少女芝芝自幼缺少母爱，跟爸爸和同父异母的妹妹瑶瑶生活在一起，爸爸不了解她，对她很粗暴，屡次伤害她的自尊心，芝芝因此沦落为飞女，跟一群流氓混在一起。芝芝终于找到了妈妈，可是妈妈却不认她。为了偷一个烟斗送给爸爸做生日礼物，芝芝进了监狱，她出狱之后，爸爸病逝了，自己一直爱慕的表哥也跟瑶瑶订了婚，芝芝孤苦无依，回到流氓群中，流氓得知芝芝的妈妈是富婆，要芝芝跟他们一起打劫，芝芝不允，最终芝芝被枪打中，死在了妈妈怀里。

Dr Michael Mosley seeks to establish the truth about meat. Are those barbecue favourites like burgers and sausages really that bad? Should we all go vegetarian instead?

Andrew Graham-Dixon presents a personal profile of the legendary food writer Alan Davidson, one of the unsung heroes of the culinary world. 　　Davidson's greatest work, The Oxford Companion to Food, took him 20 years to write. It's an encyclopaedia of everything a human being can eat, from aardvark to zucchini, all catalogued in 2,650 separate entries. But it is much more than just a food reference book; it is a portrait of the whole human race, its many cultures, customs and histories, all revealed through the stories of what we eat. If you want to understand why the Genoese enjoy dolphin, how to cook a warthog, why the French call dandelions 'piss-en-lit' or who invented Spam, then 'The Companion', as it is known by aficionados, is the place to look. 　　Alan Davidson died in 2003, just four years after his magnum opus was published. He had already achieved guru status among foodies and professional chefs but, in fact, he became a writer almost by accident. His first career had been as a British diplomat, serving in various overseas offices. A visit by his wife to a Tunisian fish market first piqued his interest in writing about seafood, and a later posting to Laos convinced him to resign from the Foreign Service and become a full-time writer. 　　Through interviews with Davidson's colleagues, admirers, family and friends, Graham-Dixon creates a portrait of a remarkable man who not only compiled a unique record of humanity's eating habits, but also helped turn the study of food into a serious academic discipline by instigating an annual symposium at Oxford University where visitors can learn about, amongst other things, the role of vegetables in the conquest of space and how to make a musical carrot.

影片将罕见演出档案影像与对众多乐队及制作人的采访结合，从六十年代末的学生抵抗运动开始，回顾七十年代初德国摇滚乐短时间内的多面发展。性与政治重新引发的思考促使音乐人通过对技术的高度青睐寻求有别于施拉格和民歌的新表达方式，强调实验与艺术独立性，最终将戏谑的“泡菜摇滚”概念作整体定位。（豆瓣电影字幕翻译2.0小组）

影片将罕见演出档案影像与对众多乐队及制作人的采访结合，从六十年代末的学生抵抗运动开始，回顾七十年代初德国摇滚乐短时间内的多面发展。性与政治重新引发的思考促使音乐人通过对技术的高度青睐寻求有别于施拉格和民歌的新表达方式，强调实验与艺术独立性，最终将戏谑的“泡菜摇滚”概念作整体定位。（豆瓣电影字幕翻译2.0小组）

女主穿越到60年代，全国大闹饥荒，饿殍遍野，女主靠着现代知识与系统，带领全家发家致富，走向开挂人生，并手撕极品穷亲戚。

女主穿越到60年代，全国大闹饥荒，饿殍遍野，女主靠着现代知识与系统，带领全家发家致富，走向开挂人生，并手撕极品穷亲戚。

此片通过主持人的走访叙述“The Oxford Companion Food”的作者Alan Davidson在收集文本素材时可能遇到的事。全片生动，幽默，想学一口标准英音又想获悉世界千奇百怪之物的必备之物。

顾州远睁眼时，正躺在漏风的土坯房里，耳边是家人虚弱的呻吟——他成了古代顾家老三，恰逢大旱连蝗灾，地里颗粒无收，大姐二哥四弟已饿得眼冒金星。 濒死之际，他脑中突然响起机械音，金手指“生存系统”被激活。系统不仅能定位猎物，还能兑换种子农具。顾州远抄起锈柴刀冲进山林，凭着系统指引猎回半扇野猪，让家人喝上了热汤。随后他又用猎物换粮，偷偷种出耐旱作物，短短半月，就让全家顿顿见肉，成了村里唯一不愁吃喝的人家。

李永生一觉醒来，发现自己穿越到了平行世界乾朝，童生大伯偷东西，父亲为了给自己治病，无奈顶包，随后他们一家便赶出了祖宅，住进了漏风漏雨的老宅，父亲在叹息，母亲在痛苦，妹妹将唯一的鸡蛋塞到了他的嘴里，而这个时候，李永生觉醒了兑换系统，可以用物资兑换各种必须品和道具，于是在这个寒冷的冬天，李永生带着傻兄弟大牛来到了冰面砸冰打鱼，从柴火粮食 到酿酒秘方，再到水车，曲辕犁，水泥，一个又一个震撼世界的奇物从李永生的手中出现，他不仅带着全家人吃肉喝酒，更是一步一步的在这个大乾朝闯出了属于自己的精彩人生。