It is said that laughter is at its best when a smile breaks through tears. The name of the Italian-born world citizen Andrea Magnani should not be unknown to the audiences of PÖFF. Those who still remember the director’s wonderfully convivial debut “Easy” which was screened at the festival in 2017 and in which a sissy who has come to love food too much is suddenly placed in front of big life choices can probably guess the direction that the director’s new film may take. 　　For young Giacinto, prison is like home. It would indeed be more correct to say that prison is his only home, because the little boy has been born in prison and has spent his entire life in prison with his mother. Prison is the place where Giacinto truly breathes and lives, as that’s the place where he has been born, learnt to walk and love. As soon as the prison doors close behind him, the young man feels that life outside the prison walls is not for him. At the first opportunity, he escapes from the outside back to prison, his home, where he can feel safe from the dangerous outside world. But upon reaching adulthood, Giacinto has to make an important decision... 　　According to the director, the film was inspired by his own youth years in a small Italian town that felt like a prison to his young self, but was still so dear. 　　This immensely warm comedy with its scarce dialogue and silent film elements knows what the audience expects from a film in difficult times. It is simply brimming with human warmth that we so desperately need today.

在萨克拉门托县立监狱里，女囚犯与强权以及彼此斗争，尽可能在狱中享受生活和爱情。

在萨克拉门托县立监狱里，女囚犯与强权以及彼此斗争，尽可能在狱中享受生活和爱情。

南桑宁在一系列的作死行为下，成为了病娇反派江佑安的掌中雀，两人同归于尽后，南桑宁意外获得了无限重生系统，得到了自我救赎的机会。与此同时，她拥有一个神奇的能力——看到江佑安头上的数字。每当这个数字变成100后，江佑安就会和她同归于尽。为了活下去，南桑宁不得不踏上漫漫拯救反派大佬之路。

南桑宁在一系列的作死行为下，成为了病娇反派江佑安的掌中雀，两人同归于尽后，南桑宁意外获得了无限重生系统，得到了自我救赎的机会。与此同时，她拥有一个神奇的能力--看到江佑安头上的数字。每当这个数字变成100后，江佑安就会和她同归于尽。为了活下去， 南桑宁不得不踏上漫漫拯救反派大佬之路。

延斯·索林在1985年时谋杀了女友的父母吗？或者是女友自己下的毒手呢？这部纪录片系列将深入这桩谜案的重重疑云。

延斯·索林在1985年时谋杀了女友的父母吗？或者是女友自己下的毒手呢？这部纪录片系列将深入这桩谜案的重重疑云。

影片展現了人迹罕見的阿根廷彭巴（The Pampa）草原上一位孤獨伐木工的生活，人物對白極少，幾乎就是一部紀錄片。影片采用倒叙（亦可理解爲環形結構），伐木工米薩爾（Misael）在雷聲中進食，火光映紅他帶有印第安人特征的面孔。随後影片開始叙述他在過去一日中的一系列行爲：伐木，去枝削皮，午休，等朋友開 ... 車接送木材，半途朋友下車，他開車，賣木頭給收購人，讨價還價，到小賣店買煙，和店主閑聊，将車子交還...

1774年，法国大革命前几年，波茨坦和柏林之间的某个地方……杜马瓦尔夫人，特西斯公爵和万德公爵，被路易十六清教朝廷驱逐的浪荡女，向传说中的沃尔兴公爵寻求支持。沃尔兴公爵是一个从德国来的引诱者和自由思想者，在这个伪善和虚伪统治的国家里，他只身一人。他们的使命是:向德国输出自由主义，一种基于拒绝道德和权威的启蒙哲学，但最重要的是，找到一个安全的地方继续他们误入歧途的游戏。

1774年，法国大革命前几年，波茨坦和柏林之间的某个地方……杜马瓦尔夫人，特西斯公爵和万德公爵，被路易十六清教朝廷驱逐的浪荡女，向传说中的沃尔兴公爵寻求支持。沃尔兴公爵是一个从德国来的引诱者和自由思想者，在这个伪善和虚伪统治的国家里，他只身一人。他们的使命是:向德国输出自由主义，一种基于拒绝道德和权威的启蒙哲学，但最重要的是，找到一个安全的地方继续他们误入歧途的游戏。