人工智能专业研三学生蒋苡一，自从双胞胎妹妹去世后一直心怀愧疚，立志要开发一款AI让妹妹“复活”，也因此闯入了“AI大神”顾屿的世界。而顾屿虽在AI界被封神，却有着鲜为人知的心理疾病。为治愈疾病，他一直在寻找儿时曾治愈过自己的“青梅”，却阴差阳错找到了“青梅”的姐姐——蒋苡一。本不应该发生爱情的两个“感情白痴”，在共同研究项目的过程中，因为价值观的契合，早已在不知不觉间向对方越靠越近。在帮彼此解决困难的同时，萌发了爱情的种子......

还记得初恋的味道么？有可能你已经忘记初恋的味道了，或许你已将它埋在心里，也或许此时此刻正经历着初恋，不管如何，初恋呢，是甜蜜的，是羞涩的，是幸福的。曾经是初恋的那个人， 当再次相遇的时候，会擦出什么样的火花呢。《初恋微甜》漫动画，每周一-周五更新全网更新！

人工智能专业研三学生蒋苡一，自从双胞胎妹妹去世后一直心怀愧疚，立志要开发一款AI让妹妹“复活”，也因此闯入了“AI大神”顾屿的世界。而顾屿虽在AI界被封神，却有着鲜为人知的心理疾病。为治愈疾病，他一直在寻找儿时曾治愈过自己的“青梅”，却阴差阳错找到了“青梅”的姐姐——蒋苡一。本不应该发生爱情的两个“感情白痴”，在共同研究项目的过程中，因为价值观的契合，早已在不知不觉间向对方越靠越近。在帮彼此解决困难的同时，萌发了爱情的种子......

还记得初恋的味道么？有可能你已经忘记初恋的味道了，或许你已将它埋在心里，也或许此时此刻正经历着初恋，不管如何，初恋呢，是甜蜜的，是羞涩的，是幸福的。曾经是初恋的那个人， 当再次相遇的时候，会擦出什么样的火花呢。《初恋微甜》漫动画，每周一-周五更新全网更新！

More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far. 　　源自：https://www.mardelplatafilmfest.com/38/en/pelicula/mimang

More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far. 　　源自：https://www.mardelplatafilmfest.com/38/en/pelicula/mimang

2008年春节，陕西关中大地上覆盖着厚厚的积雪，一片寂静，67岁的吕崇德照例迎来了新的一年。他是华县著名皮影戏前声潘京乐的唯一徒弟，两年前开始受雇于一家民营公司，在县城和农村的各种场合中表演皮影戏。董进水是公司里的另外一个前声艺人，他的师爷赵振才今年已经82岁了，十多年前患白内障，停止了演出，不过一年前刚刚做了复明手术。夏天，华县的摄影师张韬来到赵振才的家里，希望他能够复出，演一出拿手好戏。 　　春去秋来，日子一天天过去，吕崇德往来于县城和农村的家中，在演戏之余照料着家中田里的农活。他从60年代开始随潘京乐的戏班学戏、演戏，而现在，皮影戏的演出越来越少，他们这一批最年轻的碗碗腔皮影传人也默默地与皮影戏一同老去。 　　2007年至今，清华大学清影工作室历时两年的时间往返华县十余次对于皮影做了较为深入的研究。同时，清影工作室历时一年半的时间，拍摄了纪录片《戏末》，一部以华县皮影为主题的纪录作品。

剧情讲述四个普通的小人物，偶然的情况下，发现了一个恶魔网站并与之进行了交易，意外获得了一些微小的能力，但他们没有想到恶魔网站背后隐藏着巨大…