35岁的窗户清洁工约翰（詹姆斯·诺顿 James Norton 饰），在妻子抛弃家庭后努力工作抚养3岁的儿子迈克尔（丹尼尔·拉蒙特 Daniel Lamont 饰），但这时他却得知自己罹患绝症只剩几个月生命，在悲痛之余也开始尝试为迈克尔找到一个完美的新家，展开各式各样的家庭面谈，希望能让儿子安稳地长大成人。

35岁的窗户清洁工约翰（詹姆斯·诺顿 James Norton 饰），在妻子抛弃家庭后努力工作抚养3岁的儿子迈克尔（丹尼尔·拉蒙特 Daniel Lamont 饰），但这时他却得知自己罹患绝症只剩几个月生命，在悲痛之余也开始尝试为迈克尔找到一个完美的新家，展开各式各样的家庭面谈，希望能让儿子安稳地长大成人。

本片是一部清新的同性题材影片，喜欢游泳的男主角偶然间在泳池遇到另一位热爱游泳的男性，两人在泳池内切磋游泳技艺的中不断相互了解，这一天男主角受到对方的信息，面对对方的热情相邀，男主角却显得疑虑重重……

本片是一部清新的同性题材影片，喜欢游泳的男主角偶然间在泳池遇到另一位热爱游泳的男性，两人在泳池内切磋游泳技艺的中不断相互了解，这一天男主角受到对方的信息，面对对方的热情相邀，男主角却显得疑虑重重……

This film, based on a book written by Michael Ende (the German author who also wrote "The Neverending Story") takes place in a fictional, nameless town. The routine, slow-paced life of the townspeople is interrupted with the arrival of Momo, a seemingly orphaned girl without a past who quickly becomes a favorite of all of her neighbors. Among Momo's inexplainable gifts is her power of observation, with which she soon notices that something drastic is happening in the town. All of a sudden, the formerly kind, patient townspeople become obsessed with saving time and money and no longer have time for their friends, especially Momo. Momo soon finds out that those responsible for this are the "Grauen Herren", or the gray men, a group of ghost-like gentlemen who alienate Momo and her friends and are somehow stealing their saved-up time and using it to continue their own existence. After Momo tries to convince her friends of the existence of the gray men, she must flee from the town before she is abducted by the gray men. Momo finds protection in the mysterious home of Meister Hora, an old man who explains what exactly time is and confides in her that he is in control of time. After she realizes what a gift, as opposed to a chore, time is, Momo rushes home and attempts to gather what friends she has left together and convince them of the evil that the gray men are bringing to their quiet town.

This film, based on a book written by Michael Ende (the German author who also wrote "The Neverending Story") takes place in a fictional, nameless town. The routine, slow-paced life of the townspeople is interrupted with the arrival of Momo, a seemingly orphaned girl without a past who quickly becomes a favorite of all of her neighbors. Among Momo's inexplainable gifts is her power of observation, with which she soon notices that something drastic is happening in the town. All of a sudden, the formerly kind, patient townspeople become obsessed with saving time and money and no longer have time for their friends, especially Momo. Momo soon finds out that those responsible for this are the "Grauen Herren", or the gray men, a group of ghost-like gentlemen who alienate Momo and her friends and are somehow stealing their saved-up time and using it to continue their own existence. After Momo tries to convince her friends of the existence of the gray men, she must flee from the town before she is abducted by the gray men. Momo finds protection in the mysterious home of Meister Hora, an old man who explains what exactly time is and confides in her that he is in control of time. After she realizes what a gift, as opposed to a chore, time is, Momo rushes home and attempts to gather what friends she has left together and convince them of the evil that the gray men are bringing to their quiet town.

With a poetic nod to Fellini, Leonardo Ricagni uses the carnival atmosphere to transport the viewer to a magical place where realism and surrealism live side by side in Uruguay - and what a wonderful place to be. Beautiful fable in the style of Magical Realism. Magical realism manifests most often in a pointed and often ambiguous blurring of reality and fantasy. This film is no exception. It playfully deals with the ability of art and music, fantasy and fiction, to represent and alter reality. What is artistically and emotionally effective is the key. If you'd like, at the end, wipe off the expired tears and consolidate the smiles and cast back in your head for clues and indications of reality or unreality. Your conclusions will depend on your worldly perspective, your tastes, and the accuracy of your perceptions. This film, like all others, is open to personal and multiple interpretation. Its ambiguity is irrelevant to its aesthetic, its appeal, and its purpose. It is an observation on Uruguayan poverty and nation and a statement about youth, dreams, and education. Gorgeously told, styled, and filmed, this movie is very much worth a view or two.

With a poetic nod to Fellini, Leonardo Ricagni uses the carnival atmosphere to transport the viewer to a magical place where realism and surrealism live side by side in Uruguay - and what a wonderful place to be. Beautiful fable in the style of Magical Realism. Magical realism manifests most often in a pointed and often ambiguous blurring of reality and fantasy. This film is no exception. It playfully deals with the ability of art and music, fantasy and fiction, to represent and alter reality. What is artistically and emotionally effective is the key. If you'd like, at the end, wipe off the expired tears and consolidate the smiles and cast back in your head for clues and indications of reality or unreality. Your conclusions will depend on your worldly perspective, your tastes, and the accuracy of your perceptions. This film, like all others, is open to personal and multiple interpretation. Its ambiguity is irrelevant to its aesthetic, its appeal, and its purpose. It is an observation on Uruguayan poverty and nation and a statement about youth, dreams, and education. Gorgeously told, styled, and filmed, this movie is very much worth a view or two.

六个男孩子相遇在一栋房子，而他们都叫Tee。虽然他们的小名都一样，但是每个人却有着不同的性格爱好，在这栋房子里，他们要如何来忍受和接受每个人不同的性格和生活习惯呢？最后能否建立一个无可替代的友情呢？2020年9月18日起每周五晚上21:30分，跟着六个无可Tee代的小哥哥一起追剧。

六个男孩子相遇在一栋房子，而他们都叫Tee。虽然他们的小名都一样，但是每个人却有着不同的性格爱好，在这栋房子里，他们要如何来忍受和接受每个人不同的性格和生活习惯呢？最后能否建立一个无可替代的友情呢？2020年9月18日起每周五晚上21:30分，跟着六个无可Tee代的小哥哥一起追剧。