本片讲述了一个奇幻的冒险故事，从城镇来到城市的男孩，因为自己的怯懦无法适应全新的环境和交到好朋友，从而陷到手机的世界无法自拔，因为手机而带来的一场奇幻之旅。在异世界里他们有朋友，没有手机他们就是一群纯粹的在一起玩的朋友。

帕奎塔和她的弟弟维南西奥，既单身又孩子气，一同住在马德里附近的一个小镇上。他们家中专横的姐姐伊格纳西亚，也是一个老处女，但掌管着一切。一天晚上，帕奎塔听到她姐姐告诉别人她打算卖掉家里所有的财产。一旦筹到了钱，她希望和一位神秘人一起去巴黎旅行，摆脱他们兄妹俩。帕奎塔和维南西奥两人感到莫名的恐慌。。。

在郊外的小房子里，住着猪先生一家。小猪们在草地上做游戏，只有汉姆霍克面带忧郁。原来他天生好吃，永远处于饥饿状态，为了填饱肚子，他甚至把妈妈刚烤好的馅饼投过来塞进嘴里，结果自然遭到妈妈的训斥。吃饭时间到了，汉姆霍克风一样地最先冲入餐厅，他刚伸出手就遭到妈妈的责打。祈祷期间，他又偷偷将兄弟姐妹的面条系在一起，结果所有的面条都跑到他的嘴里。夜深人静，汉姆霍克躺在床上辗转反侧。突然，他发现自己置身一个奇怪的房子内。在恐怖的科学家的带领下，汉姆霍克走入房间，却被科学家强迫吃掉了很多东西…… 　　本片根据Ellis Parker Butler.的原著改编。

The presence of a couple of guinea pigs at the Westcote railroad station create countless offspring as well as a load of paperwork for administrative bureaucrats including by-the-book agent Flannery when their owner won't pay the rate for standard pigs on them. Adapted from Ellis Parker Butler's story, this is one of the oddest shorts on the set, but it is certainly entertaining with its fast-paced, rhyming Irish-jig-like music.

A closer look at the support characters (in the comics and in the film) and the actors who portray them. This supplement also explores Director Scott Derrickson's work and the qualities he brought to the film.

A closer look at the support characters (in the comics and in the film) and the actors who portray them. This supplement also explores Director Scott Derrickson's work and the qualities he brought to the film.

A group of animals hook up a power grid to the socket-shaped snout of a large, sleeping pig. The animals use the pig’s energy for simple things at first, but they are soon dependent on a city where everything is automated...

一个在沙漠上带着黑色头巾的男人迷路了，在强烈的阳光下，他的身体开始慢慢变得虚弱，并产生了幻觉，在死亡之门来临时，他看到了一个女人朝他走来，后来意识越来越模糊，他忘记了自己是谁，为什么来到这里。究竟在他身上发生了什么事情？

A young man journeys through a desert, where he is kidnapped by a sadistic stranger clad in a pig mask. The stranger proceeds to brutally torture the young man, who then finds himself escaping into his imagination, with fantasy and reality intersecting. Written by Phasmatrope.

"Psy" translates from Polish into dogs. The English title is "Pigs." Both titles are intended as slang references to the police. 　　In 1990 a group of former Communist Security Service officers after a verification get hired by the police. Franciszek "Franz" Maruer is one of them. His friend, Olgier "Olo" Zwirski, is not. Franz leads a new group of cops from crime unit on an operation against an international crime group. The operation goes wrong when they're attacked by thugs, who - as Franz believes - are also old Security Service officers, like them. He doesn't know which side is Olo on yet. 　　What is 'Dogs' about? 'About a dog's world, about the fact that freedom also engenders filth and stupidity while destroying ideals. Everything has been debased, sullied in mud, thrown into the cesspool,' wrote a reviewer. Such extreme critical reactions were elicited by the film's subject matter and its portrayal of the world as fundamentally castrated of positives and saturated with cynicism, moral dirt and cruelty. A world that is simultaneously hardly abstract, and in fact present in the here and now (i.e. in Poland in 1989), one that is additionally portrayed in an iconoclastic and provocative manner, derisive of all things sacred, be they related to nation or religion. Behind this façade of scoffing and anti-martyrological blasphemies, there was something more - a morality tale, a painful diagnosis of contemporary Poland. Was this 'cinema of immoral anxiety'? Opinions were divided. Only viewers succeeded in 'expressing themselves' clearly, demonstrating their fascination by lining up in front of the box office and rendering 'Dogs' a commercial hit. 　　Polish cinema went through a relatively quick and much needed transition in the late 80s that mirrored political changes. As Poland became a democratic country the state let go of its monopoly of the film industry and censorship was lifted. This not only gave freedom to Polish movie making but also allowed foreign films to be screened. These new film policies were well received among new audiences who were too young to remember the solidarity movements and became tired of watching movies about it. In a new market economy for film audiences started to choose what they wanted to watch. This meant classic Polish films struggled to capture audiences as foreign Hollywood-like films gained popularity. As some feared the end of Polish cinema others saw it as a chance to catch up with the rest of Europe and the world. It is through the Americanization of a very Polish story that Pigs expresses controversial and previously restricted topics. Issues of political instability with a lack of a real national hero are raised. Inequalities and corruption in the state ranging from a social to personal level are also looked at. Finally large scale criminal activity is recognized as a reality, presented through taboo subtopics of violence, vulgar language and drugs. 　　Polish Film Festival 　　1992 Won Best Actor Boguslaw Linda 　　1992 Won Best Director Wladyslaw Pasikowski 　　1992 Won Best Editing Zbigniew Nicinski Wanda Zeman 　　1992 Won Best Score Michal Lorenc 　　1992 Won Best Supporting Actress Agnieszka Jaskólka