斯洛文尼亚某个边陲小镇上的单身汉佩罗（Gregor Bakovic 饰），与姐姐、姐夫住在一起，而家庭成员却多为问题人物。佩罗的父亲因失去妻子而罹患抑郁症，多次试图自杀。侄子惹是生非，麻烦不断，侄女则是个聋哑患者。 　　佩罗同时是一名的职业葬礼发言人，他以其幽默诙谐和真挚令每场葬礼独具特色，虽然他的演讲往往带入个人的情愫，然而出席者仍会为这个美妙的误会而感伤落泪。甚至他的家人都希望死在他的前面，来让佩罗为自己办一场高质量的告别仪式。

叁叁是一位居住在上海的苗族女孩，热爱写诗、绘画等各种艺术形式。她长期患有抑郁症，在疫情的末期，她萌生了给自己举办葬礼的念头。然而，就在她开始整理自己的遗物时，奶奶却突然离世。在回到贵州凯里的老家参加奶奶葬礼，并筹备自己葬礼的过程中，叁叁陷入了抑郁症复发，原生家庭创伤重现 ，以及现实与梦想两难全的困境。 　　San, a young Miao woman residing in Shanghai, immerses herself deeply in poetry, painting, and various forms of art. She has wrestled with depression for an extended period. As the post-pandemic era approached, San briefly entertained a provocative idea: the concept of orchestrating her own funeral. However, just as she started sorting through her belongings, her grandmother passed away unexpectedly. Upon returning to her hometown in Kaili, Guizhou, to attend her grandmother's funeral and make arrangements for her own, San found herself in a dilemma of relapsed depression, resurfacing family traumas, and the conflict between reality and dreams. 　　入围西宁first电影节纪录片实验室 　　入围CNEX社会影响力工作坊

金秉信（马国明 饰）本是法律系高材生，却因一次冤狱而决定开启法律行政人员之路。凭借八面玲珑的处事手腕，秉信逐渐建立“金师爷”金漆招牌。金师爷任职的律师楼突然面临倒闭，他运用人脉化解危局，还获律师田佑家（林夏薇 饰）、庾国栋（黄嘉乐 饰）加盟共事，并与大状马玮雄（张颕康 饰）组成新的法律界“最强CP”，解决各宗错综复杂的案件。 　　及后，金师爷竟再度成为犯人栏内的被告，纵得三位知心好友全力支持，庭上仍处下风。到底金师爷一方最终能否逆转官司，继续以法律发言，为公义发声？

雨宫家老父亲（奥村公延 饰）因病去世，正在外地拍广告的女儿千鹤子（宫本信子 饰）和女婿井上佗助（山崎努 饰）带着两个儿子连忙赶回老家奔丧。虽然有葬礼负责人海老原（江户家猫八 饰）的帮助，但佗助夫妇仍需临时抱佛脚，学习葬礼礼仪。三天的葬礼，品味生死百态，万般不舍与依恋，俱化作火葬场上空的一缕轻烟…… 　　本片荣获1984年日本学院奖最优秀作品、最佳导演、最佳男主角、最佳剧本和最佳女配角多项大奖，及1985年蓝丝带最佳导演和最佳男主角奖。

雨宫家老父亲（奥村公延 饰）因病去世，正在外地拍广告的女儿千鹤子（宫本信子 饰）和女婿井上佗助（山崎努 饰）带着两个儿子连忙赶回老家奔丧。虽然有葬礼负责人海老原（江户家猫八 饰）的帮助，但佗助夫妇仍需临时抱佛脚，学习葬礼礼仪。三天的葬礼，品味生死百态，万般不舍与依恋，俱化作火葬场上空的一缕轻烟…… 　　本片荣获1984年日本学院奖最优秀作品、最佳导演、最佳男主角、最佳剧本和最佳女配角多项大奖，及1985年蓝丝带最佳导演和最佳男主角奖。

在南印度的一个偏远村庄，101岁的Century Gowda去世了，他的三代子孙们有着不同的反应。儿子Gadappa是一位老头子，总是抽着便宜的烟，喝着白兰地，每天无所事事地穿梭在田野间；同时孙子Thamanna是个见钱眼开的小贩，筹划着非法卖掉Century Gowda的五英亩地；曾孙Abhi是个阳光自信的青年，不屈不挠地追求着一个牧羊女孩。三条故事线索交织着，聚合在Century Gowda死后第十一天的葬礼上。

The heroine of this drama about injustice during the collectivization of the Czech countryside is a proud widow, who arranges a magnifi cent funeral for her recently deceased husband. The funeral ceremony for this honourable farmer who had resisted the state-sanctioned liquidation of farmers and landholders is transformed into a manifestation of resistance against the Communist overlords. This story of the struggle against injustice was based on a novel by the dissident writer Eva KantÛrková, whose official publication was also prohibited during “normalization”. Sirov˘’s best film has the outline of a Classical tragedy and is framed by suggestive shots of the countryside. The film’s long-delayed premiere in 1990 was broadcast on television and attended by President Václav Havel. During “normalization” the director Zdenek Sirov˘ (1932-1995) primarily made his living doing film dubbing. He did make a number of quite ordinary adventure films and after the fall of Communism he shot an adaptation of the popular satire The Black Barons about conditions in the Communist military in the 1950s. During the final years of his life, cut short by disease, he was a respected teacher at Prague’s Film and TV School of the Academy of Performing Arts.

“老工业基地”是长春这座城市的重要标签，但却是一个死气沉沉的符号。在毫无特色的城市外肤下，一个个滚烫的摇滚青年用自己的体温，给这里带来了流动的血液。他们用自己的青春，给所有热爱音乐的人们，幻化出一场场酣畅的梦。 　　但是，他们却也在经历各自的悲喜人生。 　　实际上，并没有某种力量强迫他们推离现有的轨道，摇滚乐在这座城市中，仍在延续自己的发言。 　　这是一部记录长春地下摇滚乐的影片。是一段历史，也是一段未来。

The title is a Russian expression meaning "I wish to speak". This is one of my three favorite Panfilov films which I consider masterpieces, the other two being "Nachalo" and "Tema"; Panfilov wrote this script by himself it seems. It shows, this film is genius. For me, this is honestly one of the most thought-provoking films of my life. Perfectly written. It is about a family woman who was made the mayor of a town. I am mystified by this film. Not since Tarkovsky have I felt this strange spiritual energy, and that's saying something. This is the last Panfilov film I saw, I've seen five others. The incredible world of the characters is what reminds me of a Tarkovsky movie. This movie is about a family. It could be said to be about a lot of things. But to me this film is about communism. I can't have enough room to write and express all the incredible thoughts and scenes contained in this movie, nor would I want to. But I must say how realistic and natural the script and acting are and how poetic and beautiful yet simple the cinematography is. This films is about the ideals and morals of communism that any human being with a conscience can relate to: want for peace all over the world, a sense of duty to make the world better, love of your country and respect for all men and women. This mayor is still an attractive young woman, but she is stern when she needs to be and she can be rude and takes her job very seriously. But she also spends a lot of time with her family, she was a champion marksman, her husband is a soccer coach, they have two kids, son and daughter. This film uses some real Beatles songs, "Ob-La-Di, Ob-La-Da" for instance is played almost in it's entirety in the first 10 minutes, which I still find to be 10 of some the most incredible minutes in film ever, just incredible poetry. This film is definitely not for everyone, but it is a very good film, with an even more important message. It reminds me of an Oliviera film, because of long talking scenes. This film is definitely a nostalgic piece now that communism ended, especially because that is specifically it's topic. Also it paints a very realistic picture of what the feel under communism was for most working normal people, and it wasn't fear but togetherness. If you want a film that isn't propaganda and is very human and shows what a normal individual who is a communist "sees" in it, definitely watch this film, it is the one and only to treat the topic so respectfully and truthfully, the only other one is "U Ozera", IMO. The story is fiction but the ideas are absolutely true, in the end it doesn't matter what the directors/writers stance on anything was, he understood his subject and was inspired by it enough to make this poetic film, and I thank him.