这支沃尔沃的全新故事片由曾数度获得重要广告大奖的台湾著名广告导演罗景壬拍摄，演员张钧甯和梁修身、梁正群父子出演。讲述了一段由“婚礼”为线索牵出的父女情深的故事。 　　小时候，她是父亲宠爱下的小公主，是大人们婚礼上的“专职”花童。父亲为她创造了安逸温暖的成长环境，让她的儿时恍如童话。长大后，患病的父亲成了需要照顾的大孩子，在关心父亲的过程中，她为自己和父亲书写了新的童话。这一次，不再是花童的女孩，终于走在为自己铺就的红地毯上。所幸，当初牵着自己的那个人，还在身边。

这支沃尔沃的全新故事片由曾数度获得重要广告大奖的台湾著名广告导演罗景壬拍摄，演员张钧甯和梁修身、梁正群父子出演。讲述了一段由“婚礼”为线索牵出的父女情深的故事。 　　小时候，她是父亲宠爱下的小公主，是大人们婚礼上的“专职”花童。父亲为她创造了安逸温暖的成长环境，让她的儿时恍如童话。长大后，患病的父亲成了需要照顾的大孩子，在关心父亲的过程中，她为自己和父亲书写了新的童话。这一次，不再是花童的女孩，终于走在为自己铺就的红地毯上。所幸，当初牵着自己的那个人，还在身边。

Johnnie Fedora and Alice Bluebonnet are two hats who meet and fall in love in a department store display window in New York City. When Alice is purchased, Johnnie falls into a pit of despair. But when Johnnie finds an owner of his own, he is delighted at the prospect of being able to search the city for Alice from the top of his new owner's head. One day, Johnnie spots Alice! But in his excitement he is blown away by the wind. A seedy man finds Johnnie and wears him into a nightclub, where a fight breaks out. The man is taken away by the police and Johnnie is left behind. Johnnie is thrown out with the trash. Just as he is about to fall down a rain gutter, he is rescued by a carriage driver, who wants Johnnie as a hat for one of his horses. To Johnnie's delight, he is reunited with his sweetheart, Alice, who sits on the head of the carriage driver's other horse.

Ellie’s Eye is an essay-video comprising found and original footage. Ellie is the name of an AI therapist in development at the time of writing, as well as the name of one of the dogs featured in the work. Dogs and AI avatars are similar in that both are dependent on humans. Ellie's Eye examines how technologies invented for medical treatment relate to the human desire to see through, and into—such as x-rays, through-wall movement sensing, and AI-assisted psychotherapy. In the process, the work intertwines facts and fiction about the eye, eyesight, and the act of seeing. Medical scans and image technologies, tools that produce evidence of physical health or the lack thereof, have made rapid progress in the recent past; meanwhile, technologies for mental diagnosis are also developing at a similarly fast pace. This work interrogates how future societies and technologies can approach psychological issues of different individuals, and whether we are objectifying the human psyche itself.

Ellie’s Eye is an essay-video comprising found and original footage. Ellie is the name of an AI therapist in development at the time of writing, as well as the name of one of the dogs featured in the work. Dogs and AI avatars are similar in that both are dependent on humans. Ellie's Eye examines how technologies invented for medical treatment relate to the human desire to see through, and into—such as x-rays, through-wall movement sensing, and AI-assisted psychotherapy. In the process, the work intertwines facts and fiction about the eye, eyesight, and the act of seeing. Medical scans and image technologies, tools that produce evidence of physical health or the lack thereof, have made rapid progress in the recent past; meanwhile, technologies for mental diagnosis are also developing at a similarly fast pace. This work interrogates how future societies and technologies can approach psychological issues of different individuals, and whether we are objectifying the human psyche itself.

在哥伦比亚波哥大的一所女孩之家里，十名青少年相继坐下，闭上眼睛。导演请她们在脑海中创造一个幻想的朋友阿莉丝，并引导她们向镜头描绘这个朋友的故事。阿莉丝也曾露宿街头，也曾遭受过暴力，也谈过一场刻骨铭心的爱情。她成为了女孩们投射自己的过去与未来的载体，那里有难以磨灭的创伤，但也有对今后生活的无限向往与憧憬。阿莉丝是一个想象的集合体，同时也是一个可以保护青少年们可以不受任何伤害地抒发自己情绪与痛苦的自由天地。

享年仅仅37岁的巴西女歌手依莉丝·雷吉纳（Elis Regina），不但开创上世纪六零年代巴西流行乐MPB风潮，更是享誉国际的拉丁歌后。19岁便从PUB发迹的她，凭藉无懈可击的天籁嗓音掳获广大乐迷，热度更从驻唱舞台延烧到歌唱节目，一举成为众人爱戴的国民天后。除了歌唱技巧惊人，依莉丝在创作上更勇于提拔新秀，为乐坛注入鲜活魅力。辛辣敢冲的她，曾于欧洲巡演时抨击巴西军政府的猩猩式独裁，进而被要挟演出，遭世人谩骂排挤，事业跌至谷底。 　　为了力挽狂澜、获得更自由的歌唱环境，依莉丝倾尽资源筑梦，甚至不惜依赖药物，连婚姻也葬送下去，只求唱出不违心的旋律。然而越走入音乐，依莉丝眼中的光芒，却越渐迷茫……

玛莉丝从沉睡中醒来，但这个世界已变得面目全非。人类灭亡了，作为“DOLL”的玛莉丝似乎失去了意义。在寻找整修组的过程中，奇迹发生了……

绘莉深陷在情感疏离的泥潭中。在爱情和亲情所编织的现实世界巨网下，黑暗里不可名状的怪物成为她爱的救赎。红线缠绕命运之网，一场毁灭的内心独白，她能在谁的眼中找到自我真相。

苏联电影史上第一部科幻片，根据阿·托尔斯泰的同名小说改编，讲述住在莫斯科的男主角收到一条神秘信息后打造宇宙飞船，前往火星营救独裁者之女艾莉塔的幻想故事。俄罗斯电影奠基人之一的电影大师雅科夫·普罗塔扎诺夫执导此片，影片上映后在苏联遭到了批评，但在欧美等地却获得了票房成功，片中建构主义式的场景设计和豪华先锋的服装造型直接启发了弗利茨·朗的《大都会》。本片先后有过多个不同的修复版本，2018年，澳大利亚国家视听档案馆将此片进行了基础性的4K数字化，数字拷贝于同年6月的墨尔本演奏中心首映。