Andrew Graham-Dixon investigates the story of the 20th century’s greatest art forger, Dutch artist Han van Meegeren, who made millions during World War II selling fake Vermeers in Nazi-occupied Holland. 　　Following a trail of evidence across Europe, Graham-Dixon pieces together how van Meegeren fooled the art establishment - and even swindled Hermann Göring, selling him what was then one of the most expensive paintings in the world. 　　Looking at this tale of intrigue and double-dealing against the backdrop of Europe’s darkest hour, Graham-Dixon tries to uncover the motives of the master forger. Was he a Dutch folk hero, outwitting the Nazi occupiers? A cynical opportunist? Or even ruthless collaborator? 　　As Andrew Graham-Dixon discovers, this is a tale about much more than simply art forgery: a twisted, timely morality tale about the blurred lines between truth and fiction that poses uncomfortable questions about deception - and collusion. About what happens when we want to believe something a little too much, even when the evidence of fakery is before our eyes.

Andrew Graham-Dixon investigates the story of the 20th century’s greatest art forger, Dutch artist Han van Meegeren, who made millions during World War II selling fake Vermeers in Nazi-occupied Holland. 　　Following a trail of evidence across Europe, Graham-Dixon pieces together how van Meegeren fooled the art establishment - and even swindled Hermann Göring, selling him what was then one of the most expensive paintings in the world. 　　Looking at this tale of intrigue and double-dealing against the backdrop of Europe’s darkest hour, Graham-Dixon tries to uncover the motives of the master forger. Was he a Dutch folk hero, outwitting the Nazi occupiers? A cynical opportunist? Or even ruthless collaborator? 　　As Andrew Graham-Dixon discovers, this is a tale about much more than simply art forgery: a twisted, timely morality tale about the blurred lines between truth and fiction that poses uncomfortable questions about deception - and collusion. About what happens when we want to believe something a little too much, even when the evidence of fakery is before our eyes.

厌倦了逃亡生涯的匈牙利赝品画家艾米尔•德霍瑞（Elmyr de Hory）于1969年回到西班牙伊维萨岛，成为岛上名人，并结识了美国作家克利福德•艾尔文（Clifford Irving）。导演奥逊•威尔斯在介绍艾米尔•德霍瑞的同时穿插讲述了曾轰动一时的克利福德•艾尔文造假美国飞行业大亨霍华德•休斯自传案，随后又杜撰了女友欧嘉•蔻达（Oja Kodar）与毕加索之间的一段奇事。真假穿插中，奥逊•威尔斯提出了“艺术是什么”与作品归属权的问题。 　　本片是美国导演奥逊•威尔斯的最后一部完整的电影作品，大部分镜头素材来自由艾尔文•克利福德编剧，法国导演弗朗索瓦•莱兴巴赫（Francois Reichenbach）导演的关于匈牙利赝品画家艾米尔•德霍瑞的BBC纪录片。

厌倦了逃亡生涯的匈牙利赝品画家艾米尔•德霍瑞（Elmyr de Hory）于1969年回到西班牙伊维萨岛，成为岛上名人，并结识了美国作家克利福德•艾尔文（Clifford Irving）。导演奥逊•威尔斯在介绍艾米尔•德霍瑞的同时穿插讲述了曾轰动一时的克利福德•艾尔文造假美国飞行业大亨霍华德•休斯自传案，随后又杜撰了女友欧嘉•蔻达（Oja Kodar）与毕加索之间的一段奇事。真假穿插中，奥逊•威尔斯提出了“艺术是什么”与作品归属权的问题。 　　本片是美国导演奥逊•威尔斯的最后一部完整的电影作品，大部分镜头素材来自由艾尔文•克利福德编剧，法国导演弗朗索瓦•莱兴巴赫（Francois Reichenbach）导演的关于匈牙利赝品画家艾米尔•德霍瑞的BBC纪录片。

Two brothers following a violent exchange with their father on the day of their mother's funeral, the younger of the two left their Highland home for America. After forty years they reunite in the land of their birth.

“圣杯战争”是由魔术师（御主）和英灵（从者），围绕着能够实现一切愿望的许愿机“圣杯”进行的战斗。 日本的第五次圣杯战争结束之后，又过去了数年。 在美国西部的城市“雪原市”，观测到了新圣杯的征兆。 于是，魔术师（御主）和英灵（从者）集结到了一起。 欠缺的职阶。 本不可能被选中的从者。 暗中活动的国家机构。 为战争而打造的城市。 ——各种例外和违规，让圣杯战争陷入混乱，变得越发扭曲。 在虚假圣杯的舞台上，人类与英灵（从者）的狂宴就此拉开序幕……