Around the year 1500, the Italian priest Don Filippo Neri helps street kids and orphans in his poor little chapel. He is no clergyman by the book, but a true believer in terms good and bad and he teaches this to his children. Neri is not very well-seen by the church and his only "friend" is the dry, humorless Ignatius De Loyola. But Neris real counterpart is the devil himself, working in endless incarnations in Neris direct neighborhood, trying to seduce his kids. His newest kid is the young thief Cirifischio, making a lot of problems. When Cirifischio has an argument with a young boy of a local aristocrat, the boy turns out to be a girl, the young Leonetta, some kind of a sex slave for her owner. Neri adopts her too, and the young people fall in love. 15 Years later, the devil is back and leads Cirifiscio onto a murder. Now lawless, the thief must flee Neri and leave Leonetta back. Neri does the best he can to save the thief's life, but does he have a chance against the fate? Moreover, Neri has to fight the death sin of vanity itself...from an unexpected side...

在他的第三个网飞特别节目中，喜剧演员特雷弗·诺亚谈论了学习德语、说死者的坏话、评判恐怖电影中的人、处理现代通讯以及在苏格兰点印度菜。

在他的第三个网飞特别节目中，喜剧演员特雷弗·诺亚谈论了学习德语、说死者的坏话、评判恐怖电影中的人、处理现代通讯以及在苏格兰点印度菜。

Gay men Gu and Chang meet on a dating app, and head to a hotel for a hookup. The two strangers start with some small talk to break the ice, but Gu seems anxious, prompting Chang to ease him into the mood. As their conversation progresses, Chang discovers that Gu is hiding a secret. Director's statement: When transitioning from being a film critic to a director, I aim to make my identity evident in my work. Therefore, I juxtapose The Gay Brothers, the first queer film in film history, with a modern hookup scene between two gay men, highlighting not only the existence of this rare work but also the historical significance of on-screen same-sex intimacy. Also, I use the transition in sound and color, such as the shift from black-and-white to color imagery, to draw an analogy to the progress of LGBTQ+ rights in Taiwan.

马克（伊恩·福尔 Ian Faure 饰）是一个英俊帅气、挺拔阳光的年轻人，可是谁也不知道他的心中承受着怎样的痛苦。他是一名强迫症患者，每当外出时他总会不由自主去数人行道上的地砖，从一数到十，到第十步时，马克便会陷入万劫不复的恐怖臆想之中。那一刻，整个世界变成了巨大的绞 肉机，冰冷无情地将他撕成碎片。这些血腥的臆想令马克痛苦不堪，他只得向心理医生（Alain Choquet 饰）求助。医生引导他正视眼前似乎难以逾越的障碍，鼓起勇气以粉身碎骨的代价去克服对第十步的恐惧。马克最终能否战胜自己呢？ 　　本片获2009年克拉科夫国际短片电影节银龙奖，2009年里斯本国际独立电影节最佳短片奖。

全程采用iPhone5拍摄，手机三部曲第二部。讲述一个拖延症患者在幻想了10个疯狂计划之后，却仍然呆在电脑前刷社交网络的轻松小故事。

一部青春偶像励志电影，讲述了五个80后的生存状态。他们曾经雄心壮志，真正面对现实后却又产生较大的心理落差。有人继续坚持，有人经历过低迷期，有人经不起诱惑，更有人迷失方向。

A family find themselves terrorized by their eight-year-old son's imaginary friend.

A family find themselves terrorized by their eight-year-old son's imaginary friend.

Arabella Essiedu本是一位无忧无虑、自信开朗的伦敦女孩，她的文章在互联网上广受好评，被称赞为“她那一代的声音”。正当Arabella的写作事业蒸蒸日上时，她在一家夜店里被人下药性侵，这让她的生活发生了不可逆转的变化。Arabella不得不努力地去面对已经发生的事情，她重新审视起自己的事业、朋友和家人，开始了一场自我发现之旅。