The best in the performing arts from across America and around the world including a diverse programming portfolio of classical music, opera, popular song, musical theater, dance, drama, and performance documentaries.

"Sinofuturism is an invisible movement. A spectre already embedded into a trillion industrial products, a billion individuals, and a million veiled narratives. It is a movement, not based on individuals, but on multiple overlapping flows. Flows of populations, of products, and of processes. Because Sinofuturism has arisen without conscious intention or authorship, it is often mistaken for contemporary China. But it is not. It is a science fiction that already exists. 　　Sinofuturism is a video essay combining elements of science fiction, documentary melodrama, social realism, and Chinese cosmologies, in order to critique the present-day dilemmas of China and the people of its diaspora. 　　With reference to Afrofuturism and Gulf Futurism, Sinofuturism presents a critical and playful approach to subverting cultural clichés. 　　In Western media and Orientalist perceptions, China is exotic, strange, bizarre, kitsch, tacky, or cheap. In its domestic media, China portrayed as heroic, stable, historic, grand, and unified. Rather than counteract these skewed narratives, Sinofuturism proposes to push them much further. 　　By embracing seven key stereotypes of Chinese society (Computing, Copying, Gaming, Studying, Addiction, Labour and Gambling), it shows how China's technological development can be seen as a form of Artificial Intelligence."

"「人求助於神，神幫助世人；人渴望神的力量，故而修煉成仙；人打破了自然的法則，最後甚至企圖超越了時間的界限。」 　　本片通过研究神话与现实社会之间的交叉关系试图站在过去与现在的角度去探讨未来。希望能藉此机会让观者重新审视神话与未来之间的关系，其实人类的基因藏着神话，而我们终将回到神话里面去。"

At the turn of the 20th century, in a suggestive correspondence spanning nearly two decades, Rosa confides in her friend Giorgina, telling her a secret: the machine-extended mechanical man envisioned by Marinetti is not a near-future concept for mankind, as Futurists purport. It is, instead, a very real present for womankind, and Giorgina can easily order a specimen in the mail. The entire short film was made by re-editing scenes from a number of silent films. 　　源自：https://www.sicvenezia.it/en/films/we-should-all-be-futurists/

青年艺术家陆明与妻子许昕因相爱结为夫妻，却在婚后多年的生活中，因为日常琐事而争吵感情出现裂痕。后来一场交通事故，许昕重伤昏迷，陆明在照顾的过程中发现了一本许昕所写的小说，小说里许昕有一个虚构出来的老公袁由，通过这本小说，陆明发现了这些年对妻子的亏欠以及自己的不足，悔不当初。

本片讲述了两位重量级当代建筑先锋Eileen Gray与Le Corbusier之间的一段令人唏嘘的传奇历史。Eileen Gray设计并和她当时的爱人共同建造了一个位于法国南部的独家别墅，这座别墅堪称现代建筑经典之作。但她最终与爱人分开，搬出了别墅，而她爱人的好友经常被邀请来做客，并且先后在别墅的各个角度的外墙和内墙上创作了8幅巨大的壁画。Eileen Gray的支持者认为这破坏了Eileen Gray的设计，但Le Corbusier的粉丝却认为这些壁画是惊世之作值得永久保留。两位建筑师无意中的角斗，不仅碰撞出了这个绝妙的艺术作品，更是成为了永恒的话题。

亚历克斯鄙视现代艺术，但当他爱上了一个可爱的法国艺术家，他知道征服她的心的唯一方法就是假装他是一个艺术家。现在他为了赢得她的心必须赢得一个现代艺术比赛，没想到甜蜜的“谎言”早就被女孩识破，并且女孩早就爱上了他。

亚历克斯鄙视现代艺术，但当他爱上了一个可爱的法国艺术家，他知道征服她的心的唯一方法就是假装他是一个艺术家。现在他为了赢得她的心必须赢得一个现代艺术比赛，没想到甜蜜的“谎言”早就被女孩识破，并且女孩早就爱上了他。

本片讲述了两位重量级当代建筑先锋Eileen Gray与Le Corbusier之间的一段令人唏嘘的传奇历史。Eileen Gray设计并和她当时的爱人共同建造了一个位于法国南部的独家别墅，这座别墅堪称现代建筑经典之作。但她最终与爱人分开，搬出了别墅，而她爱人的好友经常被邀请来做客，并且先后在别墅的各个角度的外墙和内墙上创作了8幅巨大的壁画。Eileen Gray的支持者认为这破坏了Eileen Gray的设计，但Le Corbusier的粉丝却认为这些壁画是惊世之作值得永久保留。两位建筑师无意中的角斗，不仅碰撞出了这个绝妙的艺术作品，更是成为了永恒的话题。

首档全国首家制播分离的集古玩收藏鉴赏、当代艺术家推介和艺术市场分析于一体的电视品牌栏目。