Marion is a 14 year old girl, on holidays at the sea. She is in conflict with her mother and family. She meets a man there, to whom she feels close. Back in Paris, she goes to see him again. For the first time, she is gonna make love

Marion is a 14 year old girl, on holidays at the sea. She is in conflict with her mother and family. She meets a man there, to whom she feels close. Back in Paris, she goes to see him again. For the first time, she is gonna make love

这是一部具有浓厚科幻色彩的哲理片。22世纪少年电脑神童绿孩儿穿越时间隧道，来到千年之前大唐时代，与《西游记》故事中唐僧师徒相遇。影片紧紧围绕魔鬼芯片和天使芯片展开故事。片中，绿孩儿、唐僧师徒、红孩儿及牛魔王、白骨精等人沾上魔鬼芯片或天使芯片后发生了种种变化，展现善与恶的较量。

In the near future, most people get a "cricket" implanted in their brains: an electronic chip which allows them to switch into "automatic mode". Nathanaël, a cricket repair man, is faced with a moral dilemma when the parents of an autistic boy ask him to hack into their son's chip.

In the near future, most people get a "cricket" implanted in their brains: an electronic chip which allows them to switch into "automatic mode". Nathanaël, a cricket repair man, is faced with a moral dilemma when the parents of an autistic boy ask him to hack into their son's chip.

电脑美少女之魔鬼芯片这是一部具有浓厚科幻色彩的哲理片。22世纪少年电脑神童--绿孩儿穿越时间隧道，来到千年之前大唐时代，与《西游记》故事中唐僧师徒相遇。影片紧紧围绕魔鬼芯片和天使芯片展开故事。片中，绿孩儿，唐僧师徒，红孩儿及牛魔王、白骨精等人沾上魔鬼芯片或天使芯片后发生了种种变化，展现善与恶的较量。

选集四个年龄段的四个浪漫故事的选集，这些故事被称为爱的魔力线连接起来。

A group of friends have misplaced an important microchip that apparently holds top-secret information. They set off on a quest to find it.

Birth: it's a miracle. A rite of passage. A natural part of life. But more than anything, birth is a business. Compelled to find answers after a disappointing birth experience with her first child, actress Ricki Lake recruits filmmaker Abby Epstein to explore the maternity care system in America. Focusing on New York City, the film reveals that there is much to distrust behind hospital doors and follows several couples who decide to give birth on their own terms. There is an unexpected turn when director Epstein not only discovers she is pregnant, but finds the life of her child on the line. Should most births should be viewed as a natural life process, or should every delivery be treated as a potential medical emergency?

Birth: it's a miracle. A rite of passage. A natural part of life. But more than anything, birth is a business. Compelled to find answers after a disappointing birth experience with her first child, actress Ricki Lake recruits filmmaker Abby Epstein to explore the maternity care system in America. Focusing on New York City, the film reveals that there is much to distrust behind hospital doors and follows several couples who decide to give birth on their own terms. There is an unexpected turn when director Epstein not only discovers she is pregnant, but finds the life of her child on the line. Should most births should be viewed as a natural life process, or should every delivery be treated as a potential medical emergency?