2010年第14届索菲亚国际电影节 代表保加利亚入选詹姆森短片奖

这是一个20岁男孩在便利店工作的第一天。他的经理似乎有点神经质，而另一个女同事也时不时地来烦他。这又是一个不怎么样的工作，于是他从一个顾客的购物车里偷了一个钱包。为什么不呢？至少他已经这样做了。 2010年第14届索菲亚国际电影节 代表保加利亚入选詹姆森短片奖

雷纳德（马克·里朗斯 Mark Rylance 饰）是一位手艺精湛的裁缝，一场火灾之后，他离开了伦敦，来到芝加哥，在这里经营着一间属于自己的裁缝店。店里的员工除了雷纳德自己外，还有一个名叫梅布尔（佐伊·达奇 Zoey Deutch 饰）的姑娘，梅布尔的父亲是一个臭名昭著的恶棍，背负着父亲的“盛名”，梅布尔下定决心要攒够钱，去看一看这个肮脏黑暗的街区以外的世界。 　　一天深夜，黑帮大佬罗伊（西蒙·拉塞尔·比尔 Simon Russell Beale 饰）的儿子里奇（迪伦·奥布莱恩 Dylan O'Brien 饰）和他的副手弗朗西斯（强尼·弗林 Johnny Flynn 饰）闯入了店中，里奇身受重伤，在弗朗西斯的威胁之下，雷纳德处理了里奇的伤口，将他从死亡线上救了回来，但与此同时，他也被卷入了这个黑帮家族的纷争之中。

肯雅（桑娜·莱瑟 Sanaa Lathan 饰）是公司里的核心员工，在不久的将来将会成为公司合伙人，然而，就在她的事业蒸蒸日上一马平川的同时，肯雅的感情生活却是一片空白。孤独和寂寞之中，肯雅决定主动出击改变现状。 　　肯雅和名为布莱恩（西蒙·贝克 Simon Baker 饰）的男子来了一场浪漫的约会，可约会的过程却并不如肯雅想象的那样美好。不仅如此，布莱恩是一个彻头彻尾的白人，肤色的差异无时不刻都在困扰着肯雅。就在肯雅和布莱恩的感情渐渐走上正轨时，马克（布莱尔·安德伍德 Blair Underwood 饰）出现在了肯雅的身边。无论是个性还是兴趣，马克都和肯雅十分合拍，这让肯雅陷入了难以抉择的境地之中。

一名身材高大、笨拙的女孩搬到了一个新城镇，在被迫加入她新天主教女子高中的排球队，而又偏偏爱上了排球队队长时，一切都变了。高中最后一年的时光，艾思和詹娜从一开始的冤家路窄到后来的并肩作战，到最后的携手共进，排球见证了她们的相爱，也见证了她们的成长。