讲述卡罗尔、莫里斯和马科斯三个好朋友办工厂梦的过程，真实冷静的展示了波兰资本主义初期残酷的社会画卷。

一对印度游客夫妇抵达危机四伏的斯里兰卡山区，庆祝他们的结婚五周年纪念日。但是，当事情出现意想不到的转变时，两人间的冲突就会加深，从而暴露出他们关系中的裂缝。

一对印度游客夫妇抵达危机四伏的斯里兰卡山区，庆祝他们的结婚五周年纪念日。但是，当事情出现意想不到的转变时，两人间的冲突就会加深，从而暴露出他们关系中的裂缝。

在沙丘景观中间的一个古老的墓地：母亲和儿子在坟墓之间徘徊，寻找已故父亲的安息之地。从对面的沙丘往下看，一个男人用望远镜看着他们。沙丘现在是俯瞰城市的高尔夫球场的一部分。公墓被卖掉了，旧坟墓被挖掘出来了。池塘里大鱼的动作让人想起了沃尔克施伦道夫的“锡鼓”里的鳗鱼。这个男人 打高尔夫球，他年轻的女朋友想做整形手术。在社会商业化过程中对城镇和地方进行重新分区。在优雅、精心设计的镜头中，PhamNgocLan以平等的方式将未来和现在联系起来。这种叙事方式是由“存在”行为中对生与死的不同文化理解所启发的。我们不记得了，我们在想象中。

在沙丘景观中间的一个古老的墓地：母亲和儿子在坟墓之间徘徊，寻找已故父亲的安息之地。从对面的沙丘往下看，一个男人用望远镜看着他们。沙丘现在是俯瞰城市的高尔夫球场的一部分。公墓被卖掉了，旧坟墓被挖掘出来了。池塘里大鱼的动作让人想起了沃尔克施伦道夫的“锡鼓”里的鳗鱼。这个男人 打高尔夫球，他年轻的女朋友想做整形手术。在社会商业化过程中对城镇和地方进行重新分区。在优雅、精心设计的镜头中，PhamNgocLan以平等的方式将未来和现在联系起来。这种叙事方式是由“存在”行为中对生与死的不同文化理解所启发的。我们不记得了，我们在想象中。

这是一部弘扬中国传统文化、传播社会主义核心价值观，反映新中国成立以来、特别是改革开放四十周年以来，在建设社会主义现代化新常熟的常熟人，在常熟市委、市政府的领导下，艰苦创业、拚搏进取的故事。

新的无照英雄（划掉）治疗师诞生！ 　　以无照治疗师而非无照医师身份治疗伤病， 　　治病救人、针砭时弊……？ 　　“你最近什么活都没干吧，说实话 我已经不需要你了” 　　青年治疗师杰诺斯被冒险者队伍说成是派不上用场的人， 　　并以一枚金币打发离队。 　　而出身贫民，使用自创治疗魔法的他并没有治疗师执照。 　　流离失所的杰诺斯走在路边，遇见了腹部被捅的濒死妖精少女莉莉。 　　“放心吧 这伤有救的” 　　“……咦？一点都不疼 伤口也没了。为什么恢复原样了啊！？” 　　以偷偷开业在贫民街外围的废墟街的治疗院为舞台， 　　无照天才治疗师的毫无自知最强奇幻故事开幕——。

影片讲述了牧民们为了保护生态、恢复草原，响应政府号召转移搬迁后的幸福生活。影片通过４名小学生想方设法、不怕挫折地勇敢寻找苁蓉、锁阳卖钱，带眼睛失明的奶奶去北京治病、走出草原看看外面世界。

The story is about an unnamed detective, hired by a beautiful, alcoholic woman, to find clues related to the disappearance of her husband. In the process, the detective is given a map (a ruined one), supposedly to help him, but which turns out in the end to be more like a metaphor of the guidelines one should have in life. The impossibility of finding relevant clues to help him solve the mystery leads the main character to an existential crisis, which builds slowly from inside and finally puts him in the position of identifying himself with the man he was supposed to find. 　　The Man Without a Map (燃えつきた地図 Moetsukita chizu) is a 1968 Japanese film directed by Hiroshi Teshigahara and starring Shintaro Katsu. The screenplay was adapted by Kōbō Abe from his novel The Ruined Map. This was the fourth and final film collaboration between Teshigahara and Abe.

The story is about an unnamed detective, hired by a beautiful, alcoholic woman, to find clues related to the disappearance of her husband. In the process, the detective is given a map (a ruined one), supposedly to help him, but which turns out in the end to be more like a metaphor of the guidelines one should have in life. The impossibility of finding relevant clues to help him solve the mystery leads the main character to an existential crisis, which builds slowly from inside and finally puts him in the position of identifying himself with the man he was supposed to find. 　　The Man Without a Map (燃えつきた地図 Moetsukita chizu) is a 1968 Japanese film directed by Hiroshi Teshigahara and starring Shintaro Katsu. The screenplay was adapted by Kōbō Abe from his novel The Ruined Map. This was the fourth and final film collaboration between Teshigahara and Abe.