Yohei Yamakado has not returned to his native Japan for eight years; his friend Olivier Cheval therefore embarks on an exploration of the land of the Rising Sun, evoking his friend’s memories, almost in a re-enactement of his friend’s life by proxy. Cheval travels, moving from Tokyo to Kyoto, from Kobe to Lake Towada, and in the meantime he juggles, in an equally exploratory way, between childhood and memory, between exile and friendship, making the invisible tangible. 　　Olivier Cheval’s introspective journey rule out any touristic filter and, on the contrary, from every image and landscape tries to materialize what is not physically there. A sort of sequel to a previous correspondence between the director and Yamakado (Lettres sur la peste, La Découverte/lundi matin, 2022), it is at the same time a whispered reflection on the standardization of urbanism and architecture, which uses that border between estrangement and recognizability to take on the fascinating features of a ghost-movie.

Yohei Yamakado has not returned to his native Japan for eight years; his friend Olivier Cheval therefore embarks on an exploration of the land of the Rising Sun, evoking his friend’s memories, almost in a re-enactement of his friend’s life by proxy. Cheval travels, moving from Tokyo to Kyoto, from Kobe to Lake Towada, and in the meantime he juggles, in an equally exploratory way, between childhood and memory, between exile and friendship, making the invisible tangible. 　　Olivier Cheval’s introspective journey rule out any touristic filter and, on the contrary, from every image and landscape tries to materialize what is not physically there. A sort of sequel to a previous correspondence between the director and Yamakado (Lettres sur la peste, La Découverte/lundi matin, 2022), it is at the same time a whispered reflection on the standardization of urbanism and architecture, which uses that border between estrangement and recognizability to take on the fascinating features of a ghost-movie.

고향으로 돌아온 유영이 과거 연인이었던 진서를 만나게 되면서 혼란을 겪는다.

2004年Annecy动画节开幕短片，讲述了两个外星小朋友在地球遭遇的第一次“礼貌外交”的故事。

2004年Annecy动画节开幕短片，讲述了两个外星小朋友在地球遭遇的第一次“礼貌外交”的故事。

Best friends Peter and Lexa decide to try the one thing they’ve never tried: dating each other.

该剧讲述主人公因一封信触发命运交叠，逐步揭晓往事悬念的情感故事。一个邮筒、一封信，促成跨时空的命运联动，也唤起时空两端的情感交响。随着跨越时空的十二封通信，一群人爱情、友情与亲情交织的过往被揭开，命运悬念走向明朗的同时，也完成了对于主人公们的情感救赎。该剧以奇幻设定做壳，以命运悬念为饵，以细腻情感成核，层次饱满，以信件作为传递情感与爱的载体，讲述跨越时空的动人故事。

该剧讲述主人公因一封信触发命运交叠，逐步揭晓往事悬念的情感故事。随着跨越时空的十二封通信，一群人爱情、友情与亲情交织的过往被揭开。

在人与妖怪之间过着忙碌日子的夏目，偶然与以前的同学结城重逢，由此回忆起了被妖怪缠身的苦涩记忆。此时，夏目认识了在归还名字的妖怪记忆中出现的女性·津村容莉枝。和玲子相识的她，现在和独子椋雄一同过着平稳的生活。夏目通过与他们的交流，心境也变得平和。但这对母子居住的城镇，却似乎潜伏着神秘的妖怪。在调查此事归来后，寄生于猫咪老师身体的“妖之种”，在藤原家的庭院中，一夜之间就长成树结出果实。而吃掉了与自己形状相似果实的猫咪老师，竟然分裂成了3个——！？

在人与妖怪之间过着忙碌日子的夏目，偶然与以前的同学结城重逢，由此回忆起了被妖怪缠身的苦涩记忆。此时，夏目认识了在归还名字的妖怪记忆中出现的女性津村容莉枝。和玲子相识的她，现在和独子椋雄一同过着平稳的生活。夏目通过与他们的交流，心境也变得平和。但这对母子居住的城镇，却似乎潜伏着神秘的妖怪。在调查此事归来后，寄生于猫咪老师身体的“妖之种”，在藤原家的庭院中，一夜之间就长成树结出果实。而吃掉了与自己形状相似果实的猫咪老师，竟然分裂成了3个！？