因为长得丑就有罪吗？本片的主人公赤沼和夫因为丑陋的面容而痛苦不堪，他的脸与挪威画家爱德华•蒙克德名作《呐喊》中那个失魂落魄的男人如出一辙。严酷的考验充斥在和夫的周围，正就读初中的他在学校遭到孤立和欺负却不能反抗；父亲诚一是某时装公司的社长和名设计师，对同事部下都很和善的父亲独独对儿子分外冷淡；母亲依子则从心底对丑陋的儿子抱有深深的厌恶之情。似乎整个世界都抛弃了和夫。       在这黑暗的世界，和夫总算有一个倾慕之人。她是和夫的同学，美丽女孩怜子。他画下怜子穿着婚纱的画送给对方，转眼二十年过去。和夫与怜子再次相逢……

Edvard Munch was one of the most important artists in the period between the 19th and 20th centuries. His motif Skrik (The Scream), repeated in several techniques, became part of the 20th-century world subconsciousness – an image of fear and loneliness most people probably know, even if they have no idea who created it.

In 1968, we had the opportunity to spend time with Thelonious Monk and his musicians, following him in New York, Atlanta, and in various European cities. In New York his quartet plays at the Village Vanguard and at recording sessions for Columbia Records; in Atlanta they appear at a Jazz Festival organized by George Wein. The members of the quartet were Charlie Rouse, Larry Gales, and Ben Riley. The group was joined on the European tour by Ray Copeland, Clark Terry, Phil Woods, and Johnny Griffin, traveling as part of George Wein's Newport Jazz Festival road company.

意大利的一个小镇上，Irma（阿莉达·瓦莉 Alida Valli 饰）的在悉尼工作的丈夫去世了，而她也决定和她的情人Aldo（史蒂夫·柯臣 Steve Cochran 饰）分开。Aldo苦苦挽留Irma无果，便带着年纪还小的女儿Rosina离开了小镇。Aldo先是去找了一个一直钟情于他的女子Elvia，Aldo却发现自己无法爱上她，又离开了。漂泊的路上，Aldo到处寻找工作。先是在一个加油站，加油站的寡妇Virginia给了他一份工作，两人之间也产生了感情。但不久后Aldo又离开了，找到了一份短暂的工作，认识了Andreina，一个妓女。警察经过，Aldo只能离开，经过加油站的时候，Virginia告诉他，Irma给他寄了封明信片。Aldo又踏上了回去寻找Irma的路。

1968年的《肉弹》让导演冈本喜八重新审视了自己的战争经历的意义，他以100年前的时代为背景，以戊辰战争为素材，描绘了生活在同样境遇下的年轻人的青春。这部作品让人想起导师牧野雅广的轻快风格，同时刻画了年轻人与死亡紧密相连的心情。

上世纪四十年代，西北地区，一个名字叫张树林的唢呐匠游走于华池当地，以红白喜事为营生的唢呐客，生前，因为散姓单脉，无所依靠，携一家奔了当时怀安张氏的大族。父亲去世后，他接了父亲的手艺，但由于当时封建思想还未彻底的消除，民间的大院被传统的门户教条思想束缚，张树林因为所从事的唢呐，在族内被认为是三教九流下三滥的行当，经常被认为是触犯了族规，予以警告和处罚。 中国大陆改革开放初期，新潮的思想以及乐器演绎充满在这块土地的大小红白喜事中，唢呐再也不是主角，唢呐班子受到了冲击，年轻人也都南下务工，也没有人学习唢呐了，柱子的唢呐班子也解散了，迫于家庭压力，柱子也背起了行囊跟张树林告别，张树林看着远去的柱子，回想着过去的所有，将那本唢呐曲谱和自己的唢呐锁进了箱子。 柱子南下打工的两年后回到家乡，国家曲协的人来到了张家堡，他们打算收集整理关于陇东唢呐的资料，柱子和张树林将那本唢呐曲谱交到了他们的手里，唢呐又迎来了一个新的春天。

《呐喊的声音》是一部艺术类探索性影片，探索了挪威标志性艺术家爱德华•蒙克62年间超过4万件艺术作品中普世的永恒本质内涵。 导演小传 本片导演Dheeraj Akolkar深深地被英格玛•伯格曼与丽芙•乌曼的生平和作品所吸引。他生于印度，现居伦敦。目前他在自己的Vardo电影公司筹备五部故事片和纪录片系列。 电影节经历 2013年墨西哥城纪录片电影节 2013吕贝克北欧电影节 2014蒙特利尔国际艺术电影节 Let the Scream be Heard is an artistic investigation to reveal and celebrate the essence behind the universality and timelessness of Iconic Norwegian Artist Edvard Munch’s creation, spanning over 62 years and more than 40,000 works of art. Director Bio The life and work of Bergman and Ullmann has fascinated director Dheeraj Akolkar for many years. He comes from India and lives in London. Currently he is working on a slate of five fiction and documentary films under his company Vardo Films. Festivals 2013:DOCSDF International Documentary Film Festival of Mexico City 2013:Nordic Film Days Lübeck 2014:FIFA - International Festival of Films on Art

Banned until very recently, Arteche’s clandestine documentary chronicles a group of students’ movements in Mexico in 1968. On July 22, 1968, two rival groups of male adolescent students fought each other in the Ciudadela neighbourhood of Mexico City; the next day the city government responded by sending policemen to stop the accompanying vandalism and to arrest the perpetrators. These riot police (granaderos) attacked the students so ferociously that protests were lodged. No one could have foreseen that both of these testosterone-driven events were the opening scene of the drama of the 1968 University-State conflict which climaxed in the Tlatelolco massacre.

爱德华·蒙克（Edvard Munch，1863年12月12日—1944年1月23日），挪威表现主义画家和版画复制匠。他画作主题的强烈精神和感情，对心理苦闷的强烈的、呼唤式的处理手法对20世纪初德国表现主义的成长起了主要的影响。他的作品“吶喊”（挪威语Skrik，也译作《尖叫》，作于1893年）被视为后工业现代化的极度痛苦之象征。 这部传记影片大致遵循了1884年到1894年的时间顺序，爱德华·蒙克开始表现主义创作并且成为欧洲北部最具有争议、最多诽谤的画家。影片同时还回溯到在他五岁的时候，母亲死于肺病，其姐姐的死亡以及他自己在13岁的时候因为肺部疾病差点丧命。影片还回顾了，蒙克短暂的爱情以及他在挪威首都和德国柏林参与的一些政治活动。

In 1968, we had the opportunity to spend time with Thelonious Monk and his musicians, following him in New York, Atlanta, and in various European cities. In New York his quartet plays at the Village Vanguard and at recording sessions for Columbia Records; in Atlanta they appear at a Jazz Festival organized by George Wein. The members of the quartet were Charlie Rouse, Larry Gales, and Ben Riley. The group was joined on the European tour by Ray Copeland, Clark Terry, Phil Woods, and Johnny Griffin, traveling as part of George Wein's Newport Jazz Festival road company.—Michael Blackwood Productions