一位年轻的编舞家在纽约最受期待的新百老汇演出中扮演了一位当代舞者和一位创新的钢琴家。

纱子（有村架纯 饰）的恋人雄介在向她求婚当日因交通事故去世，而成濑（坂口健太郎 饰）则成为了接受雄介心脏救助的对象，两位男女就因为这样的契机而展开了一段悲伤又唯美的奇迹爱情故事。

Black and White Short Animation 　　This film is incredible. The most captivating piece of animation I have seen. It takes film noir approach and tells the story of an animator who gets the tables turned upon him. An animator has died and the puppets he has spent his whole life animating, then proceed to animate him instead. It is a very personal experience as they treat him with the same tenderness as an animator would treat his puppets with. This has very many levels and will certainly keep you thinking about it for a long time after you have watched it. there are many references to other sources and some peculiar choices like blank eyes for example. there is a deep message going on in this, and it is up to you to find your own meaning from it. it is a true work of art. It is filmed in black and white, and has a brilliant score. it starts off very upbeat and then towards the end gets melancholy. This is a must see, an incredible film!

纱子（有村架纯 饰）的恋人雄介在向她求婚当日因交通事故去世，而成濑（坂口健太郎 饰）则成为了接受雄介心脏救助的对象，两位男女就因为这样的契机而展开了一段悲伤又唯美的奇迹爱情故事。

在一个遥远的世界，能跳舞的是女孩，不能跳舞的是男孩。一个迷恋上跳舞的男孩，冒着风险偷窥女孩们的舞步，在曾经的书籍中寻找着男性跳舞的痕迹，希望能够获得对自己身份的认可。随着他对舞蹈的渴望逐渐强烈，纠察队的脚步也渐渐临近……

http://www.tudou.com/programs/view/clp831OJkiw/

内尔•格雷登（Noel Graydon），一个澳大利亚摄影师。与其他摄影师不同之处在于，格雷登的镜头往往对准某个特殊群体——恋物者。 　　虐恋文化（BDSM）是当今欧美颇为盛行的异类流行文化。入道5年，格雷登被训练成出色的BDSM主人和摄影师。跟随他的讲述，导演向观者展示了这个鲜为人知且带有神秘、禁忌的世界。格雷登及其同好介绍了针刺、紧缚、刺青、皮革等虐恋亚文化，连同其他受访者首次公开这一特殊族群的真实内心世界。 　　本片荣获2004’纽约CineKink电影节最佳纪录短片奖。

内尔•格雷登（Noel Graydon），一个澳大利亚摄影师。与其他摄影师不同之处在于，格雷登的镜头往往对准某个特殊群体——恋物者。 　　虐恋文化（BDSM）是当今欧美颇为盛行的异类流行文化。入道5年，格雷登被训练成出色的BDSM主人和摄影师。跟随他的讲述，导演向观者展示了这个鲜为人知且带有神秘、禁忌的世界。格雷登及其同好介绍了针刺、紧缚、刺青、皮革等虐恋亚文化，连同其他受访者首次公开这一特殊族群的真实内心世界。 　　本片荣获2004’纽约CineKink电影节最佳纪录短片奖。

Pacheco has a phobia of small animals (insects, worms, lizards and so on). His father, in an attempt to help him get over his phobia, exposes him to a very unusual therapy: he makes him sleep with some of these animals closed in a jar and kept in the house. 　　In this way, Pacheco slowly gets used to contact with the animals and is finally able to overcome his initial repugnance to the point of even feeling affection for them. So much so that the final result goes way over his father’s wildest expectations…