Dawn breaks in La Habana, and as the day advances we follow the simple lives of ten ordinary Cubans, with only sounds and images accompanied by music.

Surrounded by sounds of animal life, both from the lake and the neighbouring forests, this film takes us through the seasons. Sounds of water, the wind and a human presence.

叁叁是一位居住在上海的苗族女孩，热爱写诗、绘画等各种艺术形式。她长期患有抑郁症，在疫情的末期，她萌生了给自己举办葬礼的念头。然而，就在她开始整理自己的遗物时，奶奶却突然离世。在回到贵州凯里的老家参加奶奶葬礼，并筹备自己葬礼的过程中，叁叁陷入了抑郁症复发，原生家庭创伤重现 ，以及现实与梦想两难全的困境。 　　San, a young Miao woman residing in Shanghai, immerses herself deeply in poetry, painting, and various forms of art. She has wrestled with depression for an extended period. As the post-pandemic era approached, San briefly entertained a provocative idea: the concept of orchestrating her own funeral. However, just as she started sorting through her belongings, her grandmother passed away unexpectedly. Upon returning to her hometown in Kaili, Guizhou, to attend her grandmother's funeral and make arrangements for her own, San found herself in a dilemma of relapsed depression, resurfacing family traumas, and the conflict between reality and dreams. 　　入围西宁first电影节纪录片实验室 　　入围CNEX社会影响力工作坊

4年前に怪死した女性作家、重松時子を偲んで、今年も彼女ゆかりの5人の女たちが3日間にわたるパーティを開く。全員、時子に憧れ、憎んでいた。想い出話に花が咲き、やがて時子は誰かに殺されたのでは？との疑念が生まれて……。 　　『命』の篠原哲雄が6女優競演で描き出す密室サスペンス。亡き女性作家の幻影にさいなまれる5人の女たちが、ゆかりの館で作家の死因を探るうち、それぞれの愛憎と向き合うことになる。

雨宫家老父亲（奥村公延 饰）因病去世，正在外地拍广告的女儿千鹤子（宫本信子 饰）和女婿井上佗助（山崎努 饰）带着两个儿子连忙赶回老家奔丧。虽然有葬礼负责人海老原（江户家猫八 饰）的帮助，但佗助夫妇仍需临时抱佛脚，学习葬礼礼仪。三天的葬礼，品味生死百态，万般不舍与依恋，俱化作火葬场上空的一缕轻烟…… 　　本片荣获1984年日本学院奖最优秀作品、最佳导演、最佳男主角、最佳剧本和最佳女配角多项大奖，及1985年蓝丝带最佳导演和最佳男主角奖。

雨宫家老父亲（奥村公延 饰）因病去世，正在外地拍广告的女儿千鹤子（宫本信子 饰）和女婿井上佗助（山崎努 饰）带着两个儿子连忙赶回老家奔丧。虽然有葬礼负责人海老原（江户家猫八 饰）的帮助，但佗助夫妇仍需临时抱佛脚，学习葬礼礼仪。三天的葬礼，品味生死百态，万般不舍与依恋，俱化作火葬场上空的一缕轻烟…… 　　本片荣获1984年日本学院奖最优秀作品、最佳导演、最佳男主角、最佳剧本和最佳女配角多项大奖，及1985年蓝丝带最佳导演和最佳男主角奖。

在南印度的一个偏远村庄，101岁的Century Gowda去世了，他的三代子孙们有着不同的反应。儿子Gadappa是一位老头子，总是抽着便宜的烟，喝着白兰地，每天无所事事地穿梭在田野间；同时孙子Thamanna是个见钱眼开的小贩，筹划着非法卖掉Century Gowda的五英亩地；曾孙Abhi是个阳光自信的青年，不屈不挠地追求着一个牧羊女孩。三条故事线索交织着，聚合在Century Gowda死后第十一天的葬礼上。

The heroine of this drama about injustice during the collectivization of the Czech countryside is a proud widow, who arranges a magnifi cent funeral for her recently deceased husband. The funeral ceremony for this honourable farmer who had resisted the state-sanctioned liquidation of farmers and landholders is transformed into a manifestation of resistance against the Communist overlords. This story of the struggle against injustice was based on a novel by the dissident writer Eva KantÛrková, whose official publication was also prohibited during “normalization”. Sirov˘’s best film has the outline of a Classical tragedy and is framed by suggestive shots of the countryside. The film’s long-delayed premiere in 1990 was broadcast on television and attended by President Václav Havel. During “normalization” the director Zdenek Sirov˘ (1932-1995) primarily made his living doing film dubbing. He did make a number of quite ordinary adventure films and after the fall of Communism he shot an adaptation of the popular satire The Black Barons about conditions in the Communist military in the 1950s. During the final years of his life, cut short by disease, he was a respected teacher at Prague’s Film and TV School of the Academy of Performing Arts.