In 1968, we had the opportunity to spend time with Thelonious Monk and his musicians, following him in New York, Atlanta, and in various European cities. In New York his quartet plays at the Village Vanguard and at recording sessions for Columbia Records; in Atlanta they appear at a Jazz Festival organized by George Wein. The members of the quartet were Charlie Rouse, Larry Gales, and Ben Riley. The group was joined on the European tour by Ray Copeland, Clark Terry, Phil Woods, and Johnny Griffin, traveling as part of George Wein's Newport Jazz Festival road company.—Michael Blackwood Productions

An insightful documentary into the prosperity Islam engendered in Europe during its glorious reign there. 　　Join British historian Bettany Hughes as she examines a long-buried chapter of European history--the rise and fall of Islamic culture i n what is now Spain and Portugal. 　　Although generations of Spanish rulers have tried to expunge this era from the historical record, recent archeology and scholarship now shed fresh light on the Moors who flourished in Al-Andalus for more than 700 years. 　　This fascinating documentary explodes old stereotypes and offers shocking new insights. You’ll discover the ingenious mathematics behind Granada’s dazzling Alhambra Palace, trace El Cid’s lineage to his Moorish roots, and learn how the Iberian population willingly converted to Islam in droves. 　　Through interviews with noted scholars, you’ll see how Moorish advances in mathematics, astronomy, art, and agriculture helped propel the West out of the Dark Ages and into the Renaissance. What emerges is a richly detailed portrait of a sensuous, inquisitive, and remarkably progressive Islamic culture in Christian Europe. 　　在公元711年，新转换来自北非的穆斯林部落越过直布罗陀海峡，入侵西班牙。被称为摩尔人，他们建立了一个丰富而强大的社会。它的资本，科尔多瓦，是欧洲最大和最文明的城市，医院，图书馆等公共基础设施提前光年的事情在英格兰的时候。当中的很多事情，被介绍到欧洲穆斯林在这个时候，一个巨大的身体已经失去了欧洲其他国家几个世纪的古典希腊文，数学和我们今天所使用的数字;先进的天文学和医学实践;精细就餐;概念的浪漫爱情;纸除臭;甚至勃起霜。这是不是刚性的，伊斯兰原教旨主义的一些人的想象力，而是一个渐进的，感性的和文化求知欲。但是，当社会崩溃，西班牙狂热重新基督教化，几乎每7世纪的伊斯兰统治的痕迹被无情地拆除。只是到了现在，六个世纪后，欧洲的生活和文化，摩尔人的影响终于开始得到充分的理解

An insightful documentary into the prosperity Islam engendered in Europe during its glorious reign there. 　　Join British historian Bettany Hughes as she examines a long-buried chapter of European history--the rise and fall of Islamic culture i n what is now Spain and Portugal. 　　Although generations of Spanish rulers have tried to expunge this era from the historical record, recent archeology and scholarship now shed fresh light on the Moors who flourished in Al-Andalus for more than 700 years. 　　This fascinating documentary explodes old stereotypes and offers shocking new insights. You’ll discover the ingenious mathematics behind Granada’s dazzling Alhambra Palace, trace El Cid’s lineage to his Moorish roots, and learn how the Iberian population willingly converted to Islam in droves. 　　Through interviews with noted scholars, you’ll see how Moorish advances in mathematics, astronomy, art, and agriculture helped propel the West out of the Dark Ages and into the Renaissance. What emerges is a richly detailed portrait of a sensuous, inquisitive, and remarkably progressive Islamic culture in Christian Europe. 　　在公元711年，新转换来自北非的穆斯林部落越过直布罗陀海峡，入侵西班牙。被称为摩尔人，他们建立了一个丰富而强大的社会。它的资本，科尔多瓦，是欧洲最大和最文明的城市，医院，图书馆等公共基础设施提前光年的事情在英格兰的时候。当中的很多事情，被介绍到欧洲穆斯林在这个时候，一个巨大的身体已经失去了欧洲其他国家几个世纪的古典希腊文，数学和我们今天所使用的数字;先进的天文学和医学实践;精细就餐;概念的浪漫爱情;纸除臭;甚至勃起霜。这是不是刚性的，伊斯兰原教旨主义的一些人的想象力，而是一个渐进的，感性的和文化求知欲。但是，当社会崩溃，西班牙狂热重新基督教化，几乎每7世纪的伊斯兰统治的痕迹被无情地拆除。只是到了现在，六个世纪后，欧洲的生活和文化，摩尔人的影响终于开始得到充分的理解

Tove and Tooti in Europe is a documentary charting the voyages through Europe of author Tove Jansson and graphic artist Tuulikki Pietilä. 　　It is a lyrical and sometimes hilarious film essay on the "old Europe”, experienced by travellers and observers, of times when people used to wander, share a joke, pause and, sometimes, even stop. 　　The film takes us to Paris, Venice, London, Madrid and Dublin; Iceland, Ireland and Corsica.

Tove and Tooti in Europe is a documentary charting the voyages through Europe of author Tove Jansson and graphic artist Tuulikki Pietilä. 　　It is a lyrical and sometimes hilarious film essay on the "old Europe”, experienced by travellers and observers, of times when people used to wander, share a joke, pause and, sometimes, even stop. 　　The film takes us to Paris, Venice, London, Madrid and Dublin; Iceland, Ireland and Corsica.

In 1968, we had the opportunity to spend time with Thelonious Monk and his musicians, following him in New York, Atlanta, and in various European cities. In New York his quartet plays at the Village Vanguard and at recording sessions for Columbia Records; in Atlanta they appear at a Jazz Festival organized by George Wein. The members of the quartet were Charlie Rouse, Larry Gales, and Ben Riley. The group was joined on the European tour by Ray Copeland, Clark Terry, Phil Woods, and Johnny Griffin, traveling as part of George Wein's Newport Jazz Festival road company.

Berlin, a summer in the age of neoliberalism: the spectre of the soviet avant-garde is haunting the city. A young Georgian contract-worker is surprised to find the ghost of the Russian revolutionary poet Vladimir Mayakovsky in his kitchen. At the same time, his friend Kasimir inherits a big fortune, but what shall he do with all this money? Framed by a travel through time leading to Flaubert's 19th Century und the shooting of a revisionist melodrama for German television, the film follows the adventures of these three characters in contemporary Berlin. A suprematist digital comedy about the transmission of emancipatory energies.

Berlin, a summer in the age of neoliberalism: the spectre of the soviet avant-garde is haunting the city. A young Georgian contract-worker is surprised to find the ghost of the Russian revolutionary poet Vladimir Mayakovsky in his kitchen. At the same time, his friend Kasimir inherits a big fortune, but what shall he do with all this money? Framed by a travel through time leading to Flaubert's 19th Century und the shooting of a revisionist melodrama for German television, the film follows the adventures of these three characters in contemporary Berlin. A suprematist digital comedy about the transmission of emancipatory energies.

《爱德华·蒙克》（Edvard Munch，1863年12月12日—1944年1月23日），挪威表现主义画家和版画家。蒙克作品的强烈精神和感情，对心理苦闷的强烈的、呼唤式的处理手法对20世纪初德国表现主义的成长起了主要的影响。他的作品“呐喊”（挪威语Skr ik，也译作 《尖叫》，作于1893年）被视为后工业现代化的极度痛苦之象征。 　　花絮： 　　彼得·沃特金（Peter Watkins）1974年执导的这部影片记录了挪威表现主义画家爱华德·蒙克的一生，被英格玛·伯格曼评价为“天才之作”。这部影片被认为是表现艺术创作过程的最佳作品之一，它不仅聚焦于蒙克早期循规蹈矩的岁月，还深刻地展现了情感、政治和社会的剧变对他的艺术创作产生的影响。MoC这次发行的是原始的 211分钟电视版本，这也是本片地位和评价最高的一个版本。依彼得·沃特金斯所言，这是他最具个人风格的一部影片。当他被蒙克的画作触动之后，花了三年的时间来说服挪威电视台拍摄这部影片。影片1976年3月在英国BBC电视台播放之后得到评论界的广泛褒扬。《时代》杂志在评论中用到了“催眠”一词，的确，Watkins就像催眠大师一样将观众拖进了1884年的挪威。 　　这部传记影片大致遵循了1884年到1894年的时间顺序，爱德华•蒙克开始表现主义创作并且成为欧洲北部最具争议性、得到最多诽谤的画家。影片回溯了在他五岁的时候母亲死于肺病、其姐姐的死亡以及他自己在13岁的时候也因为肺部疾病差点丧命的经历。影片还回顾了蒙克短暂的爱情以及他在挪威首都和德国柏林参与的一些政治活动。

《爱德华·蒙克》（Edvard Munch，1863年12月12日—1944年1月23日），挪威表现主义画家和版画家。蒙克作品的强烈精神和感情，对心理苦闷的强烈的、呼唤式的处理手法对20世纪初德国表现主义的成长起了主要的影响。他的作品“呐喊”（挪威语Skr ik，也译作《尖叫》，作于1893年）被视为后工业现代化的极度痛苦之象征。 　　这部传记影片大致遵循了1884年到1894年的时间顺序，爱德华·蒙克开始表现主义创作并且成为欧洲北部最具有争议、最多诽谤的画家。影片同时还回溯到在他五岁的时候，母亲死于肺病，其姐姐的死亡以及他自己在13岁的时候因为肺部疾病差点丧命。影片还回顾了，蒙克短暂的爱情以及他在挪威首都和德国柏林参与的一些政治活动。 　　花絮： 　　彼得·沃特金（Peter Watkins）1974年执导的这部影片记录了挪威表现主义画家爱华德·蒙克的一生，被英格玛·伯格曼评价为“天才之作”。这部影片被认为是表现艺术创作过程的最佳作品之一，它不仅聚焦于蒙克早期循规蹈矩的岁月，还深刻地展现了情感、政治和社会的剧变对他的艺术创作产生的影响。MoC这次发行的是原始的 211分钟电视版本，这也是本片地位和评价最高的一个版本。依彼得·沃特金斯所言，这是他最具个人风格的一部影片。当他被蒙克的画作触动之后，花了三年的时间来说服挪威电视台拍摄这部影片。影片1976年3月在英国BBC电视台播放之后得到评论界的广泛褒扬。《时代》杂志在评论中用到了“催眠”一词，的确，Watkins就像催眠大师一样将观众拖进了1884年的挪威。 　　这部传记影片大致遵循了1884年到1894年的时间顺序，爱德华•蒙克开始表现主义创作并且成为欧洲北部最具争议性、得到最多诽谤的画家。影片回溯了在他五岁的时候母亲死于肺病、其姐姐的死亡以及他自己在13岁的时候也因为肺部疾病差点丧命的经历。影片还回顾了蒙克短暂的爱情以及他在挪威首都和德国柏林参与的一些政治活动。