二次世界大战间的新几内亚，一场苦战沿着科科达小径在澳洲与小日本士兵间展开。 　　影片的诞生来自深深的渴望去讲述发生在1942年发生科科达小径上已被遗忘的澳洲战役中民兵的故事。创作灵感来自第39营的一个排。故事直观的展现了他们非凡的勇气、同伴间的友谊、难以想象的耐力和自我牺牲的大无畏精神。

二次世界大战间的新几内亚，一场苦战沿着科科达小径在澳洲与小日本士兵间展开。 　　影片的诞生来自深深的渴望去讲述发生在1942年发生科科达小径上已被遗忘的澳洲战役中民兵的故事。创作灵感来自第39营的一个排。故事直观的展现了他们非凡的勇气、同伴间的友谊、难以想象的耐力和自我牺牲的大无畏精神。

Pepik，从孩子们的男孩科达采用家庭住宅。首先，他正面临着许多挑战，但它很快就成为习惯他的新家。不幸的是，他真正的母亲决定返回。科达返回男孩的母亲，但他的不满。最后一击是他的继父时，打破了船，这是为内置Pepik先生科达维修棚，。pepik逃脱，是科达先生，带他回家，并承诺建立一个新的船。

Pepik，从孩子们的男孩科达采用家庭住宅。首先，他正面临着许多挑战，但它很快就成为习惯他的新家。不幸的是，他真正的母亲决定返回。科达返回男孩的母亲，但他的不满。最后一击是他的继父时，打破了船，这是为内置Pepik先生科达维修棚，。pepik逃脱，是科达先生，带他回家，并承诺建立一个新的船。

《沙漠苦战记》讲述了复员的边防战士、请假的军官夫妇、年迈的地质学家一行十三人，在沙漠中遇到强悍的匪徒。他们一方面派人去部队送信，剩余的人与匪徒展开殊死搏斗。有人在危险面前心生怯意，有人宁死反抗光荣牺牲，人的本性受到极大的挑战。

《沙漠苦战记》讲述了复员的边防战士、请假的军官夫妇、年迈的地质学家一行十三人，在沙漠中遇到强悍的匪徒。他们一方面派人去部队送信，剩余的人与匪徒展开殊死搏斗。有人在危险面前心生怯意，有人宁死反抗光荣牺牲，人的本性受到极大的挑战。

影片讲述了纽约和佐治亚州亚特兰大市四名黑人跨性别性工作者——丹妮拉·卡特、科科·达多尔、莉亚·米切尔和多米尼克·西尔弗的故事。在“科科莫城”中，四名黑人跨性别性工作者坦率地讲述了她们在这地下社会的经历，对社会边缘生活的辛酸、幽默和未经修饰的描绘，以鲜明的黑白风格、尖锐的评论挖掘黑人文化和整个社会的真相。不幸的是，影片的主角之一科科·达多尔影片上映同年4月20日在亚特兰大市遭枪杀身亡。

影片讲述了纽约和佐治亚州亚特兰大市四名黑人跨性别性工作者——丹妮拉·卡特、科科·达多尔、莉亚·米切尔和多米尼克·西尔弗的故事。在“科科莫城”中，四名黑人跨性别性工作者坦率地讲述了她们在这地下社会的经历，对社会边缘生活的辛酸、幽默和未经修饰的描绘，以鲜明的黑白风格、尖锐的评论挖掘黑人文化和整个社会的真相。不幸的是，影片的主角之一科科·达多尔影片上映同年4月20日在亚特兰大市遭枪杀身亡。

Marisol (Alejandra Herrera) is caught between her possessive and aggressive cousin, Mauro (Eduardo Mendizábal), and passionate but inert lover, Mundo (Noé Hernández). Violence is a constant presence in their rural Mexican town, with gangs and guerilla fighters a steady presence. When Mundo has to flee, their connection turns from physical to digital even when Marisol is held captive by her cousin. Their communication via text, voicemail, and video is sporadic and frustrating, but is nevertheless a source of comfort, and their longing remains intense despite the distance. When Mundo returns, the stakes for Marisol are even higher, and it’s no longer a question of whether things will come to a head, but how and when. Might their desire and desperation ultimately play to her advantage? 　　In turns paradisiacal and nightmarish, the setting director Gerardo Naranjo (Miss Bala) created is mesmerizing. The craggy, sunny seaside alternates with electronic messages, shaky video calls and crashing waves. The air seethes with pent-up emotions as Marisol longs for freedom.—Frederic Boyer

Marisol (Alejandra Herrera) is caught between her possessive and aggressive cousin, Mauro (Eduardo Mendizábal), and passionate but inert lover, Mundo (Noé Hernández). Violence is a constant presence in their rural Mexican town, with gangs and guerilla fighters a steady presence. When Mundo has to flee, their connection turns from physical to digital even when Marisol is held captive by her cousin. Their communication via text, voicemail, and video is sporadic and frustrating, but is nevertheless a source of comfort, and their longing remains intense despite the distance. When Mundo returns, the stakes for Marisol are even higher, and it’s no longer a question of whether things will come to a head, but how and when. Might their desire and desperation ultimately play to her advantage? 　　In turns paradisiacal and nightmarish, the setting director Gerardo Naranjo (Miss Bala) created is mesmerizing. The craggy, sunny seaside alternates with electronic messages, shaky video calls and crashing waves. The air seethes with pent-up emotions as Marisol longs for freedom.—Frederic Boyer