An honest union official named Blane is framed for the murder of another union official. Thus off the hook, the crime syndicate actually responsible for the crime is free to continue its activities. However, State's Attorney Jim Fremont begins to suspect that Blane has been set up. Fremont launches a new investigation.

An honest union official named Blane is framed for the murder of another union official. Thus off the hook, the crime syndicate actually responsible for the crime is free to continue its activities. However, State's Attorney Jim Fremont begins to suspect that Blane has been set up. Fremont launches a new investigation.

“风城”芝加哥遍藏着冒险和成功的机遇，使罗克西-哈特(Roxie Hart，芮妮-齐薇格饰，Renee Zellweger)这位外表天真的歌舞演员没了方向。她梦想着靠自…

“风城”芝加哥遍藏着冒险和成功的机遇，外表天真的洛克茜·哈特 （ 芮妮·齐薇格 饰）有一个愿望，就是有朝一日能成为像维尔玛·凯利 （ 凯瑟琳·泽塔-琼斯 饰）那样的歌舞明星，改变平淡的生活。 但造化弄人，当二人分别因谋杀情人和丈夫的指控而被关进监狱，洛克茜也终于有机会与自己仰慕已久的明星相处一室。在女舍监莫顿 （ 奎恩·拉提法 饰）的安排下，洛克茜约见了富有传奇色彩的律师比利·弗林 （ 理查德·基尔 饰）。为了提升知名度，比利接下了洛克茜的案子。经比利的炒作，洛克茜不再是遭人唾弃的杀人犯，而成了令人怜惜的受害者。洛克茜的名气一发而不可收，这让她的"良师益友"凯利陷入了苦恼。但是，聪明的凯利小姐在二次复出后为洛克茜准备了意想不到的反击。

两个女人，有着相似的经历，甚至是相似的心计，展开了为求成名的争夺战。 　　维尔玛（凯瑟琳•泽塔-琼斯 Catherine Zeta-Jones饰）是一个夜总会舞女，名气不大。因为一怒之下枪杀了出轨丈夫而被关进大牢。比利是当地一个靠打谋杀案官司而提升知名度的律师，他受理了这桩案件，心中有着自己的打算。他借助媒体炒作维尔玛的案子，一方面维尔玛瞬间成为红人，而他自己也声名大振。 　　然而洛克茜（芮妮·齐薇格 Renée Zellweger 饰）的案件却让比利转移了注意力。梦想成为歌星的洛克茜也是因为怒杀男友而身负罪名，比利决定要把她包装成楚楚可怜的受害者，令媒体更疯狂的大肆报道。 　　维尔玛觉察形势不妙，为了成名，她跟洛克茜之间的斗法不可避免的开始了。

A telephone rings in the dark—three times, pauses, then rings three times again. A fully-clothed figure lights a cigarette before rising from bed, dons a raincoat, then sets out into the night. Another figure emerges from the shadows, lights a cigarette, then discards a crumpled cigarette pack, which the first picks up and carries home. Back in his room, the first man places the refuse on his desk, paces apprehensively about his apartment before he finally removes the inner foil and examines it. After letting what it reveals sink in, he sets it on fire, and a cold look comes over his face... 　　Thus begins The Thief, a 1952 cold war, espionage thriller—unique in that it is completely without dialogue—directed by Russell Rouse, and produced by Clarence Greene, who co-wrote the screenplay. Allan Fields (Ray Milland) is an award-winning nuclear scientist working at the Atomic Energy Commission research laboratory. He is also a spy, photographing top secret documents, then relaying the miniature film canisters back through an elaborate network to enemy agents in Egypt. His signal is the telephone, and his liaison outlines his assignments through instructions on his cigarette refuse, with nary a word spoken. It is a dangerous business, and one that creates many close calls—too close for comfort. When one of his assignments goes awry, the FBI begins to close in, and the race is on to leave the country before he is caught. 　　The Thief has all the trappings of classic noir. Produced at the height of the "Red Scare," the film manages to maintain a constant state of tension, relying heavily on reaction shots and Herschel Burke Gilbert's riveting musical score. The cinematography heightens the effect, utilizing lighting and camera angles to convey the unspoken. Milland, who won an Oscar® for his role in Billy Wilder's The Lost Weekend, carries the part off to perfection, letting the audience read his character's thoughts solely through facial expression and body language. The direction also fools the audience into anticipating dialogue, then cleverly avoiding it. Only the Oscar®-nominated score and sound effects break the silence. 　　This is a fascinating use of visuals to tell a story, and a gripping suspense film, which held my interest throughout, and aside from one sequence where Fields' conscience begins to plague him, the narrative is fairly straight forward, without much in the way of gimmickry. Avoid the back cover text because it gives away the ending, which was the only part that didn't really work for this reviewer. For those interested in cold war-era film noir, this is certainly worth a look, if for no other reason than its uniqueness.

《芝加哥急救》是《芝加哥烈焰》（Chicago Fire）的第二部衍生剧，故事描述芝加哥城中最繁忙的一家医院的日常工作——这里有一支勇敢无惧的医护团队，他们团结一致，敢于面对任何风险。每当特定事件（灾难）中的病人需要救治，或者遇到别的医生束手无策的疑难杂症，就轮到他们上场了。与此同时，他们在混乱的急诊室里培养出紧密的关系并一起渡过难关。根据NBC的构想，该剧和《芝加哥烈焰》、《芝加哥警署》经常交换角色和情节，使三个团队（三部剧集）有机地融和在一起。

《芝加哥代码》是由《盾牌》创作人Shawn Ryan创作，在芝加哥取景拍摄，讲的是芝加哥警察们与犯罪作斗争，曝光腐败分子的故事。按照FOX的计划，《芝加哥代码》将取代《别对我撒谎》的档期，定于2011年2月7日首播。 　　本剧主要演员有Jennifer Beals和Jason Clarke，前者曾出演过《别对我撒谎》和《拉字至上》，饰演芝加哥第一位高级女警官Teresa Colvin，而后者曾出演过《Brotherhood》，他将饰演一位经验老道的警官Jarek Wysocki。

NBC的芝加哥宇宙将继续扩大，《芝加哥烈焰 Chicago Fire》﹑《芝加哥警署 Chicago PD》 ﹑《芝加哥医院 Chicago Med》 的执行制片人Dick Wolf为NBC拍摄《芝加哥律政 Chicago Justice》试映集已被预订成剧，顾名思意就是在法律领域的剧集。 　　他们找到的第一个演员是曾在《反击 Strike Back》及《终极玩家 The Player》主演的Philip Winchester，饰演助理州检察官Peter Stone。《真实之虚 UnReal》的Monica Barbaro饰演助理州检察官Anna Valdez。面面俱到的她能够跟男生们一同畅饮，但亦可享受歌剧；她亦不怕承受风险，为了正义可以弄脏双手。 　　《火线警探 Justified》主演Joelle Carter饰演Lori Nagle，一个十分强硬的调查员。Carl Weathers饰演州检察官Mark Jefferies，一个受人尊敬﹑有知识分子气息及礼仪的人。从《芝加哥警署 Chicago PD》转过来Jon Seda继续饰演Antonio Dawson，他将成为调查员，与Lori Nagle合作。

Chicago, 1963. As head of the police department's Major Crime Unit, Lieutenant Michael Torello must deal with the city's most dangerous criminals. And possibly the most dangerous of all is Ray Luca, a young ambitious street hood who's out to gain wealth and power by whatever means - including theft, threats, extortion and murder. As Luca begins his ruthless climb up the ladder of organized crime, leaving a growing number of victims in his wake, Torello becomes more and more determined to bring him down.