Nimet who can not have children, is constantly under the social pressure of not being able to start a family and thus feels incomplete as a woman. Furthermore, upon learning that her beloved younger sister Öznur is fertile, she starts developing envious thoughts. “Unfruitful Times” is the story of the emotional loneliness of those who can not find courage to break the mold of the society and change their lives.

斯坦尼（约翰·库萨克 饰）在一间超级市场工作，带着两名女儿海蒂与朵儿一起生活，妻子格雷斯是名士兵，此刻正征战沙场。 　　斯坦尼的生活平淡，对女儿们十分关怀却要求严格。妻子不幸牺牲的消息传到了斯坦尼的耳中，他不敢把消息告诉日夜思念母亲的孩子们。 　　于是他决定要满足孩子们最单纯的愿望，带她们到主题公园去玩。海蒂跟朵儿从叔叔的口中得知，父亲因为视力的问题无法成为士兵，他是有一股爱国热情的。海蒂感觉父亲跟平常不一样，可是不敢多言。一路上斯坦尼与海蒂有了很多的交流，更了解彼此了。 　　他们终于到达了公园，可是海蒂却似乎感觉到某些事情发生了……

曾经斯坦利·菲利普斯（约翰·库萨克饰演）也拥有着一个可预见的人生和充满希望的未来。他从小怀揣的梦想是投身于爱国的事业中去，当然最好的方式就是在…

菲律宾前总统杜特尔特以发起「禁毒」战争而扬名天下，他引起的反毒浪潮滥杀无辜者不计其数，但他却以此「创举」受到国内上上下下的拥戴。赫尔斯·帕普兰中尉是当局首屈一指的探员，当权者如何以残酷不仁的手段剔除「眼中钉」，他都看得一清二楚。他现正站在道德分叉路进退两难，就算他避得过良心的责备，也逃不了奇怪的皮肤病。在涌浪之后，真相最终会像他身上的疮疤一样被纱布遮盖，还是会被一层一层揭开？

菲律宾前总统杜特尔特以发起「禁毒」战争而扬名天下，他引起的反毒浪潮滥杀无辜者不计其数，但他却以此「创举」受到国内上上下下的拥戴。赫尔斯·帕普兰中尉是当局首屈一指的探员，当权者如何以残酷不仁的手段剔除「眼中钉」，他都看得一清二楚。他现正站在道德分叉路进退两难，就算他避得过良心的责备，也逃不了奇怪的皮肤病。在涌浪之后，真相最终会像他身上的疮疤一样被纱布遮盖，还是会被一层一层揭开？

It tells the story - inspired by the novel of the same name, published in 2018 by the Alicante writer Elia Barceló - of a group of women whose stable, successful lives are suddenly shattered as the human remains are found of one of their high school classmates, who disappeared during their end-of-year trip to Mallorca twenty years ago.

It tells the story - inspired by the novel of the same name, published in 2018 by the Alicante writer Elia Barceló - of a group of women whose stable, successful lives are suddenly shattered as the human remains are found of one of their high school classmates, who disappeared during their end-of-year trip to Mallorca twenty years ago.

Set against the backdrop of an imperial victory in the civil war leading up to the Meiji Restoration, Fallen Blossoms tells the story of the sorrows of women in a geisha house in Kyoto by recounting the relationships of its inhabitants. 　　Alexander Jacoby & Johan Nordström wrote: 　　Ishida’s original and brilliant film tells history as ‘her story’. Against the backdrop of a victory for the imperial forces in the civil war leading up to the Meiji Restoration, Ishida recounts the relationships among the inhabitants of a Kyoto geisha house, producing what has been described by Noël Burch as “one of the most remarkable community portraits ever filmed”. The film is set completely inside the house, with only female characters ever seen on screen. 　　For Burch, “the exclusion from the scene of men, patrons or soldiers, is a meaningful corollary of the exclusion of Japanese women from the history of the country”. Ishida narrates his story using an imaginative cinematic style in which shots are almost never repeated. The narrative, Burch notes, evokes Chekhov, but he judges its “combination of a restricted, unified setting and continual renewal of the imagery” to be unparalleled in conventional narrative cinema.

拉蒂夫·阿尼是第一个捕捉20世纪50年代至1970年代伊拉克都市生活的人，被誉为“伊拉克摄影之父”。本片围绕摄像师拉蒂夫·阿尼展开，他在当地爆发战争前拍摄了30年伊拉克的生活。86岁，他穿越满目疮痍的国家，寻找当年拍摄的人与地方。面对影像中的家园，似乎没有人能想象，这样的图景曾是真实。

《花落流年》主要讲述了小提琴手李逸凡为过世的奶奶完成爱情的遗憾，并在这个过程中找到了真正的爱情。虞书欣饰演女主角李逸凡，同时也饰演奶奶的青年时期，95后萌妹子将首次挑战民国服饰。