Barbara of thirteen and George of eighteen have known each other a long time. They are neighbors and get along well. The friendship grows over time a deep love. As yet, however, Barbara is a minor , this relationship in the eyes of the environment reprehensible. After the first time the two have slept in a vacant house together, even feel a few kids, they might see Barbara as fair game and they try to rape her. Even with the parents, there are major problems. Above all, the fathers of the two are enemies for a long time. George's father came with a campaign of the early GDR "workers into the country" in the village, the idealism is now given way to bitterness, however, lethargy, especially given the substantive achievements of Barbara's father (the neighbor). This is mainly interested in money, otherwise blankly until primitive. Finally, a path that has found its opponents, the "comrades" to compromise and shows for George abuse to a minor. Even in school, there is little understanding. The school principal shall initiate disciplinary action, and George's future seems blocked, a study is no longer possible. Only the teacher stands on the porch, first two, and becomes a friend of Barbara. Finally, solidarity and the fellow with the lovers. 　　The film ends with the pronouncement of the sentence against George. There is the contradiction between a meaningful per se, but rigid law (Section 148) And the obviously genuine love of the two received. A final verdict is given in the film is not known, however, the subsequent marriage of the lovers, for George, "a small price" was paid.

Barbara of thirteen and George of eighteen have known each other a long time. They are neighbors and get along well. The friendship grows over time a deep love. As yet, however, Barbara is a minor , this relationship in the eyes of the environment reprehensible. After the first time the two have slept in a vacant house together, even feel a few kids, they might see Barbara as fair game and they try to rape her. Even with the parents, there are major problems. Above all, the fathers of the two are enemies for a long time. George's father came with a campaign of the early GDR "workers into the country" in the village, the idealism is now given way to bitterness, however, lethargy, especially given the substantive achievements of Barbara's father (the neighbor). This is mainly interested in money, otherwise blankly until primitive. Finally, a path that has found its opponents, the "comrades" to compromise and shows for George abuse to a minor. Even in school, there is little understanding. The school principal shall initiate disciplinary action, and George's future seems blocked, a study is no longer possible. Only the teacher stands on the porch, first two, and becomes a friend of Barbara. Finally, solidarity and the fellow with the lovers. 　　The film ends with the pronouncement of the sentence against George. There is the contradiction between a meaningful per se, but rigid law (Section 148) And the obviously genuine love of the two received. A final verdict is given in the film is not known, however, the subsequent marriage of the lovers, for George, "a small price" was paid.

《禁信》以年轻男孩拉里（罗伯特·亚当斯 饰）一心等待他那犯了抢劫罪的老情人理查德（理查德·洛克 饰）快一年了为背景展开叙事。当对方即将出狱回家的消息传来时，一整天都焦躁不安的拉里试图以各种各样的方法来消解他心中的谜题。 　　在与好友爱丽丝（维多利亚·杨 饰）的数次交谈中，他还翻阅了那些曾经写给理查德但最终没有寄出的“禁信”——因为他担心自己的关心只会害得对方徒增刑期。这些信积少成多，最终汇成了一本交杂着无数回忆的小册子…… 　　当理查德归来的公交车越来越靠近时，拉里心中的疑问愈发猛烈：在他下车后，彼此间的爱火是否如初？

上复读补习班的东九因为高考前最后一次模拟考试失败而心烦意乱，朋友振元一整天都没有眼力见，还对等待自己的大学生女友惠珍一气之下说了分手，东九感到烦闷....

海岸边离奇的自杀案掀起重重疑云，干探克罗斯到此侦查挚友的死因，却牵扯出一连串的案情，多年前无心的嬉戏使得峦生兄弟之一死于非命，三年前的车祸事故，加上新发生的谋杀案，都与葛瑞福一家人脱不了干系。女主角希利亚无辜的谎，言使得案情加扑朔迷离，俩兄妹之间的不伦之恋，还会造成多少悲刻？克罗斯干探又将如何自重重迷雾中拨云见日？且看本剧分晓。

最终版的纪录片《致真理》分为两个部分，第一部分为黄素雅导演执导的短片《4：Clean Island》—当初雪莉原本会拍摄来自五位导演的短片作品，她却在第二部的拍摄期间离世，因此这部《4：Clean Island》成了最初筹备的五部短片作品中唯一的完成品；第二部分名为《致真理》，是一部以雪莉的深度专访展开的纪录片。观众将时隔四年，听到25岁的雪莉在最后的日子里坦诚分享内心感受。纪录片名亦是取自雪莉的本名「崔真理」——而她内心最迫切希望的，正是大众尊重并喜欢她真实的样子。

最终版的纪录片《致真理》分为两个部分，第一部分为黄素雅导演执导的短片《4：Clean Island》—当初雪莉原本会拍摄来自五位导演的短片作品，她却在第二部的拍摄期间离世，因此这部《4：Clean Island》成了最初筹备的五部短片作品中唯一的完成品；第二部分名为《致真理》，是一部以雪莉的深度专访展开的纪录片。观众将时隔四年，听到25岁的雪莉在最后的日子里坦诚分享内心感受。纪录片名亦是取自雪莉的本名「崔真理」——而她内心最迫切希望的，正是大众尊重并喜欢她真实的样子。

“专注做点东西，至少对得起光阴岁月。其他的，就留给时间去说吧。”老李的吉他、老李的歌对得起情怀，对得起岁月，时间没有对他say no.

“你会找亲生爸爸吗？” 　　妈妈的提问让第一次见到爸爸的哈鲁（Hiro）感到惊讶。 　　因为这件事，妈妈和叔叔吵架后离开了家，哈鲁独自去找亲生爸爸。