Andrew Graham-Dixon investigates the story of the 20th century’s greatest art forger, Dutch artist Han van Meegeren, who made millions during World War II selling fake Vermeers in Nazi-occupied Holland. 　　Following a trail of evidence across Europe, Graham-Dixon pieces together how van Meegeren fooled the art establishment - and even swindled Hermann Göring, selling him what was then one of the most expensive paintings in the world. 　　Looking at this tale of intrigue and double-dealing against the backdrop of Europe’s darkest hour, Graham-Dixon tries to uncover the motives of the master forger. Was he a Dutch folk hero, outwitting the Nazi occupiers? A cynical opportunist? Or even ruthless collaborator? 　　As Andrew Graham-Dixon discovers, this is a tale about much more than simply art forgery: a twisted, timely morality tale about the blurred lines between truth and fiction that poses uncomfortable questions about deception - and collusion. About what happens when we want to believe something a little too much, even when the evidence of fakery is before our eyes.

Andrew Graham-Dixon investigates the story of the 20th century’s greatest art forger, Dutch artist Han van Meegeren, who made millions during World War II selling fake Vermeers in Nazi-occupied Holland. 　　Following a trail of evidence across Europe, Graham-Dixon pieces together how van Meegeren fooled the art establishment - and even swindled Hermann Göring, selling him what was then one of the most expensive paintings in the world. 　　Looking at this tale of intrigue and double-dealing against the backdrop of Europe’s darkest hour, Graham-Dixon tries to uncover the motives of the master forger. Was he a Dutch folk hero, outwitting the Nazi occupiers? A cynical opportunist? Or even ruthless collaborator? 　　As Andrew Graham-Dixon discovers, this is a tale about much more than simply art forgery: a twisted, timely morality tale about the blurred lines between truth and fiction that poses uncomfortable questions about deception - and collusion. About what happens when we want to believe something a little too much, even when the evidence of fakery is before our eyes.

厌倦了逃亡生涯的匈牙利赝品画家艾米尔•德霍瑞（Elmyr de Hory）于1969年回到西班牙伊维萨岛，成为岛上名人，并结识了美国作家克利福德•艾尔文（Clifford Irving）。导演奥逊•威尔斯在介绍艾米尔•德霍瑞的同时穿插讲述了曾轰动一时的克利福德•艾尔文造假美国飞行业大亨霍华德•休斯自传案，随后又杜撰了女友欧嘉•蔻达（Oja Kodar）与毕加索之间的一段奇事。真假穿插中，奥逊•威尔斯提出了“艺术是什么”与作品归属权的问题。 　　本片是美国导演奥逊•威尔斯的最后一部完整的电影作品，大部分镜头素材来自由艾尔文•克利福德编剧，法国导演弗朗索瓦•莱兴巴赫（Francois Reichenbach）导演的关于匈牙利赝品画家艾米尔•德霍瑞的BBC纪录片。

厌倦了逃亡生涯的匈牙利赝品画家艾米尔•德霍瑞（Elmyr de Hory）于1969年回到西班牙伊维萨岛，成为岛上名人，并结识了美国作家克利福德•艾尔文（Clifford Irving）。导演奥逊•威尔斯在介绍艾米尔•德霍瑞的同时穿插讲述了曾轰动一时的克利福德•艾尔文造假美国飞行业大亨霍华德•休斯自传案，随后又杜撰了女友欧嘉•蔻达（Oja Kodar）与毕加索之间的一段奇事。真假穿插中，奥逊•威尔斯提出了“艺术是什么”与作品归属权的问题。 　　本片是美国导演奥逊•威尔斯的最后一部完整的电影作品，大部分镜头素材来自由艾尔文•克利福德编剧，法国导演弗朗索瓦•莱兴巴赫（Francois Reichenbach）导演的关于匈牙利赝品画家艾米尔•德霍瑞的BBC纪录片。

Two brothers following a violent exchange with their father on the day of their mother's funeral, the younger of the two left their Highland home for America. After forty years they reunite in the land of their birth.

我与顾景行结婚十年，自以为婚姻美满。直到他忘带手机，一条陌生的生日提醒，让我用结婚纪念日解开了潘多拉的魔盒。购物软件里，一个给22岁女孩的粉色蛋糕订单，让我如遭雷击。我循着线索找到他兄弟的聚会，却在门外听到最残忍的真相——他所谓的“长情”，是连出轨都要找一个和我长得一样的“替代品”。而他，竟当众维护那个女孩：“她很干净。”十年爱恋，一夕崩塌。