An extremely rare film by Roberto Rossellini, his third feature, made under the Fascist control of Italy. Basically rejected after the War because of the Fascist content of the film, "Rossellini produces a work which focuses upon the Italian expeditionary forces on the Eastern Front and upon a Catholic chaplain representative of Italy's religious majority…the principal character's humanity and sacrifice seem to prefigure the good-natured priest of Rome, Open City who works with leftist Resistance leaders…Rossellini underlines the common humanity in Fascist and Bolshevik alike" (Peter Bonadella, Italian Cinema from Neo-Realism to Present). 　　Made during the fascist years ,this is par excellence a propaganda movie.Roberto Rossellini 's work is sometimes preachy,mainly in the third part,when his hero tries to convince -and succeeds- the Russians that he is no sorcerer and that God loves everyone provided that he redeems his soul and comes back on the right way.The final recalls Jesus's death on the cross,the converted man playing the the good thief's part.Besides ,everybody speaks Italian and that does not help the credibility of the situations. 　　But Rossellini's genius -which would blossom is such works as " Europa 51" "Roma cita aperta " or " Germano anno zero " occasionally surfaces: except for the opening scenes -one of the first pictures shows doves-,the world depicted in "uomo della croce" is an apocalyptic one,we keep hearing shots during almost the whole movie : overwhelming sequences display a little boy screaming,a woman having her baby as a man is dying near her,while,outside,man's madness knows no bounds. 　　Man with a Cross was originally released in Italy as L'Uomo della Croce. Evidently, Roberto Rosselini had some difficulty concentrating on this one. He directed the film at the behest of the fascist government, at a time when his thoughts were probably focussed on his long-anticipated (and never-finished) Desiderio. The religious aspects of the plotline tend to be subordinate to the Mussolini party line. Man with a Cross contains next to none of the neorealism of Rossellini's later works

法国/比利时/卢森堡合拍惊悚片，导演Fabrice Du Welz处女作，去年曾在戛纳影评人周展映。 　　一个婚礼歌手在一个冬夜赶场路上驾着车，在森林深处汽车熄火了，那里只有一座破败的酒店……

其貌不扬的中学生藤井俊介（小柴亮太 饰），在青春烂漫时节结束了自己的生命。生前他曾遭到同班同学的欺凌，不堪忍受的少年留下了“我成为了大家的祭品”这样的遗言在自家院子里上吊身亡。俊介之死在社会上引起轩然大波，尤其是他的遗书毫不避讳地点出了欺凌者的姓名，让欺凌这个敏感话题在学校内外闹得沸沸扬扬。此外，遗书中另外提到了两个人的名字。一个是俊介小学时代的好友，但如今关系平平的真田裕（小出惠介 饰），另一个是俊介生前一直爱慕的女孩中川小百合（木村文乃 饰）。死者对两个人的感谢和抱歉，让活着的人背负重到喘不过气来的十字架…… 　　本片根据直木赏作家重松清2010年吉川英治文学奖获奖作品改编。

法国电影先驱,影史最伟大的导演之一雷蒙德·伯纳德代表作！影片以第一次世界大战为背景，讲述一个法国军人经历了战争之后的醒悟。作为一部1932年的影片，它既没有带上过多的默片手法，也避免了有声片初期的一些通病，是一部相对成熟的有声电影。

这部1968年的电影是乌克兰诗电影黄金时代的集大成之作，导演Leonid Osyka堪称使用长镜头和远景镜头的大师，其中一个长达12分钟的描写一场聚会的运动长镜头绝对能和匈牙利扬索的作品相媲美。

该剧描写一起走私案的侦破，歌颂了人民海关。主题曲由王立平作曲，流传至今。

世界名画在展出中被盗，国际刑警组织委派中国警官陈浩侦破此案，陈浩巧扮港商，历尽曲折难辛。打入虎穴。盗犯胡为一采用各种手段对陈浩进行考查试探，又让其妹胡曼曼纠组陈浩。 　　胡为一豢养的杀手黑狐长期禁闭于地窖，成为一个性变态者，将胡的妹妹胡曼曼强奸。这时胡为一赶到，黑狐又用枪威胁他们兄妹发生关系…… 　　在火葬场我刑警组织与罪犯展开激烈枪战，法网恢恢。罪犯走向了死亡之路本剧手法新顾独特，在紧张。惊除之中又将人性、武打、枪战融为一体

该剧描写一起走私案的侦破，歌颂了人民海关。主题曲由王立平作曲，流传至今。

瞄准争议颇大的单身女性“未婚生子”的社会现象，由天海佑希、三上博史领衔诠释；藉由戏剧来反映社会现象，是日剧一贯勇于尝试的模式，不过也因问题过于尖锐，剧中人物多陷于无奈的泥淖之中，由于该剧被安排在深夜时段，加上天海、三上的邂逅属“不伦”情节，两人之间将有不少情欲场景上演，很有“失乐园”的味道。 　　单身女性“未婚生子”以及“代理孕母”等话题，在日本社会公议中尚处浑沌状态，但是日剧的取材，遂直接将这类问题搬上台面，而剧情则着重过程的剖析与主人翁的心路历程，结局也多以戏剧性来处理；“蔷薇的十字架”中，三上饰演某知名广告公司的高级主管，和母亲、妻子同住，原本过着平静的生活的他，某天遇见在外资电脑公司上班的高畑晓－天海佑希，仅是初相识的两人，高畑晓－天海佑希就迳自表白，“我只想要孩子，不要结婚、也不要你的钱，更不希望和你有任何牵扯，我只要你帮忙给个小孩。”三上答应了这样的请求，高畑晓－天海佑希顺利怀了孕，不过这件事却让三上的妻子得知，一男两女之间的纠葛情事于是展开。