晚娘生产时，七个孩子中前六个被接生婆谎报为死婴，笙笙凭借鸿运锦鲤的能力保住性命。晚娘发现楚云朗的不忠与苏玉儿的奸计，笙笙还通过心声告知母亲娘家的危机。在林府枯井事件中，母女俩巧妙设计，将埋有皇帝生辰八字的危机转化为求雨的契机，成功化解林家困境，还让楚云朗受到惩罚。

十年前，付衍的养妹被欺辱而死，母亲为寻求公道失去生命。仇怨深深扎根在付衍心底，为了复仇，他潜伏十年，化身华成科技CEO并精心计划了一场大计。然而这一切都被一个身份神秘的女孩打破——小镇孤儿姜笙。一开始只是对姜笙的利用，但是当久违的暖意照亮了黑暗已久的内心，关于爱与恨的选择又该何去何从。

苏念笙前世为爱卑微，却惨遭背叛含恨离世。重生后她不再执着于旧爱，转身与竹马沈隽西携手，这位昔日的太子爷将苏念笙宠上天际。面对前夫的悔悟求复合，苏念笙心意已决。她与沈隽西并肩前行，在青春岁月里活出自我价值，最终彻底摆脱前世阴影，与沈隽西开启了幸福美满的人生，完成了从为爱卑微到被宠成公主的华丽逆袭。

Set against the backdrop of an imperial victory in the civil war leading up to the Meiji Restoration, Fallen Blossoms tells the story of the sorrows of women in a geisha house in Kyoto by recounting the relationships of its inhabitants. 　　Alexander Jacoby & Johan Nordström wrote: 　　Ishida’s original and brilliant film tells history as ‘her story’. Against the backdrop of a victory for the imperial forces in the civil war leading up to the Meiji Restoration, Ishida recounts the relationships among the inhabitants of a Kyoto geisha house, producing what has been described by Noël Burch as “one of the most remarkable community portraits ever filmed”. The film is set completely inside the house, with only female characters ever seen on screen. 　　For Burch, “the exclusion from the scene of men, patrons or soldiers, is a meaningful corollary of the exclusion of Japanese women from the history of the country”. Ishida narrates his story using an imaginative cinematic style in which shots are almost never repeated. The narrative, Burch notes, evokes Chekhov, but he judges its “combination of a restricted, unified setting and continual renewal of the imagery” to be unparalleled in conventional narrative cinema.

2023年6月19日，该剧入选鹅厂2023大剧片单，同时发布概念海报。

2023年6月19日，该剧入选鹅厂2023大剧片单，同时发布概念海报。

这是台湾三个红颜歌女，坎坷人生和悲惨遭遇的真实写照。这是犀利之刃，挑开了台湾社会档案的封口，这是一个社会生活的万花筒，你可窥见台湾社会中色情、贩毒、暴力、以及形形色色，光怪陆离的社会丑恶......