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    这个保镖太无敌了 - 短剧

    2025中国大陆剧情·动作·爱情
    演员:宣嘉橙 金鑫欣
    林霜区区一个保安,开局就欺负了身价百亿的千金,怎么办?他好慌!她天天调查他,还有一大群富少情敌威胁他,再这么下去他真怕自己的身份被曝光。林霜下山保护女总裁苏晚乔,意外得知她竟然是自己小时候青梅竹马的玩伴?还牵扯出了自己的身世和全家被灭门的真相,已世间无敌的他,开启了报仇之路。
    这个保镖太无敌了
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    穿七零:这个神医太飒了 - 短剧

    2025中国大陆剧情·爱情·短片
    演员:王朝阳 付予
    现代财阀千金夏云萱带物资穿越七零,遭吸血鬼家人逼嫁。她凭空间和武力反抗,断亲搞事业,遇知青萧翊琛相恋。揭露身世、智斗反派后,与萧翊琛结婚,还意外找到亲生父母,最终业爱情双丰收。
    穿七零:这个神医太飒了
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    这个剧组太剽悍 - 电影

    2004美国喜剧·短片
    导演:莉萨·哈默
    演员:Debbie Diamond Simon Diamond 莉萨·哈默
    并不是2014的僵尸片, 是另一个9:30的短片, IMDb可以直接看
    这个剧组太剽悍
    搜索《这个剧组太剽悍》
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    太野了 - 电影

    2022英国剧情·短片
    导演:Sean Lìonadh
    演员:鲁阿里德·莫利卡 Joshua Griffin 内什拉·卡普兰
    After a night of intoxication, a hungover and hysterical Nick wakes up next to his boyfriend Charlie and must conceal him from his own homophobic and dysfunctional family.
    太野了
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    荒原 - 电影

    2023内地剧情片
    三十岁出头的丛林(任素汐 饰)如何也想不到,与哥哥丛来(李晨 饰)的又一次戈壁“寻人之旅”,会被一场沙暴推向生命绝境。哥哥身负重伤,丛林必须独自前行,为两条生命寻找一线生机。
    荒原
    搜索《荒原》
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    荒原 - 电影

    2023中国剧情·冒险
    导演:左志国
    演员:任素汐 李晨 周申
    三十岁出头的丛林(任素汐 饰)如何也想不到,与哥哥丛来(李晨 饰)的又一次戈壁“寻人之旅”,会被一场沙暴推向生命绝境。 哥哥身负重伤,丛林必须独自前行,为两条生命寻找一线生机。
    荒原
    搜索《荒原》
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    荒原 - 电影

    2022中国大陆剧情·冒险
    导演:左志国
    演员:任素汐 李晨 周申
    三十岁出头的丛林(任素汐 饰)如何也想不到,与哥哥丛来(李晨 饰)的又一次戈壁“寻人之旅”,会被一场沙暴推向生命绝境。   哥哥身负重伤,丛林必须独自前行,为两条生命寻找一线生机。
    荒原
    搜索《荒原》
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    荒原 - 电视剧

    2015动作冒险·剧情
    导演:阿尔弗雷德·高夫 迈尔斯·米勒
    演员:艾米丽·比查姆 奥拉·布雷迪 吴彦祖
    在未来的北美洲大陆上,「世界彻底分裂」。七个巨头瓜分了所有的土地,他们和他们的私人武装对辖区实施独裁统治。未来没有枪支,没有火器。一个受训练﹑粗鲁,叫Sunny的战士(吴彦祖饰演),以及一个男孩M.K.(Aramis Knight),为找到教化一同踏上旅程。
    荒原
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    荒原 - 电影

    2021中国大陆剧情·科幻
    导演:胡兆祥
    2022年,杭州亚运会施工建设正如火如荼展开。傍晚,一对恋人开摩托车行驶在城郊,剖开城市肌理,寻找记忆中的游乐场。当一阵风吹过的时候,他们回想起一名诗人说过的一句话:世界是一片荒原。
    荒原
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    荒原 - 电影

    1979越南剧情·战争
    导演:阮鸿审
    演员:林至 翠安 De Xuan
    To an American audience, "The Abandoned Field: Free-Fire Zone" is an unusual movie in many ways. First, this Vietnamese film tells a story of the Vietnam War through the eyes of Viet Cong guerillas. Instead of the camera hovering above the ground in the U.S. helicopters, it's in the rice paddies looking up at those lethal machines. Second, it depicts the effects of war on a family (mother, father, and child) whose daily life is made unpredictable and uncertain by the whims of battle. Granted, the father and mother are VC guerillas who voluntarily put themselves – and their child – in harm's way, but this touches upon another uncommon element: Hollywood audiences aren't used to seeing a woman (the wife) as a protagonist in a war drama. These qualities alone would make "The Abandoned Field" of great interest, but the film also does more. This movie is quite well made. The story is briskly paced, but it still takes time for quiet observations of the couple's frugal family life as they hide from the choppers. The film's visual surface appears equally frugal. The hand-held black & white cinematography gives the images a rough-hewn feel that captures the spirit of the 1960s New Wave and resembles early newsreels of the war. This visual approach might have been completely determined by the economic realities of the time, but the film's low-tech look seems to stand in defiant opposition to Hollywood's high-gloss surface. It's as though director Hong Sen Nguyen wanted to utilize a "guerilla" visual style to match the content of his story. Of course, being from Vietnam, "The Abandoned Field" wants us to side with the guerillas, but the movie also acknowledges the humanity of an American soldier and presents him as an equal victim of the war. Certainly, the movie is more even-handed than most American films about Vietnam, especially those of the Rambo/Chuck Norris variety. The movie's biggest drawback for U.S. audiences is that its American characters are played by Vietnamese actors (some of whom look racially mixed) speaking in the Vietnamese language. Of course, this instance of unbelievable casting arose from Vietnam's lack of access at the time to professional American talent. The American viewer simply has to accept it as a convention. Another admirer of "The Abandoned Field" is director Oliver Stone, who also bemoans the film's lack of authenticity in things American. He once remarked at a UCLA panel that he wished he could have been the film's technical advisor. But its inaccuracies didn't interfere with his enjoyment of the movie. (Stone would go on to direct his own war drama told from the perspective of a Vietnamese woman: 1993's "Heaven & Earth.") "The Abandoned Field" offers American audiences an unusual and absorbing story. Coming to the movie with an open mind, viewer
    荒原
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