第十一届先力奖实验影像单元银奖《自由古巴》

第十一届先力奖实验影像单元银奖《自由古巴》

Depressing, dark love drama with thin story line, that makes you wonder whether the makers believe in life at all. The male protagonist is constantly running into problems and gets beaten up time and time again, so much so that after a while I could not help laughing, which cannot have been the intention of the makers: they are vèry, vèry serious. The crux of the film seems to be a sharp comment on the money driven German society, in which it is impossible to show any real affection; of course this could be a dilemma of the makers themselves: money is not the problem, but what you do with it. Not forgotten is to include an extreme right wing man whose self-proclaimed purpose in life it is to free the street of socially undesirable elements. It is all very heavy symbolism with no relief, but it is certainly well-made with a script that - as the film progresses - becomes less and less surprising. The two acting leads are good; fine cinematography. (jan onderwater)

Depressing, dark love drama with thin story line, that makes you wonder whether the makers believe in life at all. The male protagonist is constantly running into problems and gets beaten up time and time again, so much so that after a while I could not help laughing, which cannot have been the intention of the makers: they are vèry, vèry serious. The crux of the film seems to be a sharp comment on the money driven German society, in which it is impossible to show any real affection; of course this could be a dilemma of the makers themselves: money is not the problem, but what you do with it. Not forgotten is to include an extreme right wing man whose self-proclaimed purpose in life it is to free the street of socially undesirable elements. It is all very heavy symbolism with no relief, but it is certainly well-made with a script that - as the film progresses - becomes less and less surprising. The two acting leads are good; fine cinematography. (jan onderwater)

In this short named after the cocktail ordered at the hotel bar in Beware of a Holy Whore (Rainer Werner Fassbinder, 1971), a singer serenades a small crowd in a moody nightclub who all look the part of Fassbinder characters—if not of Fassbinder himself. Serra pays homage not by mimicking Fassbinder’s style but rather by alchemically conjuring the people, places, and modes of performance most identified with him. 　　源自：https://zinebi.eus/en/listings/cubalibre/

本片为Netflix 制作的8集古巴历史纪录片，从西班牙入侵，奴隶制度，自由斗士，讲到猪湾事件和导弹危机的冷战风云，是不可多得的关于古巴历史的大作，第一集讲述了西班牙入侵古巴的故事。

本片为Netflix 制作的8集古巴历史纪录片，从西班牙入侵，奴隶制度，自由斗士，讲到猪湾事件和导弹危机的冷战风云，是不可多得的关于古巴历史的大作，第一集讲述了西班牙入侵古巴的故事。

入围第74届威尼斯电影节非竞赛展映单元，已申报2018年奥斯卡最佳长纪录片。两次奥斯卡提名与艾美奖获奖导演Jon Alpert自1972年进入古巴多次，长期纪录菲德尔·卡斯特罗的影像。这部影片对古巴作揭发真相的刻画，描述了菲德尔·卡斯特罗和三个受其政策影响的家庭的过去 。

男子家中劳动力骤失，孤儿寡母处境艰难。官人以20贯聘银诱惑，愿让娘带子读书，娘无奈答应改嫁。爷爷为让娘接济家里，强行留下娘最疼爱的弟弟，娘虽据理力争，却因律法规定孩子属男方而无果。娘出嫁那天，弟弟哭闹不止，娘满心疼痛。最终，男子随娘改嫁，开启新的人生篇章。

男子家中劳动力骤失，孤儿寡母处境艰难。官人以20贯聘银诱惑，愿让娘带子读书，娘无奈答应改嫁。爷爷为让娘接济家里，强行留下娘最疼爱的弟弟，娘虽据理力争，却因律法规定孩子属男方而无果。娘出嫁那天，弟弟哭闹不止，娘满心疼痛。最终，男子随娘改嫁，开启新的人生篇章。