Three young men from the Savannah of Niger leave their homeland to seek wealth and adventure on the coast and in the cities of Ghana. This film is the story of their travels, their encounters along the way, their experiences in Accra and Kumasi, and, after three months, their return to their families and friends at home. The film is part documentary, part fiction, and part reflective commentary. There was no portable sound synchronized equipment in the early 1950s when Jaguar was shot. Instead, Rouch had the main characters (his friends and "accomplices") improvise a narrative while they viewed the film, which was itself improvized along the way. The resulting soundtrack consists of remembered dialogue, of joking and exclamations, of questions and explanations about the action on the screen. 　　 　　Short-term, rural migration to the cities is common to much of contemporary Africa. Here we meet Lam the herdsman, Illo the fisherman and Damoure, their unsettled but literate friend. The three trek for more than a month south through Dahomey to Ghana, crossing the land of the Somba people (whose nudity shocks them), eating coconuts "more delicious than cheese," and delighting in the ocean with its waves and starfish. Eventually they part ways. Damoure and Illo go to Accra and Lam to Kumasi, where they find jobs as dockworker, foreman for a lumberman, and cattleherder for a city butcher. Having made their separate journeys, they meet again in Kumasi with a fourth friend, and set up an open-air stall, Petit a Petit, in which they hawk everything from alarm clocks to pictures of Queen Elizabeth. 　　 　　Financially successful but homesick, the friends decide to leave the excitement, turmoil and bewildering complexity of the city to return home to Niger before the rains. Lam rejoins his herd, enriched with a new umbrella and a lance; Illo, "magician of the river," catches a hippo and distributes everything he has brought from his journey to his family; and Damoure admires anew the beauty of Niger women. 　　 　　Yet although life in the village resumes as usual, Illo, Lam and Damoure have been "jaguars" in the city: sophisticated "keen young men" with fancy hairdos, cigarettes, sunglasses, money, and knowledge of the urban world. The film raises, but does not answer, questions about the meaning of this experience and the transformations it may entail in the lives of the returned youths. Jaguar, Thomas Beidelman has written, "does succeed in catch ing the flavor of what it must be like to pass to and from a modern city and a rural village in Africa . . . jaguar could be an eloquent document on the process of social change." 　　 　　The flavor, it might be added, is very gay. Rouch has pointed out that jaguar does not attempt to reveal the misery and pain of the annual migration, or the boredom of village life in the dry season (eight months of the year) when young men, no longer warriors as in the past, have nothing to do. Few men, in actuality, become "jaguars" in the carefree style of Damoure, Lam, and Illo. For most, the city is a struggle. Yet jaguar is nonetheless a vivid portrayal of the ideal of migration, a fantasy imparted through the improvised actions and spirited commentary of the characters. In this film Rouch has developed a form one might call "ethnographic fantasy," with an authenticity and reality as important, although quite different, from that of Rouch's own monograph on rural migration to Accra.

二战结束后，数百位纳粹分子逃至西班牙躲藏。到了1960年代，某位大屠杀幸存者加入特务行列，要向这些纳粹讨回公道。

当一个孩子的视力渐渐模糊，而身体却愈发靠近那只美洲豹时，围绕这只在丛林中潜行的夜行动物，不同的视角开始交织汇合。丛林既是一片共享的领土，也是一处幽深而隐秘的心灵景观。 　　As a child gradually loses his sight and gets closer to the jaguar, different viewpoints come together on this nocturnal animal that prowls the jungle. The jungle is a shared territory, but also a dense, secret mental landscape.

Maurizio Merli may have come to fame as a Franco Nero impersonator; but after that he really came into his own and if his name is on the cast list (particularly if it's at the top of the cast list), you're pretty much guaranteed a good film. This one was the final outing for Merli's Commissario Betti character, and he ensures the ace crime fighter goes out with a bang as Marino Girolami's film is packed to breaking point with car chases, shootouts and fist fights and certainly delivers on the promise of being an action packed thriller! The plot focuses on Commissario Betti. Once again, he's aggravated at the amount of crime going on in the city and his attention is focused mainly on two big crimes; a bank robbery and a kidnap plot. The Commissioner battles bravely to ensure the crooks are brought to justice but soon realises that there's no point in merely sorting out the henchmen and decides to go after the man he believes is heading the criminal operations; slimy businessman Albertelli, although bringing justice on the head criminal may not be so easy... 　　This film is very easy to watch and getting lost in the numerous action scenes is a lot of fun. The plot flows very smoothly and there really is very little time when something isn't happening, which is really exactly what you want from a film like this. The action scenes do take over the plot at times; but it's not really important because entertainment is the main thing. The plot itself is certainly interesting, however; with the main focus being on the police matching wits with a very sly and intelligent criminal. You can always count on Maurizio Merli for a great performance and he doesn't disappoint here. He does look just a little bit silly at times admittedly, but he actually does convince us that he is a man who would give everything to stop crime in the city (although by this point, he had a lot of practise!). The film is not exactly heavy and although certain scenes are quite nasty; the atmosphere is usually quite light. Franco Micalizzi's score is very good too, and Merli receives very good support from cult supremo John Saxon. The ending is a bit of downer, but I can't complain given how entertaining the rest of the film is. Highly recommended!

1988年9月，一伙名为“亚洲黑色特别行动小组”的恐怖分子劫持了环洋公司董事长屈孝真乘坐的专机，飞机迫降大陆。以郑贤平（葛优 饰）为首的恐怖分子以炸机要挟台湾当局释放其小组组长刘庭君。 　　大陆方面召开紧急会议，决定立即通知台湾当局，双方建立合作，共同解救人质，打击恐怖分子，行动代号“美洲豹”。 以梁壮（刘小宁 饰）率领的中国人民解放军反劫机突击队与台湾反恐怖突击队先后来到机场，但反劫机行动接连遭到挫败，双方经过研究，决定进行最后的冲击……

资深野生动物摄影师史蒂夫·温特和伯帝·格雷戈里捕捉了美洲豹在巴西潘塔纳尔湿地的非凡生活。当美洲豹妈妈教幼崽生存时，另一边一只势在必得的，名叫“疤面煞星”的美洲豹义无反顾地潜入河中来拦截最致命的对手——6英尺长的凯门鳄。而聪明的水豚和顽皮的大水獭则会与家人在一起，以避免成为美洲豹晚餐。

Jaguars: Brazil's Super Cats is an episode of Natural World starring David Attenborough. Strand of documentaries on wildlife and the environment. 　　《美洲虎：巴西的超级猫》是《自然世界》一集。一系列关于野生动物和环境的纪录片。

一个国际探险小队,科学家协同电影摄制组揭秘了栖息于圭亚那胜地的动物以及生态环境,这个到访者屈指可数的失落之地...（简介转自qcx2） 　　Information 　　Series combining stunning wildlife with high octane adventure as a team of explorers search the depths of the last great unspoilt jungle on the planet. 　　Part 1: 　　Cameras follow the team every sweaty step of the way as they explore the beautiful wilderness of Guyana, from abseiling down one of the most powerful waterfalls in the world to climbing to the very top of the rainforest trees. Known as the land of giants, Guyana is home to the huge anaconda, the world's largest tarantula and giant otters. 　　Part 2: 　　The team pushes further into the jungle wilderness, searching for unusual and endangered animals that live there. Base camp is invaded by scorpions and poisonous centipedes, while Gordon Buchanan discovers an animal thief helping itself to base camp supplies. 　　Part 3: 　　Steve Backshall and the climbing team struggle to reach the summit of a huge unscaled tabletop mountain on the edge of the forest. The team live rough on the summit, searching for new species and scientific discoveries. Justine Evans searches for giant anteater, while George and Gordon struggle up a remote jungle river

Autumn在亚马逊雨林长大，与她收养的可爱的美洲豹宝宝Hope生活在一起。然而，一种情况迫使Autumn返回纽约。Autumn回到丛林中，将Hope从严重的危险中拯救出来。