更登是寺院最牛的画师，为人谦和，不通世俗。他作画态度极其认真，精益求精。部落庙殿让他画一副关于“极乐世界“的画作，他不分昼夜苦心创作，这时盲女央金白玛进入他的世界，画师更登的心理状态也发生了巨大的变化，他的画笔逐渐模糊，心性却渐渐明亮。 虔诚—迷茫—卑微—忍痛—虔诚。经过几个月赤胆忠心地自我搏斗，终于画作问世，看者无人不生敬畏之情。更登通过这幅画的绘画历程，与央金白玛在黑暗的尽头相会。这是一 部充满东方色彩的浪漫故事。

小花猫担任村里的守夜工作，坚守岗位，把被老鼠偷走的蛋宝宝送还鸡大嫂，又同鸡大哥设计逮住了全部老鼠，为大家除害。

本美术片由原上海电影制片厂美术小组绘制，与其时的政治形势有一定联系。勤劳勇敢能干的小花猫是大伙的好朋友，它日夜不辞辛苦为大伙看家护院。某天，两只老鼠潜入一户人家，偷走了母鸡产的大个鸡蛋。这一幕恰被大花猫看见。大花猫决定将它们捉个措手不及。

东海上有一个桃花岛，桃花岛上有一座白雀寺，寺里有个姓安的老和尚，年复一年扫着落叶，白雀寺旁有一棵很老很老的千年桃树，桃树下就住着桃花猫。大家会在桃树上许愿，挂上写着愿望的铃铛。 桃花猫祖祖辈辈有着守护东海鱼的使命。他一个人生活了很多年，却不爱搭理自己守护的鱼。一天，乐观的翻身薯来到了岛上。桃花猫渐渐和翻身薯做起了朋友，虽然表面上还是很冷酷，但是被翻身薯的乐观和善良感染了，和翻身薯一起去帮助在桃树上许愿的人实现愿望，还一起帮助东海鱼解决麻烦、实现愿望，他们的朋友越来越多了。

东海上有一个桃花岛，桃花岛上有一座白雀寺，寺里有个姓安的老和尚，年复一年扫着落叶，白雀寺旁有一棵很老很老的千年桃树，桃树下就住着桃花猫。大家会在桃树上许愿，挂上写着愿望的铃铛。 桃花猫祖祖辈辈有着守护东海鱼的使命。他一个人生活了很多年，却不爱搭理自己守护的鱼。一天，乐观的翻身薯来到了岛上。桃花猫渐渐和翻身薯做起了朋友，虽然表面上还是很冷酷，但是被翻身薯的乐观和善良感染了，和翻身薯一起去帮助在桃树上许愿的人实现愿望，还一起帮助东海鱼解决麻烦、实现愿望，他们的朋友越来越多了。

新加坡海岸线上的填海工地，工人王必成失踪了。两名警探闻风而至，在工地周围四处探询王必成的踪影。躁郁的氛围、失眠的夜晚，警探在梦里见到王必成身影，而令人不安的真相，也将在虚实难辨的湿热幻境中揭开。 在虚实难辨的故事结构中，揭开新加坡沿海无证移工的生存困境。黑色电影的基底下，萨克斯风音乐、霓虹光线交错，切换视角的叙事方法，打造如梦似幻的空间感。故事背景极度写实，影像风格却忧郁抽离，带领观众远离对新加坡的刻板想象，在破碎消散的时间感中，探向当代新加坡的真实焦虑。

《幻土》属惊悚题材，剧情讲述两位警察追踪一名在本地填海工地工作的外藉劳工时，忽然失联。宏荣扮演前CID探员，在查案及寻找失踪客工的过程中，由于太投…

Hilarion Zabala, a former master sergeant, is tormented by a strange smell. The diagnosis is phantosmia, i.e. olfactory hallucinations, where he perceives smells that do not actually exist. His doctor attributes this to past trauma and recommends that he confront and recall his dark military service period as a solution. Zabala, willing to take on any task, voluntarily visits a military base and is eventually assigned to a remote island penal colony. However, another horrific reality awaits him there. 　　From religious bloodshed to human rights abuses against women, the various forms of violence created by humans are still structurally and routinely pervasive. How can justice and salvation be achieved in an age of violence? Can violence used to prevent violence ever be justified? Deep anguish is reflected through the contemplative black-and-white imagery. (BOO Kyunghwan)

Hilarion Zabala, a former master sergeant, is tormented by a strange smell. The diagnosis is phantosmia, i.e. olfactory hallucinations, where he perceives smells that do not actually exist. His doctor attributes this to past trauma and recommends that he confront and recall his dark military service period as a solution. Zabala, willing to take on any task, voluntarily visits a military base and is eventually assigned to a remote island penal colony. However, another horrific reality awaits him there. 　　From religious bloodshed to human rights abuses against women, the various forms of violence created by humans are still structurally and routinely pervasive. How can justice and salvation be achieved in an age of violence? Can violence used to prevent violence ever be justified? Deep anguish is reflected through the contemplative black-and-white imagery. (BOO Kyunghwan)