根据同名畅销书改编。BBC新年推出一部关于危险婚外情的剧集，讲述一个原本事业成功过着安稳生活的基因女科学家，因为邂逅一位充满魅力的神秘陌生男人，而勾起沉睡已久的欲望，导致原本幸福的生活可能陷入万劫不复的境地...

根据同名畅销书改编。BBC新年推出一部关于危险婚外情的剧集，讲述一个原本事业成功过着安稳生活的基因女科学家，因为邂逅一位充满魅力的神秘陌生男人，而勾起沉睡已久的欲望，导致原本幸福的生活可能陷入万劫不复的境地...

讲述戳爷扮演的凯莱布是南佛罗里达的一名高三学生，在他即将开始人生的新篇章时遇到了HIV感染的风险，与此同时，他也经历了一场新的爱情之旅。

炎热席卷而来的夏天，20代后半的开发员未来肚子不舒服。怀疑是宿醉引起的未来，知道自己怀孕中的事实后，感到慌张。在从来没深思过的生育问题前，未来陷入彷徨之中，家人和恋人，国家都分别提出不同的方向， 时间就如光的速度飞逝。

炎热席卷而来的夏天，20代后半的开发员未来肚子不舒服。怀疑是宿醉引起的未来，知道自己怀孕中的事实后，感到慌张。在从来没深思过的生育问题前，未来陷入彷徨之中，家人和恋人，国家都分别提出不同的方向， 时间就如光的速度飞逝。

讲述戳爷扮演的凯莱布是南佛罗里达的一名高三学生，在他即将开始人生的新篇章时感染了艾滋病，与此同时，他也经历了一场新的爱情之旅。

Juli moves to the big city in order to take up a job in a factory, and on the very same day the foreman János asks her to marry him. Alas, communication between the two is rough going from the very start – their visions of how life together is supposed to look divide them. János can’t find it in his heart to accept Juli’s yearning for independence or her past. In raw images that portend an almost predetermined conclusion with their social-realist tone, the film shows Juli’s resistance with all of its consequences – she decides to have her baby all on her own. In the end, we witness the actual delivery of Juli’s (in reality of course actress Lili Monori’s) child, the first birth to be shown in a film in Europe. Nine Months was honoured with the Fipresci Prize (Parallel Sections) in Cannes in 1977. 　　Since my first film « Cati », I have been obstinately inquiring about women with well defined personalities, able to make decisions in an independent manner, although at that time « feminism » was not really in vogue. It has now become so. The heroine of my film is one of these women. She is lucid, self-relying, and responsible. She tells the man who loves her that he must accept her as she is, with her past life, her experiences, her already formed personality. - Marta MESZAROS

Juli moves to the big city in order to take up a job in a factory, and on the very same day the foreman János asks her to marry him. Alas, communication between the two is rough going from the very start – their visions of how life together is supposed to look divide them. János can’t find it in his heart to accept Juli’s yearning for independence or her past. In raw images that portend an almost predetermined conclusion with their social-realist tone, the film shows Juli’s resistance with all of its consequences – she decides to have her baby all on her own. In the end, we witness the actual delivery of Juli’s (in reality of course actress Lili Monori’s) child, the first birth to be shown in a film in Europe. Nine Months was honoured with the Fipresci Prize (Parallel Sections) in Cannes in 1977. 　　Since my first film « Cati », I have been obstinately inquiring about women with well defined personalities, able to make decisions in an independent manner, although at that time « feminism » was not really in vogue. It has now become so. The heroine of my film is one of these women. She is lucid, self-relying, and responsible. She tells the man who loves her that he must accept her as she is, with her past life, her experiences, her already formed personality. - Marta MESZAROS