When Isabella Tree and her husband arrived at the rural estate they had inherited and saw the vast swathes of farmland that came with it, they immediately saw how sick the land was—entire habitats destroyed, bird and plant species gone extinct, fields saturated with chemicals. The experiment they decided to undertake was extreme: To heal nature, they had to let it heal itself. They stopped tilling the land, released wild horses, pigs, and other animals, and waited. The results surpassed all expectations, as evidenced by this stunning film, reminiscent of a David Attenborough wildlife documentary and based on Tree’s bestselling book. The story’s protagonist, Nature, unfolds before us in all its richness and beauty, inspiring hope in the possibility of healing the environment and in the world’s ability to make itself anew.

When Isabella Tree and her husband arrived at the rural estate they had inherited and saw the vast swathes of farmland that came with it, they immediately saw how sick the land was—entire habitats destroyed, bird and plant species gone extinct, fields saturated with chemicals. The experiment they decided to undertake was extreme: To heal nature, they had to let it heal itself. They stopped tilling the land, released wild horses, pigs, and other animals, and waited. The results surpassed all expectations, as evidenced by this stunning film, reminiscent of a David Attenborough wildlife documentary and based on Tree’s bestselling book. The story’s protagonist, Nature, unfolds before us in all its richness and beauty, inspiring hope in the possibility of healing the environment and in the world’s ability to make itself anew.

When Isabella Tree and her husband arrived at the rural estate they had inherited and saw the vast swathes of farmland that came with it, they immediately saw how sick the land was—entire habitats destroyed, bird and plant species gone extinct, fields saturated with chemicals. The experiment they decided to undertake was extreme: To heal nature, they had to let it heal itself. They stopped tilling the land, released wild horses, pigs, and other animals, and waited. The results surpassed all expectations, as evidenced by this stunning film, reminiscent of a David Attenborough wildlife documentary and based on Tree’s bestselling book. The story’s protagonist, Nature, unfolds before us in all its richness and beauty, inspiring hope in the possibility of healing the environment and in the world’s ability to make itself anew.

禾阳罪恶之城，掷果盈车的潘樾（刘学义 饰）迎娶人人厌弃的杨采薇，大婚当日，杨采薇被杀，疑凶竟是潘樾。“死而复生”的杨采薇（鞠婧祎 饰）假借“恶女”上官芷的身份“凶悍”归来，势要揭露潘樾的真面目。在勇斗恶势力“四大宗族”，查明桩桩旧案的过程中，两颗心再次靠近，杨采薇发现杀害自己的真凶另有其人，潘樾自始至终都深爱着她。一切即将圆满，幕后之人却再次设局，要将二人推向万劫不复。

该剧讲述了可爱乐观的田螺姑娘陆玥儿和深情专一的花间城主花亦南发生的有趣爱情故事。

公元8世纪，观赏菊花由遣唐使者从中国带回日本；300多年前，一位英国人来到中国东部沿海，收集了数百种植物标本及700多幅花卉插图......跨越山海的迁徙，四季流转的盛放，这些花朵如何书写生命的传奇？

入夜，顾青橙随萤火虫指引来到乱葬岗，在救白牡丹时误吸入“花灵”。顾父从小和她说，若能救活 9999 棵花草，百花仙君便会带她见到想见之人。顾父因意外而亡，青橙立志养花救草等待仙君到来，盼和爹爹再相遇。青橙因在夜间偷偷救治花草被误传为 “采花大盗”。当夜，被她捡回的白牡丹幻化成人形。青橙坚信他就是百花仙君，并请求收她为徒。吕耕云实际为牡丹半妖，因幼时父母遭天界不公遇害而出言顶撞被罚下凡。 吕耕云为取出青橙体内花灵而“伪装身份”收她为徒。

入夜，顾青橙随萤火虫指引来到乱葬岗，在救白牡丹时误吸入“花灵”。顾父从小和她说，若能救活 9999 棵花草，百花仙君便会带她见到想见之人。顾父因意外而亡，青橙立志养花救草等待仙君到来，盼和爹爹再相遇。青橙因在夜间偷偷救治花草被误传为 “采花大盗”。当夜，被她捡回的白牡丹幻化成人形。青橙坚信他就是百花仙君，并请求收她为徒。吕耕云实际为牡丹半妖，因幼时父母遭天界不公遇害而出言顶撞被罚下凡。 吕耕云为取出青橙体内花灵而“伪装身份”收她为徒。

Paskowitz医生放弃了原本优越有前途的职业，带着善解人意的老婆和9个孩子，一家11口住进了露营车，一边流浪一边冲浪。也许他们的生活实在让人不能理解，但是，这样能够坦率的放弃优越的生活环境去追求梦想是令很多人都羡慕得吧。

厨艺满天下的孤女方一勺自小就孤苦无依，但是却有一手好厨艺，因为替人烧菜却遭到暗算，不得不代嫁给知府家的恶霸少爷沈勇。生性乐观、汤圆脸、大眼睛却…