宁家大小姐宁芷在跑腿送货上门中，发现酒店房间里的两人竟是相恋六年的未婚夫与自己同父异母的妹妹。

多年来，Jae-hwan 警探一直执着于抓捕 Jin-hyuk，这个连环杀手应该为他的搭档和姐夫的死负责，即使复仇的道路意味着跳过一些规则。但是，当拖延已久的邂逅终于到来时，事情却完全出乎意料ーー在经历了一场追逐和一场混乱的意外之后，在Jae-hwan 失踪了一个月之后，他被铐在医院的病床上醒来，却发现自己被困在Jin-hyuk的身体里，反过来，凶手又在他的家人身边取代了他的位置。但这仅仅是一个曲折、极端的叙述的开始，其中充满了令人惊讶的曲折和血红色和霓虹灯。在他残酷的处女作中，金在勋运用了身体转换的比喻，为类型电影爱好者提供了一场盛宴。

雄心勃勃的年轻女演员维姬在新加坡一部有前途的戏剧作品中获得了主角。然而，一辈子的机会似乎是导演丹尼尔手上一个逐渐蔓延的虐待故事的开始，对他来说，虐待暴力和艺术实践是不可分割的。但是，动力可以改变。… 　　在《恶魔》中，丹尼尔·辉以深刻、错综复杂的方式，在排练场景和他们的私生活中探究主人公情感状态的深层次，揭示了艺术和文化世界中的权力结构和依赖性的苦涩真理，这些都可以基于精神压力和操纵。同时，这部电影还充当着一个社会地震仪，让观众无情地一瞥人际关系最黑暗的角落。在复杂的声音设计的帮助下，回族将恐怖和讽刺元素的复杂混合融入了这个神秘幽灵的故事中。这些不同的幽灵出现在情节中，就像人类心理爆发的表现——并且越来越失控。有时候最好把精灵留在瓶子里。 　　Ambitious young actress Vicki lands the starring role in a promising theatre production in Singapore. What seems like the opportunity of a lifetime, however, turns out to be the beginning of a story of creeping abuse at the hands of director Daniel, for whom sadistic violence and artistic practice are inseparable. But power dynamics can change . . . 　　In Demons, Daniel Hui plumbs the depths of his protagonists’ emotional states in profound, intricate fashion in both rehearsal scenes and in their private lives, bringing to light bitter truths about power structures and dependencies in the world of art and culture, which can be based on psychic pressure and manipulation. At the same time, the film serves as a societal seismograph, affording the viewer pitiless glimpses into the darkest corners of interpersonal relationships. Aided by a sophisticated sound design, Hui folds a complex mixture of horror and satirical elements into this story of mysterious ghosts. These various spectres appear in the plot like eruptive manifestations of the human psyche – and spin increasingly out of control. Sometimes it’s better to leave the genie in the bottle.

雄心勃勃的年轻女演员维姬在新加坡一部有前途的戏剧作品中获得了主角。然而，一辈子的机会似乎是导演丹尼尔手上一个逐渐蔓延的虐待故事的开始，对他来说，虐待暴力和艺术实践是不可分割的。但是，动力可以改变。… 　　在《恶魔》中，丹尼尔·辉以深刻、错综复杂的方式，在排练场景和他们的私生活中探究主人公情感状态的深层次，揭示了艺术和文化世界中的权力结构和依赖性的苦涩真理，这些都可以基于精神压力和操纵。同时，这部电影还充当着一个社会地震仪，让观众无情地一瞥人际关系最黑暗的角落。在复杂的声音设计的帮助下，回族将恐怖和讽刺元素的复杂混合融入了这个神秘幽灵的故事中。这些不同的幽灵出现在情节中，就像人类心理爆发的表现——并且越来越失控。有时候最好把精灵留在瓶子里。 　　Ambitious young actress Vicki lands the starring role in a promising theatre production in Singapore. What seems like the opportunity of a lifetime, however, turns out to be the beginning of a story of creeping abuse at the hands of director Daniel, for whom sadistic violence and artistic practice are inseparable. But power dynamics can change . . . 　　In Demons, Daniel Hui plumbs the depths of his protagonists’ emotional states in profound, intricate fashion in both rehearsal scenes and in their private lives, bringing to light bitter truths about power structures and dependencies in the world of art and culture, which can be based on psychic pressure and manipulation. At the same time, the film serves as a societal seismograph, affording the viewer pitiless glimpses into the darkest corners of interpersonal relationships. Aided by a sophisticated sound design, Hui folds a complex mixture of horror and satirical elements into this story of mysterious ghosts. These various spectres appear in the plot like eruptive manifestations of the human psyche – and spin increasingly out of control. Sometimes it’s better to leave the genie in the bottle.

多年来，Jae-hwan 警探一直执着于抓捕 Jin-hyuk，这个连环杀手应该为他的搭档和姐夫的死负责，即使复仇的道路意味着跳过一些规则。但是，当拖延已久的邂逅终于到来时，事情却完全出乎意料ーー在经历了一场追逐和一场混乱的意外之后，在Jae-hwan 失踪了一个月之后，他被铐在医院的病床上醒来，却发现自己被困在Jin-hyuk的身体里，反过来，凶手又在他的家人身边取代了他的位置。但这仅仅是一个曲折、极端的叙述的开始，其中充满了令人惊讶的曲折和血红色和霓虹灯。在他残酷的处女作中，金在勋运用了身体转换的比喻，为类型电影爱好者提供了一场盛宴。

雄心勃勃的年轻女演员维姬在新加坡一部有前途的戏剧作品中获得了主角。然而，一辈子的机会似乎是导演丹尼尔手上一个逐渐蔓延的虐待故事的开始，对他来说…

After a young woman is attacked in the elevator she meets her neighbours (two brothers) for the first time. One of the brothers has a secret, the other has a crush on her. Her analyst tries to help her over the attack, but when she is invited to a mysterious apartment things get worse and worse

After a young woman is attacked in the elevator she meets her neighbours (two brothers) for the first time. One of the brothers has a secret, the other has a crush on her. Her analyst tries to help her over the attack, but when she is invited to a mysterious apartment things get worse and worse

新人编剧卡特·巴斯克已敲定为“小丑女”玛格特·罗比的新片[艳物](Beautiful Thing，暂译)执笔剧本。影片根据作家吉恩·菲利普斯即将出版的小说《凶猛帝国》(Fierce Kingdom，暂译)改编。故事讲述一对母子因意外被困动物园，他们要在3小时里逃离这个危险之地。罗比此次仅作为制片人参与项目，并未确定出演。