Consists of segments: (1) "The Classical Ideal". The origins of Western art are traced to ancient Greece through Kouroi and Korai figures, as well as by the architectures of the Pantheon. From Greece to Rome through the Hellenistic period, the program focuses on the new artistic approach to human form and violent emotions that reached its pinnacle with the altar of Zeus at Pergamun. (2) "A White Garment of Churches". Examines Romanesque and Gothic churches as evidence of the values of the societies that created them. Shows the effect of monasticism and pilgrimage on Romanesque church architecture. Uses Gislebertus's sculpture at St. Lazare in Autun to show the medieval focus on Heaven and the afterlife. The Gothic architecture, sculpture and stained glass at St. Denis and Chartres are discussed as evidence of a new theology and profound social changes during the twelfth and early thirteenth centuries. (3) "The Early Renaissance in Italy and the North". (4) "The High Renaissance". Covers key aspects of the High Remaissance, including the advent of the artist as genius (Leonardo, Michelangelo, and Raphael), the rise of Rome as a center of artistic vitality, and Venetian preoccupation with the quality of light (Giorgione and Titian). Also examines the social turbulence of the late sixteenth century and the reinterpretation of classical architectural principles. (5) "Realms of Light". Examines the divergent themes of the baroque period, including a new emotional appeal as seen in Bernini's 'The Ecstasy of St. Teresa,' Caravaggio's naturalism, Velasquez's multilayered works, and the rise of bourgeois values as seen in Rembrandt's works. (6) "An Age of Reason, an Age of Passion". Covers the move from the rococo period to neoclassicism and romanticism. Relates stylistic changes to the French Revolution and the Napoleonic wars. Covers the work of David, Géricault, Turner, Delacroix, and Goya. (7) "Realists, Impressionists, Post-Impressionists". Contrasts Courbet's treatment of subjects from everyday life with the innovations and techniques used by the impressionists. Examines the impressionists characteristic concern with color and changing light and contrasts this with the very individualistic visions of the postimpressionists. (8) "Into the Twentieth Century". Covers the work of the Fauves, the Cubists, the international style, and the Surrealists. Discusses how these movements relate to modern life. (9) "In Our Own Time." Examines why the appearance of abstract expression caused the United States to become a center for the visual arts. Reviews the diversity of styles in the postwar period, including the work of Pollock, Warhol, Oldenburg. Also examines the explosive internationalization of the art world in the 1970s and 1980s. Written by Fiona Kelleghan {[email protected]

Consists of segments: (1) "The Classical Ideal". The origins of Western art are traced to ancient Greece through Kouroi and Korai figures, as well as by the architectures of the Pantheon. From Greece to Rome through the Hellenistic period, the program focuses on the new artistic approach to human form and violent emotions that reached its pinnacle with the altar of Zeus at Pergamun. (2) "A White Garment of Churches". Examines Romanesque and Gothic churches as evidence of the values of the societies that created them. Shows the effect of monasticism and pilgrimage on Romanesque church architecture. Uses Gislebertus's sculpture at St. Lazare in Autun to show the medieval focus on Heaven and the afterlife. The Gothic architecture, sculpture and stained glass at St. Denis and Chartres are discussed as evidence of a new theology and profound social changes during the twelfth and early thirteenth centuries. (3) "The Early Renaissance in Italy and the North". (4) "The High Renaissance". Covers key aspects of the High Remaissance, including the advent of the artist as genius (Leonardo, Michelangelo, and Raphael), the rise of Rome as a center of artistic vitality, and Venetian preoccupation with the quality of light (Giorgione and Titian). Also examines the social turbulence of the late sixteenth century and the reinterpretation of classical architectural principles. (5) "Realms of Light". Examines the divergent themes of the baroque period, including a new emotional appeal as seen in Bernini's 'The Ecstasy of St. Teresa,' Caravaggio's naturalism, Velasquez's multilayered works, and the rise of bourgeois values as seen in Rembrandt's works. (6) "An Age of Reason, an Age of Passion". Covers the move from the rococo period to neoclassicism and romanticism. Relates stylistic changes to the French Revolution and the Napoleonic wars. Covers the work of David, Géricault, Turner, Delacroix, and Goya. (7) "Realists, Impressionists, Post-Impressionists". Contrasts Courbet's treatment of subjects from everyday life with the innovations and techniques used by the impressionists. Examines the impressionists characteristic concern with color and changing light and contrasts this with the very individualistic visions of the postimpressionists. (8) "Into the Twentieth Century". Covers the work of the Fauves, the Cubists, the international style, and the Surrealists. Discusses how these movements relate to modern life. (9) "In Our Own Time." Examines why the appearance of abstract expression caused the United States to become a center for the visual arts. Reviews the diversity of styles in the postwar period, including the work of Pollock, Warhol, Oldenburg. Also examines the explosive internationalization of the art world in the 1970s and 1980s. Written by Fiona Kelleghan {[email protected]

25個驚奇的鬼故由多位紅星演出，情節曲折離奇，打麻雀導致四人歸西、女鬼找新郎、收音機收到地府陰靈的呼喚、報夢尋仇、亡魂找替身、吃人的長生不死法、穿越時空預言未來、影子殺人、圖畫中的冤魂，信不信由你。 因果報應，陰陽有別，當冤魂纏身，所謂善惡到頭終有報，只差來早與來遲，能否逃離一劫，就要看命數造化了。

25個驚奇的鬼故由多位紅星演出，情節曲折離奇，打麻雀導致四人歸西、女鬼找新郎、收音機收到地府陰靈的呼喚、報夢尋仇、亡魂找替身、吃人的長生不死法、穿越時空預言未來、影子殺人、圖畫中的冤魂，信不信由你。 因果報應，陰陽有別，當冤魂纏身，所謂善惡到頭終有報，只差來早與來遲，能否逃離一劫，就要看命數造化了。

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月白鹿子（森川葵 饰），26岁，出版社工作，恋爱经验0。 　　鹿子被调入心心念念的文艺编辑部，负责超人气悬疑作家加贺屋朔（城田优 饰）。对鹿子而言，加贺屋是通过书籍，给予了从未恋爱的自己“初恋”的特别之人。 　　鹿子拼命想两人三脚、努力一起做出好作品，加贺屋却冷淡对待，打发她去打杂。加贺屋时而暧昧接近，时而随性疏远，鹿子的心情被他搞得一团乱。 　　从未真正恋爱过的鹿子，渐渐对加贺屋倾心...

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《文学英雄》是河南卫视“英雄系列”的又一作品。中国首档文学户外真人秀综艺节目。河南卫视联合果麦文化传媒有限公司一起打造。节目人员参与影视明星加知名作品的方式，一起感受中国文学的魅力。 《文学英雄》是河南卫视“英雄”系列文化综艺节目的又一力作，将通过作家与影星的一对一搭档，以答题、探险和演讲等形式开展文学PK赛，带领观众进入一次次妙语连珠的中国文学探寻记，其最大看点在于节目过程是对一篇好文章、一场好演讲生产过程的完整趣味记录。

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