Filled with expectations, Etienne moves to Paris from Lyon to study film directing at the Sorbonne. He leaves behind his girlfriend Lucie, promising to call her regularly via Skype. On his course he meets Jean-Noël and Mathias, they too have come to the metropolis from smaller cities and share his passion for cinema. Together they discuss the cinematic canon, read texts by Flaubert and Pasolini, and listen to Bach and Mahler. Jean-Noël proves to be an agreeable friend who tries to strengthen Etienne’s fragile self-confidence; Mathias, on the other hand, often comes across as stern, aloof and mysterious. Fond of arguing, he has a habit of disappearing for weeks on end without the others knowing where he is. Nobody gets to see his student film, either. Etienne is particularly crestfallen when he discovers by chance that Mathias shares a secret with Annabelle, an idealistic young woman who lives in Etienne’s shared flat and with whom he is secretly in love. Jean Paul Civeyrac’s tenderly melancholic black-and-white study of these young people’s encounter with art and life is at the same time a declaration of love for classic cinema and the city of Paris.

Filled with expectations, Etienne moves to Paris from Lyon to study film directing at the Sorbonne. He leaves behind his girlfriend Lucie, promising to call her regularly via Skype. On his course he meets Jean-Noël and Mathias, they too have come to the metropolis from smaller cities and share his passion for cinema. Together they discuss the cinematic canon, read texts by Flaubert and Pasolini, and listen to Bach and Mahler. Jean-Noël proves to be an agreeable friend who tries to strengthen Etienne’s fragile self-confidence; Mathias, on the other hand, often comes across as stern, aloof and mysterious. Fond of arguing, he has a habit of disappearing for weeks on end without the others knowing where he is. Nobody gets to see his student film, either. Etienne is particularly crestfallen when he discovers by chance that Mathias shares a secret with Annabelle, an idealistic young woman who lives in Etienne’s shared flat and with whom he is secretly in love. Jean Paul Civeyrac’s tenderly melancholic black-and-white study of these young people’s encounter with art and life is at the same time a declaration of love for classic cinema and the city of Paris.

艾薇和豆豆报了芭蕾舞课，却发现她们要在数百人面前演出。要赶快逃跑才行！

Counterterrorism agent Jack Bauer fights the bad guys of the world, a day at a time. With each week's episode unfolding in real-time, "24" covers a single day in the life of Bauer each season.

Joon-yi在某区厅里工作，是个负责公益事务的小职员。好景不常，Joon-yi遭到辞退了。他本来有些打算，可是最后还是一事无成。在整个夏季里，他祗是一脸漠然。而令他有所回忆的是他在区厅工作期间认识了Mi-young。Mi-young虽然已经结了婚，但却不避嫌的跟Joon-yi交往，而且两人亦爱对方。 　　久而久之，Joon-yi开始觉得跟Mi-young的关系变成了自己的负担。再加上Joon-yi优柔寡断的性格，令这段关系变得更加复杂。在不知道如何结束跟Mi-young的关系时，Joon-yi最终选择了抛弃她作为这段感情的终结。 　　自从离开了Mi-young后，Joon-yi的心仍然很乱。直至某月某天，给他找到了一个新的对象──在放送局工作的Eun-ji… 　　亲嘴何以胜过性爱？廿四岁那年，应是人生的美丽时光，Jun的生活确实也不赖：兵役快服完了，又有一个成熟的情人丰富他的情欲。不过，抉择出现，烦恼亦随之而来。服过兵役后，生命的下一站又会是甚么？结识了美丽的两姐妹，骤然发觉肉欲之余还需有爱。美丽的时光，毕竟不是免费的午餐；要赢得真爱，岂止要跟暗恋的人比赛跑过一圈又一圈？还要痛定思痛。 　　蒙特利尔电影节参展作品，以清新的笔触勾划出青年成长的心路图。

腾讯视频独播，周日00:30无字上线，周日13:00中字更新。由CJ E&M音乐部门投资制作的超大型真人选秀企划，49名男练习生突破220:1的高竞争率获得了参赛资格，将在每轮比赛中以组队的形式展开竞赛。生存至最后一轮的24名练习生将以“少年24”成员的身份获得在专属公演场进行为期1年演出的机会，最终胜出的MVP小分队将获高达2亿韩元的活动经费外加正式出道的机会。2016年，大家喜爱的少年们来了！这次不是少女而是少年们！Mnet 组合生存战！_x000D_ 打破现存偶像生成制度，史上最初新概念“偶像团体”养成节目《少年24》。

腾讯视频独播，周日00:30无字上线，周日13:00中字更新。由CJ E&M音乐部门投资制作的超大型真人选秀企划，49名男练习生突破220:1的高竞争率获得了参赛资格，将在每轮比赛中以组队的形式展开竞赛。生存至最后一轮的24名练习生将以“少年24”成员的身份获得在专属公演场进行为期1年演出的机会，最终胜出的MVP小分队将获高达2亿韩元的活动经费外加正式出道的机会。2016年，大家喜爱的少年们来了！这次不是少女而是少年们！Mnet 组合生存战！_x000D_ 打破现存偶像生成制度，史上最初新概念“偶像团体”养成节目《少年24》。

这是二十四段每秒二十四格的电影真理，也是馈赠给世人的遗愿纪念。伊朗电影大师阿巴斯在静态摄影与动态影像之间，百转千回、细细探寻，也搭建起两种艺术表现形式间的关联。下起雪来白茫茫一片的林地，炊烟袅袅升起的村屋，鸟儿振翅飞过原野，鹿与牛缓步迁徙横越，世间万物在阿巴斯灵动诗意的凝视中，每一个按下快门瞬间的之前与之后，都随着景框里的窗框树影摇曳，天马行空地流转时光，在影格与影格之间，梳理电影的本质。 　　“电影始于葛里菲斯，止于阿巴斯。”这是法国新浪潮大导演高达对阿巴斯电影美学的赞誉。从摄影出发，拓延影格之间的空隙，《24格》发想自阿巴斯个人收藏的照片，历经三年的时间与伊朗技术团队合作，运用数位影像工具，以3D动画、摆拍的方式，重新想像这些画面的前世今生，与其创造出来的情感触动。摄影与电影之间反覆且亲密的追寻与叩问，一曲温柔而绵长的影像诗。