阿根廷新浪潮电影大师托雷尼尔逊最好的作品之一，1961年嘎纳国际电影节费比西奖，60年代最重要的阿根廷新电影之一，喜欢Jean Cocteau或者Georges Franju的应该会同样喜欢这部影片吧。 　　Leopoldo Torre Nilsson was probably the best film director in Argentina. He was a man with a vision. He was the one that elevated the local cinema and put it on the map in the late 50s and early 60s. He almost always worked on screen plays based on his wife, Beatriz Guido's novels, as is the case here. 　　This gothic tale of hidden monsters and well kept secrets among the provincial bourgeoisie had more impact for me the first time I watched it. On second viewing what seemed so eerie before doesn't hold true any more. 　　The husband-and-wife team of Beatriz Guido and Leopoldo Torre-Nilsson once again write and direct, respectively, to create another drama about the lives of an upper middle-class segment of society. In this engaging story, a young woman, Laura (Elsa Daniel), comes back from boarding school to a home that has seen wealthy days but is now barely managing. She discovers that an aunt has locked herself up in the attic to spend the rest of her life mourning the loss of her one great love, a loss that occurred when the man jilted her on their wedding day. Laura decides to hunt the man down and bring him to meet her aunt, just to save the woman from herself. She succeeds in tracking him, and convinces him to visit her aunt, while she herself is very much taken with his charm and stunningly handsome looks. The entire scenario shifts after Laura's original objective is reached.

一个父亲（乔什·哈奈特）带着他的女儿去她最喜欢的歌星的演唱会，而在演唱会途中他愈发的觉得不对劲——整个场地严阵以待，都是监控和警察。在他打听后得知原来一个著名的杀人犯就潜藏在观众之中，整个演唱会就是为了捉捕他的陷阱。而这个父亲不为人知的过去似乎和那个杀人狂有些像...

影片讲述了两个铤而走险的逃亡兄妹的故事。在他们逃亡的路上，他们还碰到了个正回家、麻烦不断的前拳击手。 　　艾瑞克·巴纳与奥利维亚·王尔德在此片中饰演一对兄妹，他们从一场赌场抢劫中全身而退，开始了逃亡之旅。当他们逃到冰天雪地的边境地带，偶遇一个落魄的拳击手，而他无辜的家庭被这两位煞星搅得天翻地覆。

在一个下着暴风雪的午后，艾迪森（艾瑞克-巴纳 饰演）与妹妹丽莎（奥利维亚-王尔德 饰演）在抢劫赌场逃亡的途中遭遇了一起车祸。当丽莎忙着捡拾四散的钱…

该片是根据真实事件改编，讲述了一对夫妇看到网络上的美食情报，就来到孤岛上寻找这间餐厅，却遭遇了意料之外的重重危机。 　　2015年警察厅公布的统计数据中，2014年网络犯罪多达11万起，大部分是网络金融欺诈、黑客等行为，但也有通过网络而施行的杀人、强奸、连锁杀人等重大刑事犯 罪。特别是对于网上很多没有公信力的情报毫无怀疑而上当受骗的受害者日渐增加。特别是我们对于智能手机和 app 的使用都成为日常生活中不可或缺的一环，所以网络上的犯罪其实离我们每个人都很近。《陷阱》也是出于这样的意图，希望告诉观众，其实每个人都可能会陷入这样的陷阱。 　　影片中赵汉善和金敏京饰演的“俊植”、“素妍”夫妇，为了找到网上有着好口碑的餐厅而来到孤岛上，遇见了亲切地有些过分的餐厅主人，之后却陷入了意想不到的陷阱中。该片导演权炯辰曾凭借《为了霍格沃兹》获得第44届大钟奖新人导演奖，并提名第10届上海国际电影节及亚洲新人奖最佳影片。之前演惯了反派的马东锡最近在影视剧中展现了幽默搞笑的一面而倍受观众喜爱，在这部电影中则又饰演看上去很亲切但却让人觉得有点恐怖的神秘餐厅主人“成哲”一角。

三个好友去海边度假，却被一股恶毒的超自然力量囚禁在度假公寓的顶层，他们究竟能否逃出升天？

某山区矿工村，一个矿工突然被 “戴白手套的人”杀死。正巧矿上有个班长长得和死者十分相像，令矿工村的人吃惊。一天这个班长接到一个电话说工会要组织工人罢工。 班长赶往矿场途中，在沼泽地遇见了工会领导人。两人发生口角直至搏斗，都是因为那个电话。两人在沼泽地从正午一直滚打到夕阳下山。最后筋疲力尽，双方都莫名其妙地死去。与此同时，杂货店老板娘也被“戴白手套的人”杀死。这一件件奇怪的事凑巧都被一个偶然往来于这条路上的孩子看到，但他讲不清楚地到底看到了什么，因为他始终没有看到那个“戴白手套的人”的面孔.所以凶手到底是谁也弄不清楚，查不出来。

某山区矿工村，一个矿工突然被 “戴白手套的人”杀死。正巧矿上有个班长长得和死者十分相像，令矿工村的人吃惊。一天这个班长接到一个电话说工会要组织工人罢工。 班长赶往矿场途中，在沼泽地遇见了工会领导人。两人发生口角直至搏斗，都是因为那个电话。两人在沼泽地从正午一直滚打到夕阳下山。最后筋疲力尽，双方都莫名其妙地死去。与此同时，杂货店老板娘也被“戴白手套的人”杀死。这一件件奇怪的事凑巧都被一个偶然往来于这条路上的孩子看到，但他讲不清楚地到底看到了什么，因为他始终没有看到那个“戴白手套的人”的面孔.所以凶手到底是谁也弄不清楚，查不出来。

Her irresistible fatal love, his love is stuck in the trap. 　　Ah-yeon looks sensual in those short tennis outfits she always wears. When Min-seok, a successful prosecutor encounters Ah-yeon in a parking lot of a tennis court, he happens to provide her with help unexpectedly. He later gets contacted by Ah-yeon frequently. Although Min-seok, the married man tries to refuse her excessive hospitality towards him, it’s not easy to refuse those. One day, Min-seok receives a correspondence saying he is accused of bribery and then he realizes he might lose his position as a prosecutor. While his relationship with his wife has become unstable as well, he cannot stop thinking about Ah-yeon. He after all begins the relationship with Ah-yeon he should not have started.