第十一届先力奖实验影像单元银奖《自由古巴》

第十一届先力奖实验影像单元银奖《自由古巴》

Depressing, dark love drama with thin story line, that makes you wonder whether the makers believe in life at all. The male protagonist is constantly running into problems and gets beaten up time and time again, so much so that after a while I could not help laughing, which cannot have been the intention of the makers: they are vèry, vèry serious. The crux of the film seems to be a sharp comment on the money driven German society, in which it is impossible to show any real affection; of course this could be a dilemma of the makers themselves: money is not the problem, but what you do with it. Not forgotten is to include an extreme right wing man whose self-proclaimed purpose in life it is to free the street of socially undesirable elements. It is all very heavy symbolism with no relief, but it is certainly well-made with a script that - as the film progresses - becomes less and less surprising. The two acting leads are good; fine cinematography. (jan onderwater)

Depressing, dark love drama with thin story line, that makes you wonder whether the makers believe in life at all. The male protagonist is constantly running into problems and gets beaten up time and time again, so much so that after a while I could not help laughing, which cannot have been the intention of the makers: they are vèry, vèry serious. The crux of the film seems to be a sharp comment on the money driven German society, in which it is impossible to show any real affection; of course this could be a dilemma of the makers themselves: money is not the problem, but what you do with it. Not forgotten is to include an extreme right wing man whose self-proclaimed purpose in life it is to free the street of socially undesirable elements. It is all very heavy symbolism with no relief, but it is certainly well-made with a script that - as the film progresses - becomes less and less surprising. The two acting leads are good; fine cinematography. (jan onderwater)

In this short named after the cocktail ordered at the hotel bar in Beware of a Holy Whore (Rainer Werner Fassbinder, 1971), a singer serenades a small crowd in a moody nightclub who all look the part of Fassbinder characters—if not of Fassbinder himself. Serra pays homage not by mimicking Fassbinder’s style but rather by alchemically conjuring the people, places, and modes of performance most identified with him. 　　源自：https://zinebi.eus/en/listings/cubalibre/

In this short named after the cocktail ordered at the hotel bar in Beware of a Holy Whore (Rainer Werner Fassbinder, 1971), a singer serenades a small crowd in a moody nightclub who all look the part of Fassbinder characters—if not of Fassbinder himself. Serra pays homage not by mimicking Fassbinder’s style but rather by alchemically conjuring the people, places, and modes of performance most identified with him. 　　源自：https://zinebi.eus/en/listings/cubalibre/

本片为Netflix 制作的8集古巴历史纪录片，从西班牙入侵，奴隶制度，自由斗士，讲到猪湾事件和导弹危机的冷战风云，是不可多得的关于古巴历史的大作，第一集讲述了西班牙入侵古巴的故事。

本片为Netflix 制作的8集古巴历史纪录片，从西班牙入侵，奴隶制度，自由斗士，讲到猪湾事件和导弹危机的冷战风云，是不可多得的关于古巴历史的大作，第一集讲述了西班牙入侵古巴的故事。

尼科·弗罗斯特在片中扮演布鲁斯·加内特。1987年当时，13岁的他是一名萨尔萨舞少年天才，在全英的少年舞蹈大赛上独领风骚。然而私下里他却是个遭人欺负的孩子。一次在街头发生的可怕事件让布鲁斯的自信心被摧毁，从此放弃了舞蹈。22年后，他变成了个大胖子，整日只知道怨天尤人、自怨自艾。他生活中唯一的光亮来自他的女上司茱莉亚(拉什达·琼斯)，她是一个聪明、幽默又漂亮的美国女人。布鲁斯明知自己配不上她。幸运的是布鲁斯发现茱莉亚有着一个秘密的爱好。布鲁斯的同事德鲁(克里斯·奥多德)是全公司的活宝，喜欢对女同事献殷勤，也对茱莉亚情有独钟。在德鲁以及姐姐萨姆(奥利维亚·科尔曼)的帮助下，布鲁斯决定克服内心最大的恐惧，重新回到舞蹈池上，以博得心上人的芳心。曾出演《死木》的英伦男星伊恩·麦柯肖恩在片中扮演一名舞蹈老师。

尼科·弗罗斯特在片中扮演布鲁斯·加内特。1987年当时，13岁的他是一名萨尔萨舞少年天才，在全英的少年舞蹈大赛上独领风骚。然而私下里他却是个遭人欺负的孩子。一次在街头发生的可怕事件让布鲁斯的自信心被摧毁，从此放弃了舞蹈。22年后，他变成了个大胖子，整日只知道怨天尤人、自怨自艾。他生活中唯一的光亮来自他的女上司茱莉亚(拉什达·琼斯)，她是一个聪明、幽默又漂亮的美国女人。布鲁斯明知自己配不上她。幸运的是布鲁斯发现茱莉亚有着一个秘密的爱好。布鲁斯的同事德鲁(克里斯·奥多德)是全公司的活宝，喜欢对女同事献殷勤，也对茱莉亚情有独钟。在德鲁以及姐姐萨姆(奥利维亚·科尔曼)的帮助下，布鲁斯决定克服内心最大的恐惧，重新回到舞蹈池上，以博得心上人的芳心。曾出演《死木》的英伦男星伊恩·麦柯肖恩在片中扮演一名舞蹈老师。