4年的时间，81集案件以及一次濒临死亡的经验之后，Kate Beckett警官（Stana Katic饰）才终于和畅销书作家Richard Castle（Nathan Fillion饰）在感情上同步而走到了一起。但他们有一个不得不面对的现实就是纽约警局一个不成文的规定：不允许同事之间谈恋爱。怎么隐藏二人的甜蜜在稍后的剧情中更为棘手，周末Castle拐带Beckett来到他汉普郡的别院，想过二人世界，结果谋杀案如影随形纠缠着他们。不过外因可不是纠缠他们的唯一问题来源。Andrew说：“他还是那个长不大的老男孩，她呢，又个性执拗，他们还有很多事情需要相互磨合，有很多的小秘密要一点点坦白。”

在以往的几季节目中，《越野路书》走过许多的森林、雪原、冰川……体验了各种各样的地形地貌和气候环境。而在本季节目中，团队来到了我国大西北的两个盆地—柴达木盆地和塔里木盆地。在这里，他们将探寻中国第一个火星基地，领略壮观的雅丹地貌，在戈壁滩偶遇保护野骆驼的公益发起人，并首次作为保障团队深入死亡之海罗布泊......

在以往的几季节目中，《越野路书》走过许多的森林、雪原、冰川……体验了各种各样的地形地貌和气候环境。而在本季节目中，团队来到了我国大西北的两个盆地—柴达木盆地和塔里木盆地。在这里，他们将探寻中国第一个火星基地，领略壮观的雅丹地貌，在戈壁滩偶遇保护野骆驼的公益发起人，并首次作为保障团队深入死亡之海罗布泊......

THE VIEWING BOOTH explores a space ostensibly off-limits to cinema — the internal experience of the viewer. In a lab-like space, Maia Levy, a young American woman, watches videos portraying life in the West Bank city of Hebron, while verbalizing her thoughts and feelings in real time. An enthusiastic supporter of Israel, the images in the videos, disseminated for the most part by the Human Rights organization B’Tselem, contradict some of Maia’s deep-seated beliefs. Empathy; anger; embarrassment; innate biases and healthy curiosity — all play out before our eyes as we watch her watch the images created by the Occupation. As Maia navigates and negotiates the images, which threaten her worldview, she also reflects on the way she sees them. Her candid and immediate reactions form a one-of-a-kind cinematic testimony to the psychology of the viewer in the digital era.

The warning labels found on some new microwave ovens may have comedic value (where but in America would users be warned not to put their pet in the device?) but we rarely notice the disclaimers preceding films. In fact, they are even more absurd: one very common one is “This is a work of fiction.” But producers, distributors and cinema owners protect themselves from accusations of offense caused by all sorts of other potential issues, like people of the same sex kissing, special effects, drug use, violence, unsafe behavior, and even cinematic experimentation. 　　The fear of having to pay the price for being misunderstood can be traced back to the very beginnings of film—as proven by these disclaimers from the 1874–2022 period. While the tone of this litany of warnings may be deeply ironic, the feeling gradually creeps up on you that this legal straitjacket could fatally constrict the unique ability of film to imagine the unknown, and to suspend disbelief. 　　源自：https://festival.idfa.nl/en/film/2da17be7-7721-4e2c-bbef-41db06887d96/the-film-you-are-about-to-see/

中国传媒大学2021届（2017级）动画联合创作

THE VIEWING BOOTH explores a space ostensibly off-limits to cinema — the internal experience of the viewer. In a lab-like space, Maia Levy, a young American woman, watches videos portraying life in the West Bank city of Hebron, while verbalizing her thoughts and feelings in real time. An enthusiastic supporter of Israel, the images in the videos, disseminated for the most part by the Human Rights organization B’Tselem, contradict some of Maia’s deep-seated beliefs. Empathy; anger; embarrassment; innate biases and healthy curiosity — all play out before our eyes as we watch her watch the images created by the Occupation. As Maia navigates and negotiates the images, which threaten her worldview, she also reflects on the way she sees them. Her candid and immediate reactions form a one-of-a-kind cinematic testimony to the psychology of the viewer in the digital era.

中国传媒大学2021届（2017级）动画联合创作

莎希（希里黛玉 Sridevi 饰）是一名喜欢做拉杜球的印度家庭主妇，终日把照顾家人生活作为自己生活的全部中心，和时代脱节。不懂英语的莎希在生活中受到了丈夫和女儿的轻视，和家人共同话题的减少让她感觉到了危机的存在。意外的机会，远在美国的亲人邀请莎希去帮他们料理结婚事宜。为了促进和家人的沟通，赢得他们的关注，莎希决定在纽约的四个星期报名参加英语培训班来克服自己的语言障碍。在这个培训班里，莎希也告别了以往沉寂如水的生活，结识了各式各样的朋友，为了学好英语这一共同的目的，大家相互鼓励共同进步。功夫不负有心人，日夜苦学英语的莎希由零基础到在婚礼宴会上大放光芒，一席对新人用英语讲述的祝福不仅为她赢得了众人的刮目相看…电影大多数拍摄场景选在纽约，镜头在捕捉世界各地在和英语斗争的人们。该片不仅搞笑、感人、敏感，还标志着八九十年代印度头号女星希里黛玉暌违14年后的复出。

《蹩脚英语》是一部大胆的纪录片，刻画了无与伦比的歌手、词曲作者兼偶像玛丽安·费斯福尔。 　　作为幸存者、挑衅者与真正的原创者，玛丽安六十余年来始终打破外界预期——发行了超过35张专辑，同时不断重塑自我。在玛丽安全程参与下制作的《蹩脚英语》，对她那被名气、创造力与无休止的公众审视所塑造的破碎却坚不可摧的人生，进行了一次私密且毫不避讳的探寻。 　　影片的故事在“不忘部”中展开——这是一个虚构的、电影化的机构，记忆与神话在此交织碰撞。 　　《蹩脚英语》是一部打破类型界限的作品，是坚韧与反抗的表达——它是玛丽安·费斯福尔最后的无畏宣言，是她充满反抗精神的绝唱。