Documentary in which Ros Savill, former director and curator at the Wallace Collection, tells the story of some incredible and misunderstood objects - the opulent, intricate, gold-crested and often much-maligned Sevres porcelain of the 18th century. 　　Ros brings us up close to a personal choice of Sevres masterpieces in the Wallace Collection, viewing them in intricate and intimate detail. She engages us with the beauty and brilliance in the designs, revelling in what is now often viewed as unfashionably pretty or ostentatious. These objects represent the unbelievable skills of 18th-century France, as well as the desires and demands of an autocratic regime that was heading for revolution. 　　As valuable now as they were when first produced, Sevres' intricacies and opulence speak of wealth, sophistication and prestige and have always been sought after by collectors eager to associate themselves with Sevres' power. Often the whims and capricious demands of monumentally rich patrons were the catalysts for these beautiful and incredible artistic innovations. 　　The film explores the stories of some of history's most outrageous patrons - Madame de Pompadour, Louis XV, Marie Antoinette and Louis XVI, as well as their foreign counterparts like Catherine the Great, who willingly copied the French court's capricious ways. Ros tells how the French Revolutionaries actually preserved and adapted the Sevres tradition to their new order, and how the English aristocracy collected these huge dinner services out of nostalgia for the ancient regime. In fact, they are still used by the British Royal Family today. 　　Like the iPads of their day, these objects, ostentatious to modernist eyes, were the product of art and science coming together and creating something beautiful yet functional. Ros re-connects us with the fascinating lives and stories of the artists, artisans, painters and sculptors whose ingenuity, innovation and creativity went into making some of the most incredible and incredibly expensive ice cream coolers, vases and teapots of their day. We also see inside the factory, still open today, and witness the alchemic creation process for ourselves. 　　Taking us behind the museum glass and into some incredible private collections, the film reveals stories that are as louche, extravagant and over-the-top as some of the objects themselves. They might be unfashionable or even unpalatable to minimalist modernist tastes right now, but in this documentary we are taken back to a time when these objects were universally loved and adored, when they were the newest and most incredible things that had ever been created.

日本，人口最密集的国家。 　　但仍有68%的国土被森林所覆盖。 　　春，森林孕育着勃勃生机。 　　夏，探险和嬉戏的季节。 　　秋，充满收获的喜悦。 　　冬，静待春天的到来。 　　四季交替，生命周而复始。 　　我们的故事才刚刚开始。

清代乾隆年问，朝廷用一万三千两黄金铸造了一套大小一样可发出不同声音的金钟。辛亥革命后，清皇室用这套价值连城的稀世之宝，向创业银行抵押贷款，后因清皇室无力偿还本息，金钟归创业银行所有。创业银行经理潘文达密令其未来的女婿、襄理杨建兰保管金钟。《都报》以头版头条披露此事，一时间闹得满城风雨。奉军阀张大帅之命，北平城防司令韩守仁勾结创业银行协理王明道四处摸底，要搞到金钟。韩、王密谋在同和居请客，逼潘文达、杨建兰交出金钟。但潘、杨矢口否认，韩、王也无可奈何。潘文达让杨建兰以到天津接潘美云完婚为名，把金钟转移至天津分行。“七•七”事变爆发，潘文达转至重庆，行前，他任命杨建兰为天津分行经理，把金钟之事委托给他。此时，日本特务已经知道金钟在天津，王明道也摇身一变成了汉奸，被委任为中国联合准备银行天津分行总裁，韩守仁就任伪天津保安司令。他们勾结日本宪兵队木村飞雄，逼杨建兰限期交出金钟。杨建兰派司机孙家俊去上海，用私人电台请示金钟处理的办法。潘的回电仅一字“毁”。杨建兰深知金钟是珍贵文物，谁毁掉它，谁是中华民族的罪人。他冒着风险把金钟藏进家里煤库。日本宪兵队搜查银行、住宅一无所获，扫兴而归。抗战胜利后，潘文达死去，杨建兰本想把金钟交给国家，但追查之风又阵阵传来，昔日的稽查处长张德武当上国民党特派员，汉奸王道明得到重用，他们勾结古董商，密谋倒卖文物，并以“重大资敌嫌疑”封闭银行，大肆搜查。但搜出的16只大桶，只是16桶煤油。解放军兵临天津城下，张、韩以杨建兰之子杨莘莘“煽动学潮”罪逮捕，判以死刑，要挟杨建兰交出金钟。杨建兰新仇IEI'恨涌上心头，断然拒绝了他们的要求。杨莘莘牺牲了，金钟却保存了下来。解放了，杨建兰将这历经艰辛保存了几十年的金钟，完整无损地交给了人民政府。

顾珩在美国念了艺术研究所，对中国古物有浓厚兴趣，他进入容氏拍卖集团工作，短时间内就表现长才，受到容恺之的重用。在容恺之调教下，几年内就变成容氏…

顾珩在美国念了艺术研究所，对中国古物有浓厚兴趣，他进入容氏拍卖集团工作，短时间内就表现长才，受到容恺之的重用。在容恺之调教下，几年内就变成容氏拍卖公司，春秋两季拍卖会的负责人，年纪轻轻就享受起成功的滋味。　　容氏集团本季拍卖的重头戏是宋瓷，其中最引人注目的，是一只北宋定窑暗花瓷瓶，据传和台北故宫的收藏是一对，容氏集团宣称将在拍卖后把暗花瓷瓶送还故宫收藏。　　但这场展出才第一天，就惊爆宝物失窃的疑案，顾珩发现自己身陷重重危机之中，他著手追查窃宝案的真相，却意外发现，五十年前故宫文物迁台时，在暗花瓷瓶也曾发生过窃宝案。当年窃宝案的主谋叫做唐锐，被顾珩的祖父指证后遭到枪决。　　顾珩就像打开了潘朵拉的盒子，他发现自己无意间，已身陷一场复杂的恩怨情仇之中，他因而能追查出这对暗花瓷瓶里，深藏了许多年的，所谓“瑰宝”的秘密吗？而这多年的秘密又和自己的身世竟然有惊人的关系！

保罗和安娜本来过着幸福的生活，但当他们的儿子突发疾病时，这个表面看似幸福的家庭完全崩塌了，就像无法再粘合的易碎瓷器⼀样。 　　荣获2020荷兰电影节金牛犊最佳制作设计提名，2021 Cinefantasy国际奇幻电影节最佳导演，2021雨舞电影节最佳影⽚提名。

On a remote German island, the inhabitants of a village come together to celebrate a traditional eve-of-wedding party. As the shards of the crockery smashed by the guests pile up, ten-year-old Fina struggles to keep a piece of herself intact.

BBC4制作的《维也纳艺术瑰宝》三部曲描绘的是20世纪初风起云涌于奥地利首都的一部部艺术杰作。20世纪初的维也纳，就像之前的巴黎、之后的纽约，似乎独占了最让人激情澎湃的艺术作品。 比如阿诺德·勋伯格， 西格蒙德·弗洛伊德和古斯塔夫·克里姆特，他们影响了奥斯卡·柯克西卡，使他成为了一名具有奢华、诱惑气质的表现主义画家。 　　之一　“暴风雨交响曲”柯克西卡 　　讲述奥斯卡·柯克西卡的表现主义杰作《暴风雨交响曲》(即为海报图片)的故事。它是一位贫寒的维也纳艺术家和一位富裕的老妇的热恋的激情的结晶。本片向我们描绘了他们的爱情和离经叛道的柯克西卡怪诞不羁的举止。 　　之二　弗洛伊德的诊疗榻 　　现在弗洛伊德已成为精神分析法的象征和偶像。本片讲述弗洛伊德的诊疗榻来到弗洛伊德的公寓后怎样触发了20世纪的一场思想革命。 　　之三　死神与少女 　　这一辑描述的是埃贡·席勒1915年的让人难以忘却的作品——《死神与少女》，画面上的一对恋人亲密地紧靠着。席勒将此画献给在他最黑暗的时候陪伴在他身旁的女子，但是随即冷酷地摈弃了这个念头。（喵喵驴驴译，错误之处烦请各位达人指正，谢谢） 　　Masterpieces of Vienna (BBC4) is a three-part series on great works of art that came out of the Austrian capital at that moment in the early 1900s when, like Paris before it, and New York after, the city appeared to hold a monopoly on the most exciting creative production of the time. As well as Arnold Schoenberg, Sigmund Freud and Gustav Klimt, it produced Oskar Kokoschka, an expressionist painter of extravagant, provocative temperament. 　　1of3 The Tempest Kokoschka 　　Series about Vienna's cultural artefacts looks at Oskar Kokoschka's expressionist masterpiece The Tempest, the product of a passionate love affair between the impoverished Viennese artist and a wealthy, older woman. The film tells the extraordinary story of their relationship and the bizarre behaviour it inspired from the rebellious Kokoschka. 　　2of3 Freud's Couch 　　Series about Vienna's cultural artefacts looks at Sigmund Freud's couch - now an iconic piece of furniture and the emblem of psychoanalysis. The film tells the story of how its arrival in Freud's Viennese apartment triggered a revolution in 20th-century thinking. 　　3of3 Death and the Maiden 　　Series about Vienna's cultural artefacts looks at Egon Schiele's haunting 1915 picture of two lovers clinging to each other, his tribute to the woman who stood by him in his darkest hour but then discarded ruthlessly.

四川广播电视台对于史前古蜀文明的生动梳理和崭新诠释，以四川三星堆为原点，通过4k超高清影像呈现60余位专家的学术观点和最新的研究成果，重走古蜀文明的发展之路，勾勒出距今5100年到2600年间古蜀文明的形成脉络。收起

纪录片《瓷路》全片共分为六集，每集 50分钟，在这条神奇的瓷器之路上，充满了 探险、财富、人性、生死、战争和沉船的精 彩故事，从中可以寻找中国文明和世界文明 交流碰撞的火花。