一九四八年春，小影独自迎来了她生命中的第七次分娩，丈夫瑞因办理出国手续而缺席。怀孕期间，小影意外发现了瑞与另一女子的密信，这使她陷入了爱恨交织的痛苦之中，只能通过日记宣泄内心的煎熬。七十多年后，这叠破旧泛黄的日记散页被翻出，深深地牵动了全家的日常生活。直至尾声，一封未署日期的回信透露出瑞的真实情感和他对婚姻的态度。影片通过“家”这一日常而特殊的场域，呈现了一次历史与现代的对话，直面探讨爱情、家庭与婚姻的本质和深层意义。

一九四八年春，小影独自迎来了她生命中的第七次分娩，丈夫瑞因办理出国手续而缺席。怀孕期间，小影意外发现了瑞与另一女子的密信，这使她陷入了爱恨交织的痛苦之中，只能通过日记宣泄内心的煎熬。七十多年后，这叠破旧泛黄的日记散页被翻出，深深地牵动了全家的日常生活。直至尾声，一封未署日期的回信透露出瑞的真实情感和他对婚姻的态度。影片通过“家”这一日常而特殊的场域，呈现了一次历史与现代的对话，直面探讨爱情、家庭与婚姻的本质和深层意义。

林大学士府长女林语柔与北燕王萧景翳。医术与武艺超群的林语柔，与英勇善战的北燕王萧景翳相知相恋，婚后育有一子萧诺，生活幸福美满，林语柔的庶妹林昕儿因嫉妒，设计陷害姐姐。当北燕王中了罕见的“情丝扣”毒时，林语柔不顾自身安危，以身试毒为他解毒，却因此身染重病1。林昕儿趁机冒领功劳，并诬陷林语柔与他人有染，受毒素影响的北燕王信以为真，对林语柔恨之入骨。直到真相大白，林语柔已生命垂危，仅剩三月时光。北燕王在追悔中陪伴她度过最后的时光，试图弥补过错。

Attending church, baking bread, and marrying high school sweethearts are the standard in a small fishing town in Newfoundland, and despite not having checked the last two of those boxes, Eliza (Michaela Kurimsky) is beloved by all those around her. 　　After a church service, she parts ways with her mom and grandmother and heads into the nearby woods, with a purpose that nobody in her life is aware of: taking self-portraits in a bikini and ski mask to post to her super-popular anonymous social media account, which is filled with many more suggestive photos of Eliza. 　　Nobody from the town knows about another secret of hers: that in private quarters, she has a relationship with Toni (Elle-Máijá Tailfeathers, TIFF ’22’s Stellar). An outsider to the town and an out lesbian, Toni is begrudgingly welcomed. 　　A questionable meet-up with a married man unravels all of Eliza’s secrets and forces her to re-examine her morals, her identity, and her place in the community, in a spectacular fashion. She can’t run away from the repercussions of her choices and, ultimately, is surprised by those who continue to stand with her.

Attending church, baking bread, and marrying high school sweethearts are the standard in a small fishing town in Newfoundland, and despite not having checked the last two of those boxes, Eliza (Michaela Kurimsky) is beloved by all those around her. 　　After a church service, she parts ways with her mom and grandmother and heads into the nearby woods, with a purpose that nobody in her life is aware of: taking self-portraits in a bikini and ski mask to post to her super-popular anonymous social media account, which is filled with many more suggestive photos of Eliza. 　　Nobody from the town knows about another secret of hers: that in private quarters, she has a relationship with Toni (Elle-Máijá Tailfeathers, TIFF ’22’s Stellar). An outsider to the town and an out lesbian, Toni is begrudgingly welcomed. 　　A questionable meet-up with a married man unravels all of Eliza’s secrets and forces her to re-examine her morals, her identity, and her place in the community, in a spectacular fashion. She can’t run away from the repercussions of her choices and, ultimately, is surprised by those who continue to stand with her.

一个叫做“花”的北京女教师，决定辞去在北京的工作，前往法国与那里的恋人Thierry汇合，但是到了法国之后，事情却并没有像她想象的那样发生，Thierry甚至不回她的电话。绝望的她在那个陌生的城市里游荡，从她狭小的工作室到学校，一个人背井离乡地在法国华人社区里漂泊，后来她遇到了一个叫Mathieu的年轻工人，Mathieu深深地爱上了“花”，虽然他认为对待“花”并不需要比对待一只母狗好多少。

昭和11年的春天，日本还是一个传统盛行的国家，凛正因为父母包办的婚姻而苦恼着，因为凛从未见过男方，而与这样的人结婚令其感到不安。就在婚礼的前一天…

六个段落，四位女主角共同演出B级僵尸Cult片，以音乐人为主角的通俗剧、谍报动作、科幻恐怖、甚至默片等难以归类的片型，够通俗易懂，也够唯美浪漫，成为阿根廷影史上最长的电影。导演马里亚诺·利纳斯怀抱疯狂野心，耗费十七年，以十四小时颂扬对电影的热爱与对女性的讴歌。坚持的惊人 片长阐述电影永不结束，随著不同年代的拍摄器材与手法，也标志了四名女演员在现实与虚幻中流逝的时光。女人花们生长绽放，所有的故事都不要结局，在情绪最顶点骤停，吊人胃口到超出极限，却又让悬念回荡在你的大脑，而不得不以观影当下为基础，重新思考当代电影“说故事”的形式与本质。©金马奇幻影展 　　＊受诅咒的木乃伊被送入缺水干涸大地里的考古研究站，接触过的人都成了丧尸，考古站也陷入疯狂⋯⋯ 　　＊前畅销男女情歌搭档尽管情已逝，却得再次合作录制生涯最后一搏的对唱金曲，邪教团体也趁机吸收成员，制造永生不死的血清⋯⋯ 　　＊四名女间谍挟持人质躲在郊区机场，等待黎明到来时与对手生死对决⋯⋯ 　　＊电影女主角们历经数年拍摄后，终于与导演发生冲突，卡关的导演发现他真正想拍的其实是树，但女人们可不会轻易放过他。整批剧组在取景途中消失，而另一个时空里，发现了一批疑似受到重大惊吓而集体发狂的人们⋯⋯ 　　＊让·雷诺阿被重新拍摄的未完之作《乡间一日》仍未完成⋯⋯ 　　＊被印地安人俘虏多年后，女人们踏上逃生之路，跋山涉水，相濡以沫只为回归文明世界⋯⋯

一个叫做“花”的北京女教师，决定辞去在北京的工作，前往法国与那里的恋人Thierry汇合，但是到了法国之后，事情却并没有像她想象的那样发生，Thierry甚至不回她的电话。绝望的她在那个陌生的城市里游荡，从她狭小的工作室到学校，一个人背井离乡地在法国华人社区里漂泊，后来她遇到了一个叫Mathieu的年轻工人，Mathieu深深地爱上了“花”，虽然他认为对待“花”并不需要比对待一只母狗好多少。

Lars Von Trier. 15 years old. This short film show us where life begins (oxygen). Without trees we couldn't live. The industry is destroying our ecosystem.