The nature and complexity of the welfare system is examined by sequences illustrating the staggering 　　diversity of problems that constitute welfare: housing, unemployment, divorce, medical and psychiatric 　　problems, abandoned and abused children, and the elderly. These issues are presented in a context where 　　welfare workers as well as the clients are struggling to cope with and interpret the laws and regulations that 　　govern their work and life.

The nature and complexity of the welfare system is examined by sequences illustrating the staggering 　　diversity of problems that constitute welfare: housing, unemployment, divorce, medical and psychiatric 　　problems, abandoned and abused children, and the elderly. These issues are presented in a context where 　　welfare workers as well as the clients are struggling to cope with and interpret the laws and regulations that 　　govern their work and life.

某天，米奇（沃尔特·迪斯尼 Walt Disney 配音）和伙伴们筹划了一个孤儿慈善晚会，他们邀请城中的孤儿们来到剧场观看演出，小家伙们在演出开始前便大闹会场，把这里弄得乱七八糟，却乐在其中。稍候演出开始，首先上台演出的是唐老鸭（克拉伦斯·纳什 Clarence Nash 配音），他接连唱了两首歌曲，可是没多久便引来阵阵嘘声，唐老鸭气愤不已，最终被小孤儿们赶下台去。下一个上场的是古菲（品托·考维格 Pinto Colvig 配音）等人表演的滑稽剧，他们可笑的表演引来小家伙们阵阵欢呼声。幕间休息，忿忿不平的唐老鸭再次冲上台，结构饱受戏弄。下一个节目，米奇弹琴，克劳拉（弗劳伦斯·吉尔 Florence Gill 配音）演唱。 　　精彩的演出一个接着一个，给孩子们带来无上的欢乐……

The mice orphans arrive at a theater for a free show entitled "Mickey's Big Show: Orphan's Benefit." As they file into the building they are given free lolly pops, ice cream, and balloons by Mickey and Minnie from the box office. 　　Donald Duck begins the show by reciting "Mary Had a Little Lamb", dancing "Sailor's Hornpipe", and reciting "Little Boy Blue." But when he says "come blow your horn," an orphan blows his nose and Donald gets frustrated. Mickey encourages him to continue, but the second time all the orphans blow their noses. Donald's temper flairs and he challenges them to fight, but is forcibly removed from stage. 　　The next performance is Goofy, Horace Horsecollar, and Clarabelle Cow performing an acrobatic dance. 　　After this, Donald returns to have his revenge by reciting "Little Boy Blue" and blowing his own horn before the orphans can respond. While he is laughing, the orphans throw their ice cream at him provoking him further. As Donald challenges them to fight again the orphans punch him with boxing gloves almost knocking him out. Donald is again removed from stage. 　　Mickey then introduces the "Barnyard Nightingale," Clara Cluck, who sings a clucking aria accompanied by Mickey on piano. She is also harassed by the orphans, but seems to be unaware of it. 　　Finally Donald returns to the stage one last time and quickly recites one line – "Little Boy Blue, come blow your horn" – and waits for the orphans to interrupt him. Yet as they seem well-behaved this time, Donald continues the recitation. But when he says "Where is that boy who looks after the sheep?" the orphans answer in unison "Under the haystack fast asleep, you dope." This angers Donald all the more, yet while he challenges the orphans to fight again, they tie bricks and other heavy objects onto their balloons, float them over his head, and pop the balloons with their slingshots unleashing a barrage which culminates in a box of raw eggs. When it's all over Donald finally accepts defeat and exclaims "Aw, nuts!"

Barrister Harry Potter tells the remarkable story of English justice. 　　P1 - Laying Down the Law 　　P2 - The Pursuit of Liberty 　　P3 - Presumed Innocent

Tracing the roots of Heavy Metal music within the UK. 　　http://www.bbc.co.uk/programmes/b00r600m

BBC纪录片 　　Documentary telling the story of what happened to blues music on its journey from the southern states of America to the heart of British pop and rock culture, providing an in-depth look at what this music really meant to a generation of kids desperate for an antidote to their experiences of living in post-war suburban Britain. 　　Narrated by Nigel Planer and structured in three parts, the first, Born Under a Bad Sign, focuses on the arrival of American blues in Britain in the late 50s and the first performances here by such legends as Muddy Waters, Sonnie Terry and Brownie McGhee. 　　Part two, Sittin' on Top of the World, charts the birth of the first British blues boom in the early 60s, spearheaded by the Rolling Stones and groups such as the Yardbirds, Manfred Mann, the Animals and the Pretty Things. 　　The final section, Crossroads, looks at the next, more hardcore British blues boom of the mid-to-late 60s, with guitarists Eric Clapton and Peter Green and the international dominance of their respective bands, Cream and Fleetwood Mac. 　　Featuring archive performances and interviews with Keith Richards, Paul Jones, Chris Dreja, Bill Wyman, Phil May, John Mayall, Jack Bruce, Mick Fleetwood, Ian Anderson, Tony McPhee, Mike Vernon, Tom McGuinness, Mick Abrahams, Dick Taylor, Val Wilmer, Chris Barber, Pete Brown, Bob Brunning, Dave Kelly and Phil Ryan.

Dallas Campbell reveals why we can only understand the familiar world around us by discovering the hidden wonders beneath our feet.

路人女主的养成方法♭ 第0话

Oscar®-winning filmmakers Deborah Oppenheimer and Mark Jonathan Harris (Into the Arms of Strangers: Stories of the Kindertransport) reunite for a revealing first-hand look at the foster care system as seen through the eyes of those who know it best. With extraordinary access to the inner workings of the Los Angeles County Department of Children and Family Services (DCFS), Oppenheimer and Harris go beyond the sensational headlines and stereotypes to take an unprecedented look at an often misunderstood world and upend some of the most enduring myths about foster care and those involved in the system.