动漫电视剧《聪明的顺溜》以强国梦、强军梦为大的时代背景，以部队军事斗争准备生动实践和基层火热生活为基本素材，通过描述“顺溜”和他的战友们这些新生代士兵在训练演习、工作生活中，用机智克服困难、用妙招帮助战友、用勇气完成任务的一系列生动鲜活的小故事，通过小士兵的大智慧，充分展现当代青年官兵的崭新风貌和高尚追求，充分展示新时期军人苦练精兵谋打赢的昂扬斗志，极具鲜明时代特色和军营特色。

国内首部军事题材动漫电视剧《聪明的顺溜》由深圳环球数码影视文化公司和原济南军区政治部电视艺术中心联合制作。该剧改编自原济南军区《前卫报》自2011年起连载的热门专栏，以强国梦、强军梦为大的时代背景，讲述几位个性鲜明的90后，他们怀揣着不同的梦想和目的，从五湖四海出发，来到特战团，在训练演习和工作生活中，用机智克服困难、用妙招帮助战友、用勇气完成任务，最终训练成为顶尖特种兵的励志故事。 第三季已确认续订！

国内首部军事题材动漫电视剧《聪明的顺溜》由深圳环球数码影视文化公司和原济南军区政治部电视艺术中心联合制作。该剧改编自原济南军区《前卫报》自2011年起连载的热门专栏，以强国梦、强军梦为大的时代背景，讲述几位个性鲜明的90后，他们怀揣着不同的梦想和目的，从五湖四海出发，来到特战团，在训练演习和工作生活中，用机智克服困难、用妙招帮助战友、用勇气完成任务，最终训练成为顶尖特种兵的励志故事。

国内首部军事题材动漫电视剧《聪明的顺溜》由深圳环球数码影视文化公司和原济南军区政治部电视艺术中心联合制作。该剧改编自原济南军区《前卫报》自2011年起连载的热门专栏，以强国梦、强军梦为大的时代背景，讲述几位个性鲜明的90后，他们怀揣着不同的梦想和目的，从五湖四海出发，来到特战团，在训练演习和工作生活中，用机智克服困难、用妙招帮助战友、用勇气完成任务，最终训练成为顶尖特种兵的励志故事。

1997, 75 min., colour, BETACAM SP, Stereo 　　The Japan Foundation, North Foundation, Pandora Co., Ltd (Japan) 　　Special thanks to Hiroko Kodjima 　　scenario: A. Sokurov 　　camera: A. Fedorov 　　sound: S. Moshkov 　　editor: L. Semenova 　　“My journey to your sorrowful country cannot finish… even here in Russia. 　　I can't part with feelings which have captured me… as if my soul had been in search of Beauty and Kindness. If not — what for have I deserved this gift, this meeting… 　　I have arrived in the twilight. The noise of the wind and my tiredness didn't let me fall asleep. 　　I was lying on the floor, there was a small lamp at my head, the bedding had been thrown over the mat. 　　I don't know why, but I began to think about the war, and the scenes of unknown life appeared before me from the past… or, perhaps, from the future; Somebody’s children… somebody's mothers… 　　The summer was warm… 　　Then the morning came, windy, cold and sunny… I examined the house cautiously. It was empty… 　　Then, I remember, I turned back, having heard a creak. 　　It seemed she had not yet noticed me… I decided to come nearer. 　　I can remember well enough, how everything became interesting: walls, utensils, wind, light, sounds — all her life. 　　We agreed that she would let me stay near her all the time All the hours and minutes that I could spend in her old house. I sat near her with her permission. And it was really necessary: I could contem­plate her to my heart's content.” 　　Alexander Sokurov (from the author's text to the film) 　　A myth about lost harmony, which is always with us, though we often cannot feel it, is further developed in this film by Alexander Sokurov. The material used here is concrete and, at first sight, quite fit for TV. The whole work is unhurried and detailed report from an old solitary house, lost in the mountains, in the village of Aska, prefecture Nara, Japan, where an old woman, whose name is Umeno Matshueshi, lives alone. But filmmaker's creative task is quite opposed to the TV information stream. It is not only because this subject, this person couldn't be of any interest for any TV crew in any country (and least of all, perhaps, in modern Japan). 　　Sokurov's camera doesn't watch this character, doesn’t ask any questions, doesn’t surprise her, but extracts uninterrupted poetical image out of the trivial details of this physical reality, out of this extinct life and daily routine. The image is epic and lyrical at the same time. Refined simplicity of Japanese landscape, interior, a series of portraits are not a representation of “couleur local,” but only the sign of ideal technique of the ideal description, allowing to enter this life. The woman, who remains silent throughout the whole film, cooking and eating, kindling the fire and sewing, giving alms and combing her hair before us, recites in the final poem as a prayer: artless and sorrowful tanku about loneliness, about the constancy of losses and gainings. Sokurov shoots this unexpected stroke in his personage's portrait as a lyrical coda of his work.

Forget what you think you know about pigs. These remarkable animals have talents we're only beginning to understand. See how pigs have conquered nearly every habitat on Earth, thanks to their remarkable senses, intelligence, and adaptability. From the islands of Indonesia to the beaches of the Bahamas to the frozen tundra of Siberia, meet eight-inch pygmy hogs, cheetah-avoiding warthogs, domesticated pigs with super senses, and more.

红头、黑头、绿头三只小鸭一会逗逗蚯蚓，一会扑扑蝴蝶，玩得不亦乐乎。一个不小心，它们弄醒了正在做美梦的小黑猫，对方大怒，把它们追得无处可逃。看到一个废弃的烟囱时，机智的三只小鸭钻了进去，小黑猫也想效仿，无奈身形太过肥胖，于是它便在原地候着。三只小鸭从烟囱出来时，全变成了小黑鸭，这可把小黑猫吓坏了。

红头、黑头、绿头三只小鸭一会逗逗蚯蚓，一会扑扑蝴蝶，玩得不亦乐乎。一个不小心，它们弄醒了正在做美梦的小黑猫，对方大怒，把它们追得无处可逃。看到一个废弃的烟囱时，机智的三只小鸭钻了进去，小黑猫也想效仿，无奈身形太过肥胖，于是它便在原地候着。三只小鸭从烟囱出来时，全变成了小黑鸭，这可把小黑猫吓坏了。

When I was a kid I always used to like to read the picture books, then they made them into a TV series on CITV. This was actually quite a good book based cartoon. Wally is a guy in a red and white fleece with a dog dressed the same. Basically every episode, when he felts like it (obviously all the time) he would get his magic walking stick and create a vortex that would transport him to another world, e.g. stone age, spooky, under the sea, jungle, etc. Wizard Whitebeard would be around to see how he was using the walking stick or how he was in the adventure, and the villain (I can't remember his name) in the yellow and black fleece would always try to steal the walking stick. But the main part of the show (hence the title) was when the audience at home have to spot Wally in a freeze frame (because he disappears for some reason), just like in the books. Very good!

生活在森林里的小矮人，打败巨人，有趣的故事