《背诵为王》涵盖了百余篇优美散文、激情演讲、经典小说、幽默笑话等内容，全方位呈现了英语语言国家的传统与文化，以互动形式引领大家更好地学习英语。

莎希（希里黛玉 Sridevi 饰）是一名喜欢做拉杜球的印度家庭主妇，终日把照顾家人生活作为自己生活的全部中心，和时代脱节。不懂英语的莎希在生活中受到了丈夫和女儿的轻视，和家人共同话题的减少让她感觉到了危机的存在。意外的机会，远在美国的亲人邀请莎希去帮他们料理结婚事宜。为了促进和家人的沟通，赢得他们的关注，莎希决定在纽约的四个星期报名参加英语培训班来克服自己的语言障碍。在这个培训班里，莎希也告别了以往沉寂如水的生活，结识了各式各样的朋友，为了学好英语这一共同的目的，大家相互鼓励共同进步。功夫不负有心人，日夜苦学英语的莎希由零基础到在婚礼宴会上大放光芒，一席对新人用英语讲述的祝福不仅为她赢得了众人的刮目相看…电影大多数拍摄场景选在纽约，镜头在捕捉世界各地在和英语斗争的人们。该片不仅搞笑、感人、敏感，还标志着八九十年代印度头号女星希里黛玉暌违14年后的复出。

Consists of segments: (1) "The Classical Ideal". The origins of Western art are traced to ancient Greece through Kouroi and Korai figures, as well as by the architectures of the Pantheon. From Greece to Rome through the Hellenistic period, the program focuses on the new artistic approach to human form and violent emotions that reached its pinnacle with the altar of Zeus at Pergamun. (2) "A White Garment of Churches". Examines Romanesque and Gothic churches as evidence of the values of the societies that created them. Shows the effect of monasticism and pilgrimage on Romanesque church architecture. Uses Gislebertus's sculpture at St. Lazare in Autun to show the medieval focus on Heaven and the afterlife. The Gothic architecture, sculpture and stained glass at St. Denis and Chartres are discussed as evidence of a new theology and profound social changes during the twelfth and early thirteenth centuries. (3) "The Early Renaissance in Italy and the North". (4) "The High Renaissance". Covers key aspects of the High Remaissance, including the advent of the artist as genius (Leonardo, Michelangelo, and Raphael), the rise of Rome as a center of artistic vitality, and Venetian preoccupation with the quality of light (Giorgione and Titian). Also examines the social turbulence of the late sixteenth century and the reinterpretation of classical architectural principles. (5) "Realms of Light". Examines the divergent themes of the baroque period, including a new emotional appeal as seen in Bernini's 'The Ecstasy of St. Teresa,' Caravaggio's naturalism, Velasquez's multilayered works, and the rise of bourgeois values as seen in Rembrandt's works. (6) "An Age of Reason, an Age of Passion". Covers the move from the rococo period to neoclassicism and romanticism. Relates stylistic changes to the French Revolution and the Napoleonic wars. Covers the work of David, Géricault, Turner, Delacroix, and Goya. (7) "Realists, Impressionists, Post-Impressionists". Contrasts Courbet's treatment of subjects from everyday life with the innovations and techniques used by the impressionists. Examines the impressionists characteristic concern with color and changing light and contrasts this with the very individualistic visions of the postimpressionists. (8) "Into the Twentieth Century". Covers the work of the Fauves, the Cubists, the international style, and the Surrealists. Discusses how these movements relate to modern life. (9) "In Our Own Time." Examines why the appearance of abstract expression caused the United States to become a center for the visual arts. Reviews the diversity of styles in the postwar period, including the work of Pollock, Warhol, Oldenburg. Also examines the explosive internationalization of the art world in the 1970s and 1980s. Written by Fiona Kelleghan {[email protected]

Consists of segments: (1) "The Classical Ideal". The origins of Western art are traced to ancient Greece through Kouroi and Korai figures, as well as by the architectures of the Pantheon. From Greece to Rome through the Hellenistic period, the program focuses on the new artistic approach to human form and violent emotions that reached its pinnacle with the altar of Zeus at Pergamun. (2) "A White Garment of Churches". Examines Romanesque and Gothic churches as evidence of the values of the societies that created them. Shows the effect of monasticism and pilgrimage on Romanesque church architecture. Uses Gislebertus's sculpture at St. Lazare in Autun to show the medieval focus on Heaven and the afterlife. The Gothic architecture, sculpture and stained glass at St. Denis and Chartres are discussed as evidence of a new theology and profound social changes during the twelfth and early thirteenth centuries. (3) "The Early Renaissance in Italy and the North". (4) "The High Renaissance". Covers key aspects of the High Remaissance, including the advent of the artist as genius (Leonardo, Michelangelo, and Raphael), the rise of Rome as a center of artistic vitality, and Venetian preoccupation with the quality of light (Giorgione and Titian). Also examines the social turbulence of the late sixteenth century and the reinterpretation of classical architectural principles. (5) "Realms of Light". Examines the divergent themes of the baroque period, including a new emotional appeal as seen in Bernini's 'The Ecstasy of St. Teresa,' Caravaggio's naturalism, Velasquez's multilayered works, and the rise of bourgeois values as seen in Rembrandt's works. (6) "An Age of Reason, an Age of Passion". Covers the move from the rococo period to neoclassicism and romanticism. Relates stylistic changes to the French Revolution and the Napoleonic wars. Covers the work of David, Géricault, Turner, Delacroix, and Goya. (7) "Realists, Impressionists, Post-Impressionists". Contrasts Courbet's treatment of subjects from everyday life with the innovations and techniques used by the impressionists. Examines the impressionists characteristic concern with color and changing light and contrasts this with the very individualistic visions of the postimpressionists. (8) "Into the Twentieth Century". Covers the work of the Fauves, the Cubists, the international style, and the Surrealists. Discusses how these movements relate to modern life. (9) "In Our Own Time." Examines why the appearance of abstract expression caused the United States to become a center for the visual arts. Reviews the diversity of styles in the postwar period, including the work of Pollock, Warhol, Oldenburg. Also examines the explosive internationalization of the art world in the 1970s and 1980s. Written by Fiona Kelleghan {[email protected]

《蹩脚英语》是一部大胆的纪录片，刻画了无与伦比的歌手、词曲作者兼偶像玛丽安·费斯福尔。 　　作为幸存者、挑衅者与真正的原创者，玛丽安六十余年来始终打破外界预期——发行了超过35张专辑，同时不断重塑自我。在玛丽安全程参与下制作的《蹩脚英语》，对她那被名气、创造力与无休止的公众审视所塑造的破碎却坚不可摧的人生，进行了一次私密且毫不避讳的探寻。 　　影片的故事在“不忘部”中展开——这是一个虚构的、电影化的机构，记忆与神话在此交织碰撞。 　　《蹩脚英语》是一部打破类型界限的作品，是坚韧与反抗的表达——它是玛丽安·费斯福尔最后的无畏宣言，是她充满反抗精神的绝唱。

A confident tutor takes on a desperate mother's request to teach her daughter English, but as she tries to break through the child's resistance, she discovers a horrifying secret.

在陶辉新作《演技教程》中，十三位女演员有系统地复制着极端条件下的各类人的情感表现，并把这些实践视为对演技的磨练。随着制定的表演教程愈发地歇斯底里，她们的演练渐渐转变为可怕的现实，把观众丢弃在表演与现实之间的荒诞交会处。

第一次世界大战进入最激烈之际，两名年轻的英国士兵斯科菲尔德（乔治·麦凯 饰）和布雷克（迪恩·查尔斯·查普曼 饰）受到指派，执行一场看似不可能完成的任务：他们必须和时间赛跑，冒险进入敌区传递一个重要情报，试图阻止一场对1600名士兵的致命攻击，这其中包括布雷克的亲兄弟。

动画系列剧《英语俱乐部》共95集，每集16分钟，本项目为了提供更多生动有趣的英语学习方式，让孩子们在轻松愉快的动画中发现英语之美。跟随着主人公的脚步小朋友们将认识英语音标、英文字母以及常用单词。逐渐增添情景对话、经典双语童话故事和动听的童谣让整体的内容更加丰富多样。