一个男人发现自己被困在一个沙漠峡谷中，与一位在野外生活的女性一同被一群虐待狂男孩囚禁。

山姆•希德（Will Sanderson 饰），一个臭名昭著且令人闻风丧胆的连环杀人犯。在过去的六年里，曾有666人死在他的手中。经过很长时间的搜索和排查，警方终于根据一卷录像带找到希德的藏身之地。 　　毋庸置疑，这个双手沾满鲜血的刽子手很快被判处电椅死刑。但他所处的州有一条奇怪的法律，任何电击三次都未死亡的罪犯都可以重获自由。恐怖魔王希德虽然遭到强烈电击，但仍顽强地活了下来。法官和行刑者不愿放虎归山，他们私下和法医串通单方面宣布希德死亡，并将其活埋。 　　但希德临行前曾说过一句话，“你们会再见到我的”。他没有说谎……

在工作环境的不安全感驱使下，科摩多罗·里瓦达维亚赌场的员工朱莉娅屈服于格温福的诱惑，格温福是一个简洁的威尔士裔男子，他向她承诺在他工作的石油公司担任行政职务。当她意识到自己的错误时，他们已经很好地进入了沙漠，开始了穿越巴塔哥尼亚平原的艰苦徒步旅行。掩埋在洞穴和废弃的建筑，没有出路在无限的距离，困难的共存将改变随着时间的推移。在一辆皮卡车上，在追踪者的引导下，警长赫密斯·普里托骑着马，紧跟其后，确信能在沙漠中找到某种踪迹。

Have you ever seen Uwe Boll's weirdo slasher flick Seed? Better yet, have you even heard of it? It doesn't matter. You're going to. Especially when the recently announced Seed 2: The New Breed comes around. www. 5233tv.com 　　Dr. Boll will be serving as producer on this one with Marcel Walz directing. Caroline Williams, Christa Campbell, Nick Principe, Jared Demetri Luciano, Manoush, Natalie Scheetz, Annika Strauss, and Sarah Hayden star. 　　Plot details are currently under wraps, but we'd expect lots of hammering, slicing, dicing, screaming, and all around general mayhem. You gotta like that, right? That's just how these movies roll. More soon!

Have you ever seen Uwe Boll's weirdo slasher flick Seed? Better yet, have you even heard of it? It doesn't matter. You're going to. Especially when the recently announced Seed 2: The New Breed comes around. www. 5233tv.com 　　Dr. Boll will be serving as producer on this one with Marcel Walz directing. Caroline Williams, Christa Campbell, Nick Principe, Jared Demetri Luciano, Manoush, Natalie Scheetz, Annika Strauss, and Sarah Hayden star. 　　Plot details are currently under wraps, but we'd expect lots of hammering, slicing, dicing, screaming, and all around general mayhem. You gotta like that, right? That's just how these movies roll. More soon!

40岁的警官丹尼尔因爆出暴力殴打新人被停职调查，此后他的网恋对象萨拉不再回复他的消息，他决定开车横跨巴西南北到北方寻找她。他把莎拉的照片打印成启事在萨拉的住处到处张贴，这显然是愚蠢的举动，但意外的是当地竟然没有人认识这个女人。直到最后，一个陌生人突然打来电话，说他知道萨拉的下落。

40岁的警官丹尼尔因爆出暴力殴打新人被停职调查，此后他的网恋对象萨拉不再回复他的消息，他决定开车横跨巴西南北到北方寻找她。他把莎拉的照片打印成启事在萨拉的住处到处张贴，这显然是愚蠢的举动，但意外的是当地竟然没有人认识这个女人。直到最后，一个陌生人突然打来电话，说他知道萨拉的下落。

《引力邊緣》（2013）幕後父子兵再度聯手，上回是父親艾方素卡朗執導，今次就由兒子莊拿斯上陣，父親任監製。也是求生的故事，教人驚心動魄的不止於外太空，地球更危險。《向政府說不》（37屆）的基爾加西亞般奴飾演墨西哥非法移民摩西，夢想家庭團聚，偷渡穿越美國邊界。豈料遇上邊境巡邏的嗜殺排外之徒，濫用私刑，持槍獵殺，令追尋自由的冒險之旅，頓變極度恐慌的生死逃亡。邊境荒漠成為殺戮戰場，家人所贈的玩具熊到底是護身符還是催命咒？影片有如一則現代出埃及記，為當下美國右派民粹主義勢力崛起敲響警鐘。

The sun beats down mercilessly on all those who cross the Sonoran Desert between Mexico and the United States. Aside from the few people who live here, it’s the poorest of undocumented immigrants that make the crossing, who have no choice but to take this extremely dangerous route, followed by border guards both official and self-appointed. The horizon seems endlessly far away and deadly dangers lurk everywhere. It’s best to move under the cover of darkness; during the day, being exposed to the heat and sun is enough to make animals and humans perish. Their traces and remains accumulate, fade, decompose and become inscribed into the topography of the landscape, making the absent ever-present as life and death, beauty and dread, hostile light and nights aglitter with stars and promise all continue to exist alongside one another. 　　El mar la mar masterfully weaves together sublime 16-mm shots of nature and weather phenomena, animals, people and the tracks they leave behind with a polyphonic soundtrack, creating a cinematographic exploration of the desert habitat, a multi-faceted panorama of a highly politicised stretch of land, a film poem that conjures up the ocean.

The sun beats down mercilessly on all those who cross the Sonoran Desert between Mexico and the United States. Aside from the few people who live here, it’s the poorest of undocumented immigrants that make the crossing, who have no choice but to take this extremely dangerous route, followed by border guards both official and self-appointed. The horizon seems endlessly far away and deadly dangers lurk everywhere. It’s best to move under the cover of darkness; during the day, being exposed to the heat and sun is enough to make animals and humans perish. Their traces and remains accumulate, fade, decompose and become inscribed into the topography of the landscape, making the absent ever-present as life and death, beauty and dread, hostile light and nights aglitter with stars and promise all continue to exist alongside one another. 　　El mar la mar masterfully weaves together sublime 16-mm shots of nature and weather phenomena, animals, people and the tracks they leave behind with a polyphonic soundtrack, creating a cinematographic exploration of the desert habitat, a multi-faceted panorama of a highly politicised stretch of land, a film poem that conjures up the ocean.