哈里（杰米·谢尔丹 Jamey Sheridan 饰）是一名参加过越战的退伍老兵，如今，他成为了一名电工，和和气气，与人为善，大家都很喜欢他，但真正能够走进他心里的却寥寥无几。某日，哈里的老战友凯利（史蒂夫·布西密 Steve Buscemi 饰）致电哈里，他们已经快三十年没有见面了。 　　凯利身患重病即将不久于人世，他对于往事耿耿于怀充满愧疚，这关乎于他和哈里曾经犯下的一个错误。尽管哈里不想再和过去的事情有任何的瓜葛，但凯利的痛苦感染了他，他决定代替凯利去拜访他们从前背叛过的同伴大卫（坎贝尔·斯科特 Campbell Scott 饰），寻求他的宽恕，就这样，哈里踏上了赎罪的旅途。

《英俊秀》是国内首档将传统相声和国际脱口秀元素相融合的节目，由津派80后相声明星裘英俊主持，对于本次创新，他解释，“《英俊秀》区别于国内所有的脱口秀节目，它不是单一地把相声搬上来，也没有只走欧美脱口秀路线，它保留了传统相声的精华，又借鉴了国际上适合中国观众的脱口秀元素，将‘说学逗唱’改良升级，以相声、小品、歌舞、舞台剧等表演形式来说咱们老百姓身边的事儿，基本上每一分钟就有一个‘包袱’，而且还有各路大咖来做客，他们在这里会颠覆以往的形象，和我一起完成表演。这样打造出来的节目，不仅接地气儿，还能给观众带来惊喜。”

《英俊秀》是国内首档将传统相声和国际脱口秀元素相融合的节目，由津派80后相声明星裘英俊主持，对于本次创新，他解释，“《英俊秀》区别于国内所有的脱口秀节目，它不是单一地把相声搬上来，也没有只走欧美脱口秀路线，它保留了传统相声的精华，又借鉴了国际上适合中国观众的脱口秀元素，将‘说学逗唱’改良升级，以相声、小品、歌舞、舞台剧等表演形式来说咱们老百姓身边的事儿，基本上每一分钟就有一个‘包袱’，而且还有各路大咖来做客，他们在这里会颠覆以往的形象，和我一起完成表演。这样打造出来的节目，不仅接地气儿，还能给观众带来惊喜。”

Wickedly funny and observant slice of life NYC gangster pic, that's decidedly Jewish, quirky and anarchistic. The surprise cult comedy/drama hit was shot in 1969 and put on the shelf when no distributor was willing to take a chance on it when test audiences didn't laugh, but it was released in 1989 to play in the NYC Film Festival. Rave reviews gave this pic a new lease on life, and it got its long awaited theatrical release--only twenty years too late to help the splendid aging unknown cast advance their careers. 　　In this low-budget black and white shot indie, writer-director Michael Roemer ("Nothing But A Man") makes good use of location shots in the Big Apple, exhibits a winsome dead-on droll humor and gets a super performance from Max Priest--the washed-up small-time mob leader with a deadpan expression (perhaps equaling Buster Keaton's) that seemingly can absorb all kinds of bad news without letting on he's in pain. It's like a time capsule pic, as it takes us back to the 1960s when mafioso types were riding around the city in big gas-guzzling Cadillacs, stylish dames were sporting bee-hive hairstyles, Go-Go dancers were in vogue and there was liberal John Lindsay's racially changing NYC that altered forever the way urban America was to be from now on. 　　It's a scream as a cutting satire on middle-class Jewish aspirations, their showy bar mitzvah rituals and of the almost tragic downfall of a two-bit gangster who didn't have the heart for the rough business, just the will to lead a soft life. The cinéma-vérité pic looks authentic even if it's covering familiar territory, and has the balls to make such an unsympathetic low-life criminal as Harry as an almost sympathetic heroic one by the end of the day.

Wickedly funny and observant slice of life NYC gangster pic, that's decidedly Jewish, quirky and anarchistic. The surprise cult comedy/drama hit was shot in 1969 and put on the shelf when no distributor was willing to take a chance on it when test audiences didn't laugh, but it was released in 1989 to play in the NYC Film Festival. Rave reviews gave this pic a new lease on life, and it got its long awaited theatrical release--only twenty years too late to help the splendid aging unknown cast advance their careers. 　　In this low-budget black and white shot indie, writer-director Michael Roemer ("Nothing But A Man") makes good use of location shots in the Big Apple, exhibits a winsome dead-on droll humor and gets a super performance from Max Priest--the washed-up small-time mob leader with a deadpan expression (perhaps equaling Buster Keaton's) that seemingly can absorb all kinds of bad news without letting on he's in pain. It's like a time capsule pic, as it takes us back to the 1960s when mafioso types were riding around the city in big gas-guzzling Cadillacs, stylish dames were sporting bee-hive hairstyles, Go-Go dancers were in vogue and there was liberal John Lindsay's racially changing NYC that altered forever the way urban America was to be from now on. 　　It's a scream as a cutting satire on middle-class Jewish aspirations, their showy bar mitzvah rituals and of the almost tragic downfall of a two-bit gangster who didn't have the heart for the rough business, just the will to lead a soft life. The cinéma-vérité pic looks authentic even if it's covering familiar territory, and has the balls to make such an unsympathetic low-life criminal as Harry as an almost sympathetic heroic one by the end of the day.

“小小少年，很少烦恼，眼望四周阳光照……”少年海因切（Heintje Simons）虽自幼丧母，却从没失掉过对生活的乐观，他与父亲卡尔（Heinz Reincke）一起过着平静幸福的生活，每日，他都会对“不听话”的父亲“管教”一番。 　　“但有一天，风波突起，忧虑烦恼都到了……”海因切的外公贝特霍德（Paul Dahlke）是一名大实业家，早在海因切未出生时，他就因反对女儿和卡尔结婚与女儿切断了关系，某银行家的儿子为敲诈他将一笔银行失窃款栽赃到卡尔身上时，他视而不见，结果卡尔入狱，海因切在法律的帮助下来到他身边。渐渐地，贝特霍德感受到海因切带给他的温暖，而父亲被人冤枉的事，海因切也于无意间得知。

“小小少年，很少烦恼，眼望四周阳光照……”少年海因切（Heintje Simons）虽自幼丧母，却从没失掉过对生活的乐观，他与父亲卡尔（Heinz Reincke）一起过着平静幸福的生活，每日，他都会对“不听话”的父亲“管教”一番。“但有一天，风波突起，忧虑烦恼都到了……”海因切的外公贝特霍德（Paul Dahlke）是一名大实业家，早在海因切未出生时，他就因反对女儿和卡尔结婚与女儿切断了关系，某银行家的儿子为敲诈他将一笔银行失窃款栽赃到卡尔身上时，他视而不见，结果卡尔入狱，海因切在法律的帮...

如果生命可以重来一次，你会愿意选择完全不同的轨道吗？已经失去99.9%的身体的唐小寒，用0.01%的奇迹置换了一次新生，但是，等等，好像有什么地方不太对！？

如果生命可以重来一次，你会愿意选择完全不同的轨道吗？已经失去99.9%的身体的唐小寒，用0.01%的奇迹置换了一次新生，但是，等等，好像有什么地方不太对！？

这是一户普通人家的无聊故事。妈妈拉开儿子茂雄的房门，却发现儿子超级无聊地斜躺在榻榻米上。她有所抱怨，接着讲了一个关于扁鹊见蔡桓公的超级无聊超级冷的故事。相信包括茂雄和观众在内，没人能够笑出来，然而妈妈却乐不可支。接着这位妈妈又唠唠叨叨一大堆，最后想想可能是儿子太英俊的缘故吧。镜头一转，茂雄乘坐飞机进行旅行，这时飞机被恐怖分子劫持，这几个坏蛋发誓要杀到英俊的人。 　　自认为很英俊的茂雄勇敢地站了出来……