When Isabella Tree and her husband arrived at the rural estate they had inherited and saw the vast swathes of farmland that came with it, they immediately saw how sick the land was—entire habitats destroyed, bird and plant species gone extinct, fields saturated with chemicals. The experiment they decided to undertake was extreme: To heal nature, they had to let it heal itself. They stopped tilling the land, released wild horses, pigs, and other animals, and waited. The results surpassed all expectations, as evidenced by this stunning film, reminiscent of a David Attenborough wildlife documentary and based on Tree’s bestselling book. The story’s protagonist, Nature, unfolds before us in all its richness and beauty, inspiring hope in the possibility of healing the environment and in the world’s ability to make itself anew.

When Isabella Tree and her husband arrived at the rural estate they had inherited and saw the vast swathes of farmland that came with it, they immediately saw how sick the land was—entire habitats destroyed, bird and plant species gone extinct, fields saturated with chemicals. The experiment they decided to undertake was extreme: To heal nature, they had to let it heal itself. They stopped tilling the land, released wild horses, pigs, and other animals, and waited. The results surpassed all expectations, as evidenced by this stunning film, reminiscent of a David Attenborough wildlife documentary and based on Tree’s bestselling book. The story’s protagonist, Nature, unfolds before us in all its richness and beauty, inspiring hope in the possibility of healing the environment and in the world’s ability to make itself anew.

When Isabella Tree and her husband arrived at the rural estate they had inherited and saw the vast swathes of farmland that came with it, they immediately saw how sick the land was—entire habitats destroyed, bird and plant species gone extinct, fields saturated with chemicals. The experiment they decided to undertake was extreme: To heal nature, they had to let it heal itself. They stopped tilling the land, released wild horses, pigs, and other animals, and waited. The results surpassed all expectations, as evidenced by this stunning film, reminiscent of a David Attenborough wildlife documentary and based on Tree’s bestselling book. The story’s protagonist, Nature, unfolds before us in all its richness and beauty, inspiring hope in the possibility of healing the environment and in the world’s ability to make itself anew.

Paskowitz医生放弃了原本优越有前途的职业，带着善解人意的老婆和9个孩子，一家11口住进了露营车，一边流浪一边冲浪。也许他们的生活实在让人不能理解，但是，这样能够坦率的放弃优越的生活环境去追求梦想是令很多人都羡慕得吧。

This is an amazingly clever and unique cartoon that must have been seen by Terry Gilliam (of "Monty Python" fame), as the cartoons he m ade for the show seemed strongly inspired by this wacky film. Not only is the art style very, very similar (with cut out pictures being animated) but the kooky style of narration and the many oddities about the film were later seen on the Python show. For example, offering an item and giving the price for it and the place to mail it (both changing each time they are shown) was used by the show on several occasions. There also is a very subversive sexuality about it and the animation for the announcer is amazingly similar for illiam's work as well.

在德国巴伐利亚州的一个国家公园内坐落着雄伟的瓦茨曼峰。作为阿尔卑斯山的一部分，瓦茨曼峰的地势崎岖，野性十足。 　　阿尔卑斯山横贯全州，多山峰、多森林、多湖泊是该州地形地貌的突出特征。这里的阿尔卑斯山脉中不乏引人入胜的2,000米以上的山峰，而阿尔 卑斯山前地区直到多瑙河，则遍布湖泊。东巴伐利亚的中高山脉，从帕绍和雷根斯堡延伸到捷克共和国的边境，主要还是一片原始景色。施瓦本-弗兰肯的层岩地带，在东巴伐利亚的中高山脉和多瑙河之间，是典型的褶皱地形和高地。 　　巴州地处欧洲中心位置，是欧洲东－西和南－北贸易的交汇处。从巴州出发，可以便捷地到达其它各主要经济中心。

2012年，世界沒有末日，但卻悶蛋依然！ 　　這一年，幾個設計系畢業、初出茅廬的年輕人，柴娃娃在一所工廈插上旗號，辦了一間名為Neverland 的 Design House！ 　　穿梭現實與夢想世界的阿談(善言)、絕不妥協的設計天才Jason、行為與作品同樣驚世駭俗的烈女爆樽(Koyi)、在溫室長大的陽光宅男Chris、事業型務實俊男任總(Kyle)，與無厘頭怪女孩海寶，在這一年間，六個性格迥異，對設計和人生各有抱負的年青人，就在這個小小的Neverland，為了自己的夢想和感情，接受了一次又一次的考驗和挑戰。 　　如果說，設計是要從平凡中變出美好，在困局裏創造出路，那麼，六位青春掛帥的追夢型人，在這個被物質堆砌得天花亂墜的城市，能否為自己創出一片異想天空？

2012年，世界沒有末日，但卻悶蛋依然！ 　　這一年，幾個設計系畢業、初出茅廬的年輕人，柴娃娃在一所工廈插上旗號，辦了一間名為Neverland 的 Design House！ 　　穿梭現實與夢想世界的阿談(善言)、絕不妥協的設計天才Jason、行為與作品同樣驚世駭俗的烈女爆樽(Koyi)、在溫室長大的陽光宅男Chris、事業型務實俊男任總(Kyle)，與無厘頭怪女孩海寶，在這一年間，六個性格迥異，對設計和人生各有抱負的年青人，就在這個小小的Neverland，為了自己的夢想和感情，接受了一次又一次的考驗和挑戰。 　　如果說，設計是要從平凡中變出美好，在困局裏創造出路，那麼，六位青春掛帥的追夢型人，在這個被物質堆砌得天花亂墜的城市，能否為自己創出一片異想天空？

《梦幻农场DIY小剧场》是一档充满童趣与创意的动画节目，以一群活泼可爱的卡通“小指人”为主角，在生机勃勃的农场中展开妙趣横生的劳作冒险。每集约5分钟，通过黏土定格动画与3D建模结合的独特画风，展现小指人们用灵巧双手打造农场的奇妙过程。他们用魔法彩泥捏制蔬果、搭建谷仓，甚至为小猪设计会转动的风车小屋，既还原了手工DIY的真实质感，又赋予超现实的梦幻色彩。 节目中，小指人们分工协作：有的负责开垦土地播种彩虹胡萝卜，有的照料会跳舞的奶牛，还有的发明自动浇水装置解决玉米减产危机。不仅能见证农作物从萌芽到丰收的全过程，还能参与“偷菜大作战”——小指人会悄悄潜入邻居农场，用迷你箩筐“借”走半块田的成熟番茄，既考验策略又充满欢乐互动感。

晴朗的日子里，蓝天之上快乐的小天使正与洁白的云朵无忧无虑地玩耍。可就在此时，小天使的妈妈飞了过来，告诫女儿不能随便把云朵放出来，要将它们关在不远处的云山之中。女孩没有办法，只能按照妈妈的指示，命令手中的云朵降雨。雨水流干后，云朵则凭空消失，这令小天使内心十分痛苦。趁妈妈不注意的时候，她跑到云山前面，打开笼子的门，放出了所有的云朵，还它们以自由。最初一切都很美好，洁白的云朵快乐玩耍嬉戏，可是很快它们就变成了黯淡的乌云，响起隆隆的雷声。 　　这一下，小天使真的不知所措了！