Herzog takes a film crew to the island of Guadeloupe when he hears that the volcano on the island is going to erupt. Everyone has left, except for one old man who refuses to leave. Herzog catches the eeriness of an abandoned city, with stop lights cycling over an empty intersection.

《火山》的故事发生在大理双廊镇伙山村，来自上海的艺术家沈见华和妻子秋秋、女儿莺莺移居在这里。他们住在一个安静的山头上，沈老师构思着自己的创作，秋秋幸福的等待着第二个孩子的诞生。几年前一个偶然的机会，沈老师发现这里的白族老太太有很好的色彩和造型天赋，于是他指导老太太们画起了农民画。当地的小伙子定龙，在几年前拜沈老师为师父，学习摄影和绘画，同时也担任了农民画社的社长……日子在苍山洱海间缓慢地流过，很多事情像是一成不变，但很多事情又在悄悄的变化着。

Hannes is an old man who has grown apart from his children. Recently retired when his wife gets ill he tries to reconcile with them and to atone for his cold demeanor in the past.

An exploration into the life of Charles Dickens after he survived a deadly train crash in 1865, and whether the incident could have possibly turned him into a killer

An exploration into the life of Charles Dickens after he survived a deadly train crash in 1865, and whether the incident could have possibly turned him into a killer

本片要帶您深入火山之內，看看太平洋沿岸的地震活動。鏡頭將帶您去看看智利火山的形成過程，以及1980年聖海倫火山爆發時的壯觀場面，並利用電腦動畫模擬地心狀況，重現導致火山爆發或是地震的地心力量。

电影讲述了一个深陷个人悲剧和内疚中的戈弗雷（尼克·图恩 Nick Thune 饰），通过扮演各种不同的角色来逃避自己的真实身份。他的生活充满了各种滑稽而独特的经历，他似乎对自己的真实身份一无所知。然而，一天，他在画廊开幕式上被聪明而有见地的作家萨拉（埃莱扎·施莱辛格 Iliza Shlesinger 饰）所发现。 　　萨拉对自己的性格感到兴趣，而戈弗雷的神秘面纱引起了她的好奇心。她决定与他建立联系，并在此过程中试图解开他内心的谜团。戈弗雷的生活中充满了各种诙谐的角色，从英国艺术评论家到古巴萨尔萨舞者，他的面具使他成为一个不断变化的人物。两人之间的友谊逐渐建立起来，这种友谊不仅充满了幽默和自我反省，还展现了两个受伤的灵魂如何共同努力疗伤。萨拉试图利用戈弗雷的故事写一部新小说，而在这个过程中，他们之间的联系变得更加深厚。

聚焦母女关系与当地国情变化，经营杂货铺养活全家的母亲，面对难解政治局势的女儿，家人们将给出各自的回答。

聚焦母女关系与当地国情变化，经营杂货铺养活全家的母亲，面对难解政治局势的女儿，家人们将给出各自的回答。

A mortuary in Taiwan stores the bodies of deceased children whose parents, for whatever reason, have disappeared. Their remains are kept at the top of a freezer, sometimes for years, until the funeral home organizes a ceremony. Houses and horses made of paper are burned to accompany the children on their solitary journey to the afterlife. 　　This intriguing film successfully evokes the transitional world that these abandoned children have inhabited for far too long. We see a young child scampering around aimlessly in the funeral home, and the staff chatting casually in the dressing room. These everyday scenes are interspersed with more enigmatic imagery—sometimes in negative—of young people dancing in front of a blazing fire, and another wandering child, who now seems less aimless. 　　In this way, the short film depicts a transitional ritual that is necessary to bring peace to lost souls. An elegantly realized, sorrowful yet hopeful tribute.